audience
China's worst animated movie has become an anti-AI box-office hit
Say More Look Up Mashable Selects Mashable Voices Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Safety Net Creator Hub Versus Gift Ideas For Everyone On Your List Switch Off Trending Now In My Bag All Series China's'worst' animated movie has become an anti-AI box-office hit'Niu Lai' has reportedly dethroned'Obsession' as the most profitable film of all time. Olivia Tauber is the deputy editor of digital culture, covering creators, media, movies, beauty, and more. Based in New York, her work has appeared in The New York Times, Vanity Fair, The Cut, Teen Vogue, Complex, and Interview Magazine. She holds a Master's degree in Journalism from NYU and a Bachelor's from the University of Michigan. She also runs Fan Mail, a weekly pop-culture newsletter. The bizarre-looking Chinese animated film appeared destined to vanish from theaters and take its place among the countless bad movies no one remembers.
Making the case for minority-owned media in the Trump era
Mashable Voices Mashable Selects Look Up Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Say More Safety Net Creator Hub Versus Gift Ideas For Everyone On Your List Switch Off Trending Now In My Bag All Series Reaching the fastest-growing audiences in America was never a favor, writes media executive DéVon Christopher Johnson. Everything and everyone has a story. But not all of them are true. I still remember my first undergraduate journalism class when I heard the famous phrase he who controls the media, controls the mind. Ever since, I have stayed acutely aware not only of the narratives directed at me, but also of those I tell myself about who I am.
The NFL's female-focused WAG campaign isn't fooling anyone
Look Up Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Say More Safety Net Creator Hub Versus Gift Ideas For Everyone On Your List Mashable Selects Switch Off Trending Now In My Bag VidCon with Mashable All Series Viral quarterback couple content is part of a broader campaign to attract women -- but the strategy is facing backlash. Olivia Tauber is the deputy editor of digital culture, covering creators, media, movies, beauty, and more. Based in New York, her work has appeared in The New York Times, Vanity Fair, The Cut, Teen Vogue, Complex, and Interview Magazine. She holds a Master's degree in Journalism from NYU and a Bachelor's from the University of Michigan. She also runs Fan Mail, a weekly pop-culture newsletter.
Facebook launches an AI assistant built for creators
Versus Look Up Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Say More Creator Hub Gift Ideas For Everyone On Your List Mashable Selects Switch Off Trending Now Safety Net In My Bag VidCon with Mashable All Series Creator Studio promises to help Facebook creators understand their audiences without getting lost in analytics. Olivia Tauber is the deputy editor of digital culture, covering creators, media, movies, beauty, and more. Based in New York, her work has appeared in The New York Times, Vanity Fair, The Cut, Teen Vogue, Complex, and Interview Magazine. She holds a Master's degree in Journalism from NYU and a Bachelor's from the University of Michigan. She also runs Fan Mail, a weekly pop-culture newsletter.
Oh Lord, AI Reporters Are Actually Breaking Big News
At last week's Black Hat security conference in Las Vegas, OpenAI gave a surprise talk with new details on a recent hacking incident, revealing that its rogue AI agents had chitchatted about their attack on a message board. It was a juicy disclosure, and reporters in the room hustled to get stories out. WIRED was one of the quickest to write it up . But another outlet, RuntimeWire, published an article even faster, beating us by more than three hours. To make things worse, RuntimeWire didn't actually have anyone on the ground at the Mandalay Bay convention center.
PBS Chief Paula Kerger on the Aftermath of Federal Funding Cuts--and What People Get Wrong About Public Media
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Anyone can fake a scientific image with AI, tricking even academic journals – and undermining trust in science
A photograph of Earth glowing in deep space, the Moon's cratered horizon stretching across its foreground, caught many people's eyes in April 2026. Astronauts captured the image while aboard NASA's Artemis II mission, and like the famous Apollo 8 "Earthrise" image, the picture felt instantly real and inspiring for many. But when almost anyone can fabricate a visually similar image in seconds from a text prompt using artificial intelligence, how do people decide which image is real? The proliferation of AI-generated science images in public spaces is not simply a misinformation problem. As a researcher who studies visual science communication and public trust, I believe it also contributes to a crisis of trust in science in the age of AI, and the tools scientists have long relied on to establish visual credibility are losing their grip.
Erling Haaland Is Everywhere at the World Cup. Most of It Is AI
Erling Haaland Is Everywhere at the World Cup. He's become an internet character perpetuated by fans and AI. Last week, somewhere amid the World Cup frenzy, a now-viral video circulated of Norwegian striker Erling Haaland mid-mouthful in a restaurant, glancing left and flinching at his own reflection. One post on X sharing the video racked up more than 31 million views in mere days. Fact checkers traced the footage to a slapstick skit by the Chinese comedian Jin Long, posted to TikTok in mid-June .
Interactive. Violent. Gross. Inside Fishtank, the Unhinged Future of Reality TV
WIRED goes on location--and on camera--with the cult hit. On March 16, 2026, at 5:45 pm in a leafy suburb of Atlanta called Sandy Springs, police pound on the door of a neglected French Country-style mansion, rifles at the ready, bodycams rolling. Minutes earlier, a distress call came from someone claiming to be hiding from a gunman in the mansion's downstairs bathroom. The dispatcher heard a gunshot ring out in the distance, then the line disconnected. "Open the door!" an officer yells. A calm young man with a mullet and woolly eyebrows steps out, hands raised. The police ask him who else is in the house. "Just my friends," he replies, as seven other young people, men and women, silently file out behind him, less evidently relaxed. They remain outside while two officers search the house. Inside the mansion there are no immediate signs of a massacre, but the decor alone arouses suspicion. All of the windows are frosted over, so only a chilly light leaks in. The place is a mess, and the walls are adorned with lurid, seemingly AI-generated art: a frowning baby holding an assault rifle, a rubber ducky bobbing in a mug of what looks like black coffee, a lidless and levitating eyeball crying into a martini glass. The rooms are painted primary colors, grass green and cherry red, like a kindergarten class. A vape dangles from a doorframe by a chain, suspended at mouth level. The pantry is practically empty. The bedroom is a dormitory featuring seven identical twin beds. No one is hiding in the bathroom. The call, it seems, was a prank. The police return to the driveway and ask, "What is it that you guys are doing here?" "We're just livestreaming," says a man in a camo hat named Matt. "You guys don't have any firearms or anything inside the house?" There are guns in the house, Matt says, for self-defense. Fans of their livestream can be obsessive, he explains, and tend to have perverse ideas about jokes. The officer asks to see their weapons, and they go downstairs. The room is cluttered with ergonomic swivel chairs, desks strewn with takeout containers and energy drinks, two flatscreen TVs, and a dozen computer monitors.