In recent years, pre-trained Transformers have dominated the majority of NLP benchmark tasks. Many variants of pre-trained Transformers have kept breaking out, and most focus on designing different pre-training objectives or variants of self-attention. Embedding the position information in the self-attention mechanism is also an indispensable factor in Transformers however is often discussed at will. Therefore, this paper carries out an empirical study on position embeddings of mainstream pre-trained Transformers, which mainly focuses on two questions: 1) Do position embeddings really learn the meaning of positions? 2) How do these different learned position embeddings affect Transformers for NLP tasks? This paper focuses on providing a new insight of pre-trained position embeddings through feature-level analysis and empirical experiments on most of iconic NLP tasks. It is believed that our experimental results can guide the future work to choose the suitable positional encoding function for specific tasks given the application property.

Automatic melody generation has been a long-time aspiration for both AI researchers and musicians. However, learning to generate euphonious melodies has turned out to be highly challenging. This paper introduces 1) a new variant of variational autoencoder (VAE), where the model structure is designed in a modularized manner in order to model polyphonic and dynamic music with domain knowledge, and 2) a hierarchical encoding/decoding strategy, which explicitly models the dependency between melodic features. The proposed framework is capable of generating distinct melodies that sounds natural, and the experiments for evaluating generated music clips show that the proposed model outperforms the baselines in human evaluation.