Current research in audio deepfake detection is gradually transitioning from binary classification to multi-class tasks, referred as audio deepfake source tracing task. However, existing studies on source tracing consider only closed-set scenarios and have not considered the challenges posed by open-set conditions. In this paper, we define the Neural Codec Source Tracing (NCST) task, which is capable of performing open-set neural codec classification and interpretable ALM detection. Specifically, we constructed the ST-Codecfake dataset for the NCST task, which includes bilingual audio samples generated by 11 state-of-the-art neural codec methods and ALM-based out-ofdistribution (OOD) test samples. Furthermore, we establish a comprehensive source tracing benchmark to assess NCST models in open-set conditions. The experimental results reveal that although the NCST models perform well in in-distribution (ID) classification and OOD detection, they lack robustness in classifying unseen real audio. The ST-codecfake dataset and code are available.

This paper presents the development of a speech synthesis system for the LIMMITS'24 Challenge, focusing primarily on Track 2. The objective of the challenge is to establish a multi-speaker, multi-lingual Indic Text-to-Speech system with voice cloning capabilities, covering seven Indian languages with both male and female speakers. The system was trained using challenge data and fine-tuned for few-shot voice cloning on target speakers. Evaluation included both mono-lingual and cross-lingual synthesis across all seven languages, with subjective tests assessing naturalness and speaker similarity. Our system uses the VITS2 architecture, augmented with a multi-lingual ID and a BERT model to enhance contextual language comprehension. In Track 1, where no additional data usage was permitted, our model achieved a Speaker Similarity score of 4.02. In Track 2, which allowed the use of extra data, it attained a Speaker Similarity score of 4.17.

Foley audio, critical for enhancing the immersive experience in multimedia content, faces significant challenges in the AI-generated content (AIGC) landscape. Despite advancements in AIGC technologies for text and image generation, the foley audio dubbing remains rudimentary due to difficulties in cross-modal scene matching and content correlation. Current text-to-audio technology, which relies on detailed and acoustically relevant textual descriptions, falls short in practical video dubbing applications. Existing datasets like AudioSet, AudioCaps, Clotho, Sound-of-Story, and WavCaps do not fully meet the requirements for real-world foley audio dubbing task. To address this, we introduce the Multi-modal Image and Narrative Text Dubbing Dataset (MINT), designed to enhance mainstream dubbing tasks such as literary story audiobooks dubbing, image/silent video dubbing. Besides, to address the limitations of existing TTA technology in understanding and planning complex prompts, a Foley Audio Content Planning, Generation, and Alignment (CPGA) framework is proposed, which includes a content planning module leveraging large language models for complex multi-modal prompts comprehension. Additionally, the training process is optimized using Proximal Policy Optimization based reinforcement learning, significantly improving the alignment and auditory realism of generated foley audio. Experimental results demonstrate that our approach significantly advances the field of foley audio dubbing, providing robust solutions for the challenges of multi-modal dubbing. Even when utilizing the relatively lightweight GPT-2 model, our framework outperforms open-source multimodal large models such as LLaVA, DeepSeek-VL, and Moondream2. The dataset is available at https://github.com/borisfrb/MINT .

With the proliferation of deepfake audio, there is an urgent need to investigate their attribution. Current source tracing methods can effectively distinguish in-distribution (ID) categories. However, the rapid evolution of deepfake algorithms poses a critical challenge in the accurate identification of out-of-distribution (OOD) novel deepfake algorithms. In this paper, we propose Real Emphasis and Fake Dispersion (REFD) strategy for audio deepfake algorithm recognition, demonstrating its effectiveness in discriminating ID samples while identifying OOD samples. For effective OOD detection, we first explore current post-hoc OOD methods and propose NSD, a novel OOD approach in identifying novel deepfake algorithms through the similarity consideration of both feature and logits scores. REFD achieves 86.83% F1-score as a single system in Audio Deepfake Detection Challenge 2023 Track3, showcasing its state-of-the-art performance.

With the proliferation of Audio Language Model (ALM) based deepfake audio, there is an urgent need for generalized detection methods. ALM-based deepfake audio currently exhibits widespread, high deception, and type versatility, posing a significant challenge to current audio deepfake detection (ADD) models trained solely on vocoded data. To effectively detect ALM-based deepfake audio, we focus on the mechanism of the ALM-based audio generation method, the conversion from neural codec to waveform. We initially construct the Codecfake dataset, an open-source large-scale dataset, including 2 languages, over 1M audio samples, and various test conditions, focus on ALM-based audio detection. As countermeasure, to achieve universal detection of deepfake audio and tackle domain ascent bias issue of original SAM, we propose the CSAM strategy to learn a domain balanced and generalized minima. In our experiments, we first demonstrate that ADD model training with the Codecfake dataset can effectively detects ALM-based audio. Furthermore, our proposed generalization countermeasure yields the lowest average Equal Error Rate (EER) of 0.616% across all test conditions compared to baseline models. The dataset and associated code are available online.

This paper presents a French text-to-speech synthesis system for the Blizzard Challenge 2023. The challenge consists of two tasks: generating high-quality speech from female speakers and generating speech that closely resembles specific individuals. Regarding the competition data, we conducted a screening process to remove missing or erroneous text data. We organized all symbols except for phonemes and eliminated symbols that had no pronunciation or zero duration. Additionally, we added word boundary and start/end symbols to the text, which we have found to improve speech quality based on our previous experience. For the Spoke task, we performed data augmentation according to the competition rules. We used an open-source G2P model to transcribe the French texts into phonemes. As the G2P model uses the International Phonetic Alphabet (IPA), we applied the same transcription process to the provided competition data for standardization. However, due to compiler limitations in recognizing special symbols from the IPA chart, we followed the rules to convert all phonemes into the phonetic scheme used in the competition data. Finally, we resampled all competition audio to a uniform sampling rate of 16 kHz. We employed a VITS-based acoustic model with the hifigan vocoder. For the Spoke task, we trained a multi-speaker model and incorporated speaker information into the duration predictor, vocoder, and flow layers of the model. The evaluation results of our system showed a quality MOS score of 3.6 for the Hub task and 3.4 for the Spoke task, placing our system at an average level among all participating teams.