Despite recent significant strides achieved by diffusion-based Text-to-Image (T2I) models, current systems are still less capable of ensuring decent compositional generation aligned with text prompts, particularly for the multi-object generation. This work illuminates the fundamental reasons for such misalignment, pinpointing issues related to low attention activation scores and mask overlaps. While previous research efforts have individually tackled these issues, we assert that a holistic approach is paramount. Thus, we propose two novel objectives, the Separate loss and the Enhance loss, that reduce object mask overlaps and maximize attention scores, respectively. Our method diverges from conventional test-time-adaptation techniques, focusing on finetuning critical parameters, which enhances scalability and generalizability. Comprehensive evaluations demonstrate the superior performance of our model in terms of image realism, text-image alignment, and adaptability, notably outperforming prominent baselines. Ultimately, this research paves the way for T2I diffusion models with enhanced compositional capacities and broader applicability.

We study the problem of inferring scene affordances by presenting a method for realistically inserting people into scenes. Given a scene image with a marked region and an image of a person, we insert the person into the scene while respecting the scene affordances. Our model can infer the set of realistic poses given the scene context, re-pose the reference person, and harmonize the composition. We set up the task in a self-supervised fashion by learning to re-pose humans in video clips. We train a large-scale diffusion model on a dataset of 2.4M video clips that produces diverse plausible poses while respecting the scene context. Given the learned human-scene composition, our model can also hallucinate realistic people and scenes when prompted without conditioning and also enables interactive editing. A quantitative evaluation shows that our method synthesizes more realistic human appearance and more natural human-scene interactions than prior work.

Numerous pose-guided human editing methods have been explored by the vision community due to their extensive practical applications. However, most of these methods still use an image-to-image formulation in which a single image is given as input to produce an edited image as output. This objective becomes ill-defined in cases when the target pose differs significantly from the input pose. Existing methods then resort to in-painting or style transfer to handle occlusions and preserve content. In this paper, we explore the utilization of multiple views to minimize the issue of missing information and generate an accurate representation of the underlying human model. To fuse knowledge from multiple viewpoints, we design a multi-view fusion network that takes the pose key points and texture from multiple source images and generates an explainable per-pixel appearance retrieval map. Thereafter, the encodings from a separate network (trained on a single-view human reposing task) are merged in the latent space. This enables us to generate accurate, precise, and visually coherent images for different editing tasks. We show the application of our network on two newly proposed tasks - Multi-view human reposing and Mix&Match Human Image generation. Additionally, we study the limitations of single-view editing and scenarios in which multi-view provides a better alternative.

The task of human reposing involves generating a realistic image of a person standing in an arbitrary conceivable pose. There are multiple difficulties in generating perceptually accurate images, and existing methods suffer from limitations in preserving texture, maintaining pattern coherence, respecting cloth boundaries, handling occlusions, manipulating skin generation, etc. These difficulties are further exacerbated by the fact that the possible space of pose orientation for humans is large and variable, the nature of clothing items is highly non-rigid, and the diversity in body shape differs largely among the population. To alleviate these difficulties and synthesize perceptually accurate images, we propose VGFlow. Our model uses a visibility-guided flow module to disentangle the flow into visible and invisible parts of the target for simultaneous texture preservation and style manipulation. Furthermore, to tackle distinct body shapes and avoid network artifacts, we also incorporate a self-supervised patch-wise "realness" loss to improve the output. VGFlow achieves state-of-the-art results as observed qualitatively and quantitatively on different image quality metrics (SSIM, LPIPS, FID).

Denoising Diffusion models have shown remarkable capabilities in generating realistic, high-quality and diverse images. However, the extent of controllability during generation is underexplored. Inspired by techniques based on GAN latent space for image manipulation, we train a diffusion model conditioned on two latent codes, a spatial content mask and a flattened style embedding. We rely on the inductive bias of the progressive denoising process of diffusion models to encode pose/layout information in the spatial structure mask and semantic/style information in the style code. We propose two generic sampling techniques for improving controllability. We extend composable diffusion models to allow for some dependence between conditional inputs, to improve the quality of generations while also providing control over the amount of guidance from each latent code and their joint distribution. We also propose timestep dependent weight scheduling for content and style latents to further improve the translations. We observe better controllability compared to existing methods and show that without explicit training objectives, diffusion models can be used for effective image manipulation and image translation.

Large-scale text-to-image generative models have shown their remarkable ability to synthesize diverse and high-quality images. However, it is still challenging to directly apply these models for editing real images for two reasons. First, it is hard for users to come up with a perfect text prompt that accurately describes every visual detail in the input image. Second, while existing models can introduce desirable changes in certain regions, they often dramatically alter the input content and introduce unexpected changes in unwanted regions. In this work, we propose pix2pix-zero, an image-to-image translation method that can preserve the content of the original image without manual prompting. We first automatically discover editing directions that reflect desired edits in the text embedding space. To preserve the general content structure after editing, we further propose cross-attention guidance, which aims to retain the cross-attention maps of the input image throughout the diffusion process. In addition, our method does not need additional training for these edits and can directly use the existing pre-trained text-to-image diffusion model. We conduct extensive experiments and show that our method outperforms existing and concurrent works for both real and synthetic image editing.

E LASTIC-I NFOGAN: U NSUPERVISEDD ISENTANGLED R EPRESENTATIONL EARNING IN I MBALANCEDD ATA Utkarsh Ojha 1, Krishna Kumar Singh 1, Cho-Jui Hsieh 2, and Y ong Jae Lee 1 1 University of California, Davis 2 University of California, Los Angeles A BSTRACT We propose a novel unsupervised generative model, Elastic-InfoGAN, that learns to disentangle object identity from other low-level aspects in class-imbalanced datasets. We first investigate the issues surrounding the assumptions about uniformity made by InfoGAN (Chen et al. (2016)), and demonstrate its ineffectiveness to properly disentangle object identity in imbalanced data. Our key idea is to make the discovery of the discrete latent factor of variation invariant to identity-preserving transformations in real images, and use that as the signal to learn the latent distribution's parameters. Experiments on both artificial (MNIST) and real-world (Y ouTube-Faces) datasets demonstrate the effectiveness of our approach in imbalanced data by: (i) better disentanglement of object identity as a latent factor of variation; and (ii) better approximation of class imbalance in the data, as reflected in the learned parameters of the latent distribution. Recent deep neural network based models such as Generative Adversarial Networks (Goodfellow et al. (2014); Salimans et al. (2016); Radford et al. (2016)) and V ariational Autoen-coders (Kingma & Welling (2014); Higgins et al. (2017)) have led to promising results in generating realistic samples for high-dimensional and complex data such as images. More advanced models show how to discover disentangled representations (Y an et al. (2016); Chen et al. (2016); Tran et al. (2017); Hu et al. (2018); Singh et al. (2019)), in which different latent dimensions can be made to represent independent factors of variation (e.g., pose, identity) in the data (e.g., human faces). InfoGAN (Chen et al. (2016)) in particular, tries to learn an unsupervised disentangled representation by maximizing the mutual information between the discrete or continuous latent variables and the corresponding generated samples. For discrete latent factors (e.g., digit identities), it assumes that they are uniformly distributed in the data, and approximates them accordingly using a fixed uniform categorical distribution. Although this assumption holds true for many existing benchmark datasets (e.g., MNIST LeCun (1998)), real-word data often follows a long-tailed distribution and rarely exhibits perfect balance between the categories.

We propose FineGAN, a novel unsupervised GAN framework, which disentangles the background, object shape, and object appearance to hierarchically generate images of fine-grained object categories. To disentangle the factors without any supervision, our key idea is to use information theory to associate each factor to a latent code, and to condition the relationships between the codes in a specific way to induce the desired hierarchy. Through extensive experiments, we show that FineGAN achieves the desired disentanglement to generate realistic and diverse images belonging to fine-grained classes of birds, dogs, and cars. Using FineGAN's automatically learned features, we also cluster real images as a first attempt at solving the novel problem of unsupervised fine-grained object category discovery. Our video demo can be found at https://www.youtube.com/watch?v=tkk0SeWGu-8.

We present a scalable approach for Detecting Objects by transferring Common-sense Knowledge (DOCK) from source to target categories. In our setting, the training data for the source categories have bounding box annotations, while those for the target categories only have image-level annotations. Current state-of-the-art approaches focus on image-level visual or semantic similarity to adapt a detector trained on the source categories to the new target categories. In contrast, our key idea is to (i) use similarity not at the image-level, but rather at the region-level, and (ii) leverage richer common-sense (based on attribute, spatial, etc.) to guide the algorithm towards learning the correct detections. We acquire such common-sense cues automatically from readily-available knowledge bases without any extra human effort. On the challenging MS COCO dataset, we find that common-sense knowledge can substantially improve detection performance over existing transfer-learning baselines.