Visual narrative generation transforms textual narratives into sequences of images illustrating the content of the text. However, generating visual narratives that are faithful to the input text and self-consistent across generated images remains an open challenge, due to the lack of knowledge constraints used for planning the stories. In this work, we propose a new benchmark, VinaBench, to address this challenge. Our benchmark annotates the underlying commonsense and discourse constraints in visual narrative samples, offering systematic scaffolds for learning the implicit strategies of visual storytelling. Based on the incorporated narrative constraints, we further propose novel metrics to closely evaluate the consistency of generated narrative images and the alignment of generations with the input textual narrative. Our results across three generative vision models demonstrate that learning with VinaBench's knowledge constraints effectively improves the faithfulness and cohesion of generated visual narratives.

Despite significant recent advances in generative acoustic text-to-music (TTM) modeling, robust evaluation of these models lags behind, relying in particular on the popular Fr\'echet Audio Distance (FAD). In this work, we rigorously study the design space of reference-based divergence metrics for evaluating TTM models through (1) designing four synthetic meta-evaluations to measure sensitivity to particular musical desiderata, and (2) collecting and evaluating on MusicPrefs, the first open-source dataset of human preferences for TTM systems. We find that not only is the standard FAD setup inconsistent on both synthetic and human preference data, but that nearly all existing metrics fail to effectively capture desiderata, and are only weakly correlated with human perception. We propose a new metric, the MAUVE Audio Divergence (MAD), computed on representations from a self-supervised audio embedding model. We find that this metric effectively captures diverse musical desiderata (average rank correlation 0.84 for MAD vs. 0.49 for FAD and also correlates more strongly with MusicPrefs (0.62 vs. 0.14).

Music-to-music-video generation is a challenging task due to the intrinsic differences between the music and video modalities. The advent of powerful text-to-video diffusion models has opened a promising pathway for music-video (MV) generation by first addressing the music-to-MV description task and subsequently leveraging these models for video generation. In this study, we focus on the MV description generation task and propose a comprehensive pipeline encompassing training data construction and multimodal model fine-tuning. We fine-tune existing pre-trained multimodal models on our newly constructed music-to-MV description dataset based on the Music4All dataset, which integrates both musical and visual information. Our experimental results demonstrate that music representations can be effectively mapped to textual domains, enabling the generation of meaningful MV description directly from music inputs. We also identify key components in the dataset construction pipeline that critically impact the quality of MV description and highlight specific musical attributes that warrant greater focus for improved MV description generation.

Consistency Training (CT) has recently emerged as a promising alternative to diffusion models, achieving competitive performance in image generation tasks. However, non-distillation consistency training often suffers from high variance and instability, and analyzing and improving its training dynamics is an active area of research. In this work, we propose a novel CT training approach based on the Flow Matching framework. Our main contribution is a trained noise-coupling scheme inspired by the architecture of Variational Autoencoders (VAE). By training a data-dependent noise emission model implemented as an encoder architecture, our method can indirectly learn the geometry of the noise-to-data mapping, which is instead fixed by the choice of the forward process in classical CT. Empirical results across diverse image datasets show significant generative improvements, with our model outperforming baselines and achieving the state-of-the-art (SoTA) non-distillation CT FID on CIFAR-10, and attaining FID on par with SoTA on ImageNet at $64 \times 64$ resolution in 2-step generation. Our code is available at https://github.com/sony/vct .

Detecting musical versions (different renditions of the same piece) is a challenging task with important applications. Because of the ground truth nature, existing approaches match musical versions at the track level (e.g., whole song). However, most applications require to match them at the segment level (e.g., 20s chunks). In addition, existing approaches resort to classification and triplet losses, disregarding more recent losses that could bring meaningful improvements. In this paper, we propose a method to learn from weakly annotated segments, together with a contrastive loss variant that outperforms well-studied alternatives. The former is based on pairwise segment distance reductions, while the latter modifies an existing loss following decoupling, hyper-parameter, and geometric considerations. With these two elements, we do not only achieve state-of-the-art results in the standard track-level evaluation, but we also obtain a breakthrough performance in a segment-level evaluation. We believe that, due to the generality of the challenges addressed here, the proposed methods may find utility in domains beyond audio or musical version matching.

Recent advancements in music large language models (LLMs) have significantly improved music understanding tasks, which involve the model's ability to analyze and interpret various musical elements. These improvements primarily focused on integrating both music and text inputs. However, the potential of incorporating additional modalities such as images, videos and textual music features to enhance music understanding remains unexplored. To bridge this gap, we propose DeepResonance, a multimodal music understanding LLM fine-tuned via multi-way instruction tuning with multi-way aligned music, text, image, and video data. To this end, we construct Music4way-MI2T, Music4way-MV2T, and Music4way-Any2T, three 4-way training and evaluation datasets designed to enable DeepResonance to integrate both visual and textual music feature content. We also introduce multi-sampled ImageBind embeddings and a pre-alignment Transformer to enhance modality fusion prior to input into text LLMs, tailoring DeepResonance for multi-way instruction tuning. Our model achieves state-of-the-art performances across six music understanding tasks, highlighting the benefits of the auxiliary modalities and the structural superiority of DeepResonance. We plan to open-source the models and the newly constructed datasets.

Parameter-Efficient Fine-Tuning (PEFT) of text-to-image models has become an increasingly popular technique with many applications. Among the various PEFT methods, Low-Rank Adaptation (LoRA) and its variants have gained significant attention due to their effectiveness, enabling users to fine-tune models with limited computational resources. However, the approximation gap between the low-rank assumption and desired fine-tuning weights prevents the simultaneous acquisition of ultra-parameter-efficiency and better performance. To reduce this gap and further improve the power of LoRA, we propose a new PEFT method that combines two classes of adaptations, namely, transform and residual adaptations. In specific, we first apply a full-rank and dense transform to the pre-trained weight. This learnable transform is expected to align the pre-trained weight as closely as possible to the desired weight, thereby reducing the rank of the residual weight. Then, the residual part can be effectively approximated by more compact and parameter-efficient structures, with a smaller approximation error. To achieve ultra-parameter-efficiency in practice, we design highly flexible and effective tensor decompositions for both the transform and residual adaptations. Additionally, popular PEFT methods such as DoRA can be summarized under this transform plus residual adaptation scheme. Experiments are conducted on fine-tuning Stable Diffusion models in subject-driven and controllable generation. The results manifest that our method can achieve better performances and parameter efficiency compared to LoRA and several baselines.

We propose to synthesize high-quality and synchronized audio, given video and optional text conditions, using a novel multimodal joint training framework MMAudio. In contrast to single-modality training conditioned on (limited) video data only, MMAudio is jointly trained with larger-scale, readily available text-audio data to learn to generate semantically aligned high-quality audio samples. Additionally, we improve audio-visual synchrony with a conditional synchronization module that aligns video conditions with audio latents at the frame level. Trained with a flow matching objective, MMAudio achieves new video-to-audio state-of-the-art among public models in terms of audio quality, semantic alignment, and audio-visual synchronization, while having a low inference time (1.23s to generate an 8s clip) and just 157M parameters. MMAudio also achieves surprisingly competitive performance in text-to-audio generation, showing that joint training does not hinder single-modality performance. Code and demo are available at: https://hkchengrex.github.io/MMAudio

Recent advancements in text-to-image diffusion models have brought them to the public spotlight, becoming widely accessible and embraced by everyday users. However, these models have been shown to generate harmful content such as not-safe-for-work (NSFW) images. While approaches have been proposed to erase such abstract concepts from the models, jail-breaking techniques have succeeded in bypassing such safety measures. In this paper, we propose TraSCE, an approach to guide the diffusion trajectory away from generating harmful content. Our approach is based on negative prompting, but as we show in this paper, conventional negative prompting is not a complete solution and can easily be bypassed in some corner cases. To address this issue, we first propose a modification of conventional negative prompting. Furthermore, we introduce a localized loss-based guidance that enhances the modified negative prompting technique by steering the diffusion trajectory. We demonstrate that our proposed method achieves state-of-the-art results on various benchmarks in removing harmful content including ones proposed by red teams; and erasing artistic styles and objects. Our proposed approach does not require any training, weight modifications, or training data (both image or prompt), making it easier for model owners to erase new concepts.

Blind inverse problems, where both the target data and forward operator are unknown, are crucial to many computer vision applications. Existing methods often depend on restrictive assumptions such as additional training, operator linearity, or narrow image distributions, thus limiting their generalizability. In this work, we present LADiBI, a training-free framework that uses large-scale text-to-image diffusion models to solve blind inverse problems with minimal assumptions. By leveraging natural language prompts, LADiBI jointly models priors for both the target image and operator, allowing for flexible adaptation across a variety of tasks. Additionally, we propose a novel posterior sampling approach that combines effective operator initialization with iterative refinement, enabling LADiBI to operate without predefined operator forms. Our experiments show that LADiBI is capable of solving a broad range of image restoration tasks, including both linear and nonlinear problems, on diverse target image distributions.