We present a novel perspective on learning video embedders for generative modeling: rather than requiring an exact reproduction of an input video, an effective embedder should focus on synthesizing visually plausible reconstructions. This relaxed criterion enables substantial improvements in compression ratios without compromising the quality of downstream generative models. Specifically, we propose replacing the conventional encoder-decoder video embedder with an encoder-generator framework that employs a diffusion transformer (DiT) to synthesize missing details from a compact latent space. Therein, we develop a dedicated latent conditioning module to condition the DiT decoder on the encoded video latent embedding. Our experiments demonstrate that our approach enables superior encoding-decoding performance compared to state-of-the-art methods, particularly as the compression ratio increases. To demonstrate the efficacy of our approach, we report results from our video embedders achieving a temporal compression ratio of up to 32x (8x higher than leading video embedders) and validate the robustness of this ultra-compact latent space for text-to-video generation, providing a significant efficiency boost in latent diffusion model training and inference.

Video tokenizers are essential for latent video diffusion models, converting raw video data into spatiotemporally compressed latent spaces for efficient training. However, extending state-of-the-art video tokenizers to achieve a temporal compression ratio beyond 4x without increasing channel capacity poses significant challenges. In this work, we propose an alternative approach to enhance temporal compression. We find that the reconstruction quality of temporally subsampled videos from a low-compression encoder surpasses that of high-compression encoders applied to original videos. This indicates that high-compression models can leverage representations from lower-compression models. Building on this insight, we develop a bootstrapped high-temporal-compression model that progressively trains high-compression blocks atop well-trained lower-compression models. Our method includes a cross-level feature-mixing module to retain information from the pretrained low-compression model and guide higher-compression blocks to capture the remaining details from the full video sequence. Evaluation of video benchmarks shows that our method significantly improves reconstruction quality while increasing temporal compression compared to direct extensions of existing video tokenizers. Furthermore, the resulting compact latent space effectively trains a video diffusion model for high-quality video generation with a reduced token budget.

Fr\'echet Video Distance (FVD), a prominent metric for evaluating video generation models, is known to conflict with human perception occasionally. In this paper, we aim to explore the extent of FVD's bias toward per-frame quality over temporal realism and identify its sources. We first quantify the FVD's sensitivity to the temporal axis by decoupling the frame and motion quality and find that the FVD increases only slightly with large temporal corruption. We then analyze the generated videos and show that via careful sampling from a large set of generated videos that do not contain motions, one can drastically decrease FVD without improving the temporal quality. Both studies suggest FVD's bias towards the quality of individual frames. We further observe that the bias can be attributed to the features extracted from a supervised video classifier trained on the content-biased dataset. We show that FVD with features extracted from the recent large-scale self-supervised video models is less biased toward image quality. Finally, we revisit a few real-world examples to validate our hypothesis.

We introduce Text2Cinemagraph, a fully automated method for creating cinemagraphs from text descriptions - an especially challenging task when prompts feature imaginary elements and artistic styles, given the complexity of interpreting the semantics and motions of these images. We focus on cinemagraphs of fluid elements, such as flowing rivers, and drifting clouds, which exhibit continuous motion and repetitive textures. Existing single-image animation methods fall short on artistic inputs, and recent text-based video methods frequently introduce temporal inconsistencies, struggling to keep certain regions static. To address these challenges, we propose an idea of synthesizing image twins from a single text prompt - a pair of an artistic image and its pixel-aligned corresponding natural-looking twin. While the artistic image depicts the style and appearance detailed in our text prompt, the realistic counterpart greatly simplifies layout and motion analysis. Leveraging existing natural image and video datasets, we can accurately segment the realistic image and predict plausible motion given the semantic information. The predicted motion can then be transferred to the artistic image to create the final cinemagraph. Our method outperforms existing approaches in creating cinemagraphs for natural landscapes as well as artistic and other-worldly scenes, as validated by automated metrics and user studies. Finally, we demonstrate two extensions: animating existing paintings and controlling motion directions using text.