Li, Shengchen
Intelligent Fish Detection System with Similarity-Aware Transformer
Li, Shengchen, Zuo, Haobo, Fu, Changhong, Wang, Zhiyong, Xu, Zhiqiang
Fish detection in water-land transfer has significantly contributed to the fishery. However, manual fish detection in crowd-collaboration performs inefficiently and expensively, involving insufficient accuracy. To further enhance the water-land transfer efficiency, improve detection accuracy, and reduce labor costs, this work designs a new type of lightweight and plug-and-play edge intelligent vision system to automatically conduct fast fish detection with high-speed camera. Moreover, a novel similarity-aware vision Transformer for fast fish detection (FishViT) is proposed to onboard identify every single fish in a dense and similar group. Specifically, a novel similarity-aware multi-level encoder is developed to enhance multi-scale features in parallel, thereby yielding discriminative representations for varying-size fish. Additionally, a new soft-threshold attention mechanism is introduced, which not only effectively eliminates background noise from images but also accurately recognizes both the edge details and overall features of different similar fish. 85 challenging video sequences with high framerate and high-resolution are collected to establish a benchmark from real fish water-land transfer scenarios. Exhaustive evaluation conducted with this challenging benchmark has proved the robustness and effectiveness of FishViT with over 80 FPS. Real work scenario tests validate the practicality of the proposed method. The code and demo video are available at https://github.com/vision4robotics/FishViT.
Visually-Aware Audio Captioning With Adaptive Audio-Visual Attention
Liu, Xubo, Huang, Qiushi, Mei, Xinhao, Liu, Haohe, Kong, Qiuqiang, Sun, Jianyuan, Li, Shengchen, Ko, Tom, Zhang, Yu, Tang, Lilian H., Plumbley, Mark D., Kฤฑlฤฑรง, Volkan, Wang, Wenwu
Audio captioning aims to generate text descriptions of audio clips. In the real world, many objects produce similar sounds. How to accurately recognize ambiguous sounds is a major challenge for audio captioning. In this work, inspired by inherent human multimodal perception, we propose visually-aware audio captioning, which makes use of visual information to help the description of ambiguous sounding objects. Specifically, we introduce an off-the-shelf visual encoder to extract video features and incorporate the visual features into an audio captioning system. Furthermore, to better exploit complementary audio-visual contexts, we propose an audio-visual attention mechanism that adaptively integrates audio and visual context and removes the redundant information in the latent space. Experimental results on AudioCaps, the largest audio captioning dataset, show that our proposed method achieves state-of-the-art results on machine translation metrics.
An Comparative Analysis of Different Pitch and Metrical Grid Encoding Methods in the Task of Sequential Music Generation
Li, Yuqiang, Li, Shengchen, Fazekas, George
Pitch and meter are two fundamental music features for symbolic music generation tasks, where researchers usually choose different encoding methods depending on specific goals. However, the advantages and drawbacks of different encoding methods have not been frequently discussed. This paper presents a integrated analysis of the influence of two low-level feature, pitch and meter, on the performance of a token-based sequential music generation model. First, the commonly used MIDI number encoding and a less used class-octave encoding are compared. Second, an dense intra-bar metric grid is imposed to the encoded sequence as auxiliary features. Different complexity and resolutions of the metric grid are compared. For complexity, the single token approach and the multiple token approach are compared; for grid resolution, 0 (ablation), 1 (bar-level), 4 (downbeat-level) 12, (8th-triplet-level) up to 64 (64th-note-grid-level) are compared; for duration resolution, 4, 8, 12 and 16 subdivisions per beat are compared. All different encodings are tested on separately trained Transformer-XL models for a melody generation task. Regarding distribution similarity of several objective evaluation metrics to the test dataset, results suggest that the class-octave encoding significantly outperforms the taken-for-granted MIDI encoding on pitch-related metrics; finer grids and multiple-token grids improve the rhythmic quality, but also suffer from over-fitting at early training stage. Results display a general phenomenon of over-fitting from two aspects, the pitch embedding space and the test loss of the single-token grid encoding. From a practical perspective, we both demonstrate the feasibility and raise the concern of easy over-fitting problem of using smaller networks and lower embedding dimensions on the generation task. The findings can also contribute to futural models in terms of feature engineering.