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Collaborating Authors

 Hild, Hermann




HARMONET: A Neural Net for Harmonizing Chorales in the Style of J. S. Bach

Neural Information Processing Systems

The chord skeleton is obtained if eighth and sixteenth notes are viewed as omitable ornamentations. Furthermore, if the chords are conceived as harmonies with certain attributes such as "inversion" or "characteristic dissonances", the chorale is reducible to its harmonic skeleton, a thoroughbass-like representation (Figure 2).


HARMONET: A Neural Net for Harmonizing Chorales in the Style of J. S. Bach

Neural Information Processing Systems

After being trained on some dozen Bach chorales using error backpropagation, the system is capable of producing four-part chorales in the style of J .s.Bach, given a one-part melody. Our system solves a musical real-world problem on a performance level appropriate for musical practice. HARMONET's power is based on (a) a new coding scheme capturing musically relevant information and (b) the integration of backpropagation and symbolic algorithms in a hierarchical system, combining theadvantages of both. 1 INTRODUCTION Neural approaches to music processing have been previously proposed (Lischka, 1989) and implemented (Mozer, 1991)(Todd, 1989). The promise neural networks offer is that they may shed some light on an aspect of human creativity that doesn't seem to be describable in terms of symbols and rules. Ultimately what music is (or isn't) lies in the eye (or ear) of the beholder.