Recently, zero-shot image captioning has gained increasing attention, where only text data is available for training. The remarkable progress in text-to-image diffusion model presents the potential to resolve this task by employing synthetic image-caption pairs generated by this pre-trained prior. Nonetheless, the defective details in the salient regions of the synthetic images introduce semantic misalignment between the synthetic image and text, leading to compromised results. To address this challenge, we propose a novel Patch-wise Cross-modal feature Mix-up (PCM) mechanism to adaptively mitigate the unfaithful contents in a fine-grained manner during training, which can be integrated into most of encoder-decoder frameworks, introducing our PCM-Net. Specifically, for each input image, salient visual concepts in the image are first detected considering the image-text similarity in CLIP space. Next, the patch-wise visual features of the input image are selectively fused with the textual features of the salient visual concepts, leading to a mixed-up feature map with less defective content. Finally, a visual-semantic encoder is exploited to refine the derived feature map, which is further incorporated into the sentence decoder for caption generation. Additionally, to facilitate the model training with synthetic data, a novel CLIP-weighted cross-entropy loss is devised to prioritize the high-quality image-text pairs over the low-quality counterparts. Extensive experiments on MSCOCO and Flickr30k datasets demonstrate the superiority of our PCM-Net compared with state-of-the-art VLMs-based approaches. It is noteworthy that our PCM-Net ranks first in both in-domain and cross-domain zero-shot image captioning. The synthetic dataset SynthImgCap and code are available at https://jianjieluo.github.io/SynthImgCap.

With the rise and development of deep learning over the past decade, there has been a steady momentum of innovation and breakthroughs that convincingly push the state-of-the-art of cross-modal analytics between vision and language in multimedia field. Nevertheless, there has not been an open-source codebase in support of training and deploying numerous neural network models for cross-modal analytics in a unified and modular fashion. In this work, we propose X-modaler -- a versatile and high-performance codebase that encapsulates the state-of-the-art cross-modal analytics into several general-purpose stages (e.g., pre-processing, encoder, cross-modal interaction, decoder, and decode strategy). Each stage is empowered with the functionality that covers a series of modules widely adopted in state-of-the-arts and allows seamless switching in between. This way naturally enables a flexible implementation of state-of-the-art algorithms for image captioning, video captioning, and vision-language pre-training, aiming to facilitate the rapid development of research community. Meanwhile, since the effective modular designs in several stages (e.g., cross-modal interaction) are shared across different vision-language tasks, X-modaler can be simply extended to power startup prototypes for other tasks in cross-modal analytics, including visual question answering, visual commonsense reasoning, and cross-modal retrieval. X-modaler is an Apache-licensed codebase, and its source codes, sample projects and pre-trained models are available on-line: https://github.com/YehLi/xmodaler.

Creating aesthetically pleasing pieces of art, including music, has been a long-term goal for artificial intelligence research. Despite recent successes of long-short term memory (LSTM) recurrent neural networks (RNNs) in sequential learning, LSTM neural networks have not, by themselves, been able to generate natural-sounding music conforming to music theory. To transcend this inadequacy, we put forward a novel method for music composition that combines the LSTM with Grammars motivated by music theory. The main tenets of music theory are encoded as grammar argumented (GA) filters on the training data, such that the machine can be trained to generate music inheriting the naturalness of human-composed pieces from the original dataset while adhering to the rules of music theory. Unlike previous approaches, pitches and durations are encoded as one semantic entity, which we refer to as note-level encoding. This allows easy implementation of music theory grammars, as well as closer emulation of the thinking pattern of a musician. Although the GA rules are applied to the training data and never directly to the LSTM music generation, our machine still composes music that possess high incidences of diatonic scale notes, small pitch intervals and chords, in deference to music theory.