Handwritten Text Recognition (HTR) has become an essential field within pattern recognition and machine learning, with applications spanning historical document preservation to modern data entry and accessibility solutions. The complexity of HTR lies in the high variability of handwriting, which makes it challenging to develop robust recognition systems. This survey examines the evolution of HTR models, tracing their progression from early heuristic-based approaches to contemporary state-of-the-art neural models, which leverage deep learning techniques. The scope of the field has also expanded, with models initially capable of recognizing only word-level content progressing to recent end-to-end document-level approaches. Our paper categorizes existing work into two primary levels of recognition: (1) \emph{up to line-level}, encompassing word and line recognition, and (2) \emph{beyond line-level}, addressing paragraph- and document-level challenges. We provide a unified framework that examines research methodologies, recent advances in benchmarking, key datasets in the field, and a discussion of the results reported in the literature. Finally, we identify pressing research challenges and outline promising future directions, aiming to equip researchers and practitioners with a roadmap for advancing the field.

Recent advances in Handwritten Text Recognition (HTR) have led to significant reductions in transcription errors on standard benchmarks under the i.i.d. assumption, thus focusing on minimizing in-distribution (ID) errors. However, this assumption does not hold in real-world applications, which has motivated HTR research to explore Transfer Learning and Domain Adaptation techniques. In this work, we investigate the unaddressed limitations of HTR models in generalizing to out-of-distribution (OOD) data. We adopt the challenging setting of Domain Generalization, where models are expected to generalize to OOD data without any prior access. To this end, we analyze 336 OOD cases from eight state-of-the-art HTR models across seven widely used datasets, spanning five languages. Additionally, we study how HTR models leverage synthetic data to generalize. We reveal that the most significant factor for generalization lies in the textual divergence between domains, followed by visual divergence. We demonstrate that the error of HTR models in OOD scenarios can be reliably estimated, with discrepancies falling below 10 points in 70\% of cases. We identify the underlying limitations of HTR models, laying the foundation for future research to address this challenge.

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 6th International Workshop on Reading Music Systems, held Online on November 22nd 2024.

Handwritten text recognition (HTR) is the research area in the field of computer vision whose objective is to transcribe the textual content of a written manuscript into a digital machine-readable format [73]. This field not only plays a key role in the current digital era of handwriting by electronic means (such as tablets) [11], but is also of paramount relevance for the preservation, indexing and dissemination of historical manuscripts that exist solely in a physical format [56]. HTR has developed considerably over the last decade owing to the emergence of Deep Learning [57], which has greatly increased its performance. However, in order to attain competitive results, these solutions usually require large volumes of manually-labelled data, which is the principal bottleneck of this method. One means by which to alleviate this problem, Self-Supervised Learning (SSL), has recently gained considerable attention from the research community [61]. SSL employs what is termed as a pretext task to leverage collections of unlabelled data for the training of neural models in order to obtain descriptive and intelligible representations [8], thus reducing the need for large amounts of labelled data [4]. The pretext tasks can be framed in different categories according to their working principle [34, 61], with the following being some of the main existing families: (i) image generation strategies [63, 46], which focus on recovering the original distribution of the data from defined distortions or corruptions; (ii) contrastive learning methods [60, 33], whose objective is to learn representative and discernible codifications of the data, and (iii) spatial context methods [27, 58], which focus on either estimating geometric transformations performed on the data [27]--i.e.

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 5th International Workshop on Reading Music Systems, held in Milan, Italy on Nov. 4th 2023.

In this work, the novel Image Transformation Sequence Retrieval (ITSR) task is presented, in which a model must retrieve the sequence of transformations between two given images that act as source and target, respectively. Given certain characteristics of the challenge such as the multiplicity of a correct sequence or the correlation between consecutive steps of the process, we propose a solution to ITSR using a general model-based Reinforcement Learning such as Monte Carlo Tree Search (MCTS), which is combined with a deep neural network. Our experiments provide a benchmark in both synthetic and real domains, where the proposed approach is compared with supervised training. The results report that a model trained with MCTS is able to outperform its supervised counterpart in both the simplest and the most complex cases. Our work draws interesting conclusions about the nature of ITSR and its associated challenges.

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 2nd International Workshop on Reading Music Systems, held in Delft on the 2nd of November 2019.

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 3rd International Workshop on Reading Music Systems, held in Alicante on the 23rd of July 2021.

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 1st International Workshop on Reading Music Systems, held in Paris on the 20th of September 2018.

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 4th International Workshop on Reading Music Systems, held online on Nov. 18th 2022.