Detecting musical versions (different renditions of the same piece) is a challenging task with important applications. Because of the ground truth nature, existing approaches match musical versions at the track level (e.g., whole song). However, most applications require to match them at the segment level (e.g., 20s chunks). In addition, existing approaches resort to classification and triplet losses, disregarding more recent losses that could bring meaningful improvements. In this paper, we propose a method to learn from weakly annotated segments, together with a contrastive loss variant that outperforms well-studied alternatives. The former is based on pairwise segment distance reductions, while the latter modifies an existing loss following decoupling, hyper-parameter, and geometric considerations. With these two elements, we do not only achieve state-of-the-art results in the standard track-level evaluation, but we also obtain a breakthrough performance in a segment-level evaluation. We believe that, due to the generality of the challenges addressed here, the proposed methods may find utility in domains beyond audio or musical version matching.

We present PECMAE, an interpretable model for music audio classification based on prototype learning. Our model is based on a previous method, APNet, which jointly learns an autoencoder and a prototypical network. Instead, we propose to decouple both training processes. This enables us to leverage existing self-supervised autoencoders pre-trained on much larger data (EnCodecMAE), providing representations with better generalization. APNet allows prototypes' reconstruction to waveforms for interpretability relying on the nearest training data samples. In contrast, we explore using a diffusion decoder that allows reconstruction without such dependency. We evaluate our method on datasets for music instrument classification (Medley-Solos-DB) and genre recognition (GTZAN and a larger in-house dataset), the latter being a more challenging task not addressed with prototypical networks before. We find that the prototype-based models preserve most of the performance achieved with the autoencoder embeddings, while the sonification of prototypes benefits understanding the behavior of the classifier.

We introduce the Song Describer dataset (SDD), a new crowdsourced corpus of high-quality audio-caption pairs, designed for the evaluation of music-and-language models. The dataset consists of 1.1k human-written natural language descriptions of 706 music recordings, all publicly accessible and released under Creative Common licenses. To showcase the use of our dataset, we benchmark popular models on three key music-and-language tasks (music captioning, text-to-music generation and music-language retrieval). Our experiments highlight the importance of cross-dataset evaluation and offer insights into how researchers can use SDD to gain a broader understanding of model performance.