Sign up for the Slatest to get the most insightful analysis, criticism, and advice out there, delivered to your inbox daily. Had you scanned any of the latest headlines around the TAKE IT DOWN Act, legislation that President Donald Trump signed into law Monday, you would have come away with a deeply mistaken impression of the bill and its true purpose. The surface-level pitch is that this is a necessary law for addressing nonconsensual intimate images--known more widely as revenge porn. Obfuscating its intent with a classic congressional acronym (Tools to Address Known Exploitation by Immobilizing Technological Deepfakes on Websites and Networks), the TAKE IT DOWN Act purports to help scrub the internet of exploitative, nonconsensual sexual media, whether real or digitally mocked up, at a time when artificial intelligence tools and automated image generators have supercharged its spread. Enforcement is delegated to the Federal Trade Commission, which will give online communities that specialize primarily in user-generated content (e.g., social media, message boards) a heads-up and a 48-hour takedown deadline whenever an appropriate example is reported.

Good Job is Slate's advice column on work. Have a workplace problem big or small? One of my dearest friends was recently squeezed into an unwanted early retirement by DOGE. The work she was doing at the government agency where she's spent most of her career is on the verge of being eliminated or slashed into oblivion, and it kills me to know that her life's work is about to be reversed. I want to support her through this.

Although the Cannes Film Festival is the world's most prestigious movie showcase, its spotlight rarely falls on nonfiction film. Years go by without a single documentary competing for its biggest honor, the Palme d'Or, and there is no separate documentary prize. Juliette Binoche, the president of this year's jury, devoted part of her opening-night remarks to Fatma Hassona, the Palestinian photojournalist who was killed in an Israeli airstrike the day after it was announced that her documentary Put Your Soul on Your Hand and Walk would be premiering at Cannes. But the film itself was slotted into a low-profile sidebar devoted to independent productions. The festival did, however, roll out the red carpet for The Six Billion Dollar Man, Eugene Jarecki's portrait of WikiLeaks founder Julian Assange, which premiered out of competition on Wednesday evening.

Sign up for the Slatest to get the most insightful analysis, criticism, and advice out there, delivered to your inbox daily. Over the past week, at least two venerable American newspapers--the Chicago Sun-Times and the Philadelphia Inquirer--published a 56-page insert of summer content that was in large part produced by A.I. The most glaring evidence was a now-notorious "summer reading list," which recommended 15 books, five of them real, 10 of them imaginary, with summaries of fake titles like Isabel Allende's Tidewater Dreams, Min Jin Lee's Nightshade Market, Rebecca Makkai's Boiling Point, and Percival Everett's The Rainmakers. The authors exist; the books do not. The rest of the section, which included anodyne listicles about summer activities, barbecuing, and photography, soon attracted additional scrutiny.

Good Job is Slate's advice column on work. Have a workplace problem big or small? I am a hard-line hater of generative AI (ChatGPT, Midjourney, etc.). I think it's bad for the environment and bad for society. It burns water resources, exploits workers in the global south, plagiarizes art and writing, and eliminates badly needed entry-level jobs.

Sign up for the Slatest to get the most insightful analysis, criticism, and advice out there, delivered to your inbox daily. In 2021, Zia graduated from the University of Michigan–Dearborn with a degree in software engineering. With an internship under his belt, he had no shortage of job opportunities, and he landed a contract coding gig in January of 2022. It was good work, for a year and a half, until he got laid off in mid-2023. After taking a month to figure out what he wanted to specialize in, Zia decided that he'd go for the types of app- and site-building jobs that had been so plentiful when he was in school.

This essay was adapted from Phil Christman's newsletter, the Tourist. Before 2023, my teaching year used to follow a predictable emotional arc. In September, I was always excited, not only about meeting a new crop of first-year writing students but even about the prep work. My lesson-planning sessions would take longer than intended and yet leave me feeling energized. I'd look forward to conference week--the one-on-one meetings I try to hold with every student, every term, at least once--and even to the first stack of papers.

Sign up for the Slatest to get the most insightful analysis, criticism, and advice out there, delivered to your inbox daily. I once witnessed a friend going through a severe midlife crisis. Basically overnight, this formerly serious and well-adjusted middle-aged man dumped his wife for a much younger girlfriend, got a face tattoo, and built a full-sized halfpipe in his house. Soon, we were barraged with music recommendations (all stuff he'd listened to in high school and college) and life updates laden with "hip" "slang" ("Despite the age gap, my situationship with Triniteigh is lowkey lit"). It was a transparent--and, from a certain perspective, even sympathetic--response to a universal anxiety: He'd seen that the good times were over, and that only decline lay ahead. But, like all nostalgists, he didn't realize that you can't ever truly go back; you can only go backward. The United States, under President Donald Trump, seems to be undergoing a similar midlife crisis, as this reactionary administration attempts to brute-force the country back to a golden age that many people are realizing either didn't exist in the first place or has been permanently lost to the mists of time and modernization.

This week: The UK and the US agreed to the framework for a trade deal. Felix Salmon, Emily Peck, and Elizabeth Spiers discuss the details of the agreement and what it means that it includes keeping the 10% baseline tariffs staying in place. Then, Bill Gates has announced that he's winding down the Gates Foundation and doubling the money he's giving away. The hosts discuss how this is a reaction to Elon Musk's slashing of USAID and the state of billionaire philanthropy. And finally, OpenAI has reversed its plan to become a for profit enterprise after public backlash.

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