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When IBM's Deep Blue chess computer defeated the world champion Garry Kasparov in 1997, humanity let out a collective sigh, recognising the loss of an essential human territory to the onslaught of thinking machines. And not just against them: for the past two decades, Kasparov has been exploring an idea he calls'Advanced Chess', where humans collaborate with computer chess programs against other hybrid teams, sometimes called'Centaurs'. We rely on computational systems for our essential aesthetic vocabulary, learning what is good and beautiful through a prism of five-star rating systems and social-media endorsements, all closely watched over by algorithmic critics of loving grace. Many artists today explore the seams and rough edges of digital platforms, creating art out of the glitches and unintended juxtapositions that they can eke out of increasingly complicated creative systems.
Oct-10-2017, 07:20:39 GMT