Our work proposes a comprehensive solution for predicting Metaverse network traffic, addressing the growing demand for intelligent resource management in eXtended Reality (XR) services. We first introduce a state-of-the-art testbed capturing a real-world dataset of virtual reality (VR), augmented reality (AR), and mixed reality (MR) traffic, made openly available for further research. To enhance prediction accuracy, we then propose a novel view-frame (VF) algorithm that accurately identifies video frames from traffic while ensuring privacy compliance, and we develop a Transformer-based progressive error-learning algorithm, referred to as ResLearn for Metaverse traffic prediction. ResLearn significantly improves time-series predictions by using fully connected neural networks to reduce errors, particularly during peak traffic, outperforming prior work by 99%. Our contributions offer Internet service providers (ISPs) robust tools for real-time network management to satisfy Quality of Service (QoS) and enhance user experience in the Metaverse.

Recently, breakthroughs in video modeling have allowed for controllable camera trajectories in generated videos. However, these methods cannot be directly applied to user-provided videos that are not generated by a video model. In this paper, we present ReCapture, a method for generating new videos with novel camera trajectories from a single user-provided video. Our method allows us to re-generate the reference video, with all its existing scene motion, from vastly different angles and with cinematic camera motion. Notably, using our method we can also plausibly hallucinate parts of the scene that were not observable in the reference video. Our method works by (1) generating a noisy anchor video with a new camera trajectory using multiview diffusion models or depth-based point cloud rendering and then (2) regenerating the anchor video into a clean and temporally consistent reangled video using our proposed masked video fine-tuning technique.

In this paper, we introduce \textbf{DimensionX}, a framework designed to generate photorealistic 3D and 4D scenes from just a single image with video diffusion. Our approach begins with the insight that both the spatial structure of a 3D scene and the temporal evolution of a 4D scene can be effectively represented through sequences of video frames. While recent video diffusion models have shown remarkable success in producing vivid visuals, they face limitations in directly recovering 3D/4D scenes due to limited spatial and temporal controllability during generation. To overcome this, we propose ST-Director, which decouples spatial and temporal factors in video diffusion by learning dimension-aware LoRAs from dimension-variant data. This controllable video diffusion approach enables precise manipulation of spatial structure and temporal dynamics, allowing us to reconstruct both 3D and 4D representations from sequential frames with the combination of spatial and temporal dimensions. Additionally, to bridge the gap between generated videos and real-world scenes, we introduce a trajectory-aware mechanism for 3D generation and an identity-preserving denoising strategy for 4D generation. Extensive experiments on various real-world and synthetic datasets demonstrate that DimensionX achieves superior results in controllable video generation, as well as in 3D and 4D scene generation, compared with previous methods.

Remote teaching has become popular recently due to its convenience and safety, especially under extreme circumstances like a pandemic. However, online students usually have a poor experience since the information acquired from the views provided by the broadcast platforms is limited. One potential solution is to show more camera views simultaneously, but it is technically challenging and distracting for the viewers. Therefore, an automatic multi-camera directing/editing system, which aims at selecting the most concerned view at each time instance to guide the attention of online students, is in urgent demand. However, existing systems mostly make simple assumptions and focus on tracking the position of the speaker instead of the real lecture semantics, and therefore have limited capacities to deliver optimal information flow. To this end, this paper proposes an automatic multi-purpose editing system based on the lecture semantics, which can both direct the multiple video streams for real-time broadcasting and edit the optimal video offline for review purposes. Our system directs the views by semantically analyzing the class events while following the professional directing rules, mimicking a human director to capture the regions of interest from the viewpoint of the onsite students. We conduct both qualitative and quantitative analyses to verify the effectiveness of the proposed system and its components.

With the rapid advancement of neural language models, the deployment of over-parameterized models has surged, increasing the need for interpretable explanations comprehensible to human inspectors. Existing post-hoc interpretability methods, which often focus on unigram features of single input textual instances, fail to capture the models' decision-making process fully. Additionally, many methods do not differentiate between decisions based on spurious correlations and those based on a holistic understanding of the input. Our paper introduces DISCO, a novel method for discovering global, rule-based explanations by identifying causal n-gram associations with model predictions. This method employs a scalable sequence mining technique to extract relevant text spans from training data, associate them with model predictions, and conduct causality checks to distill robust rules that elucidate model behavior. These rules expose potential overfitting and provide insights into misleading feature combinations. We validate DISCO through extensive testing, demonstrating its superiority over existing methods in offering comprehensive insights into complex model behaviors. Our approach successfully identifies all shortcuts manually introduced into the training data (100% detection rate on the MultiRC dataset), resulting in an 18.8% regression in model performance -- a capability unmatched by any other method. Furthermore, DISCO supports interactive explanations, enabling human inspectors to distinguish spurious causes in the rule-based output. This alleviates the burden of abundant instance-wise explanations and helps assess the model's risk when encountering out-of-distribution (OOD) data.

Building a corpus become an important topic in natural language processing (NLP) and especially for low resource languages (ex: AD), due to the importance that the corpus plays in the development of several tools, such as: Machine Translation Babaali and Salem [2022], Part of speech tagging Chiche and Yitagesu [2022], Named entities recognition Jarrar et al. [2022], etc. in particular with the emergence of techniques based on statistics, machine learning and deep learning. Who exploits this mass of information to develop, train and evaluate models. However, building a corpus is not an easy task Bakari et al. [2016]; it is extremely time-consuming and requires a lot of work, for the good reason that the volume and quality of the corpus are two important parameters. Despite the recent emergence of techniques that consume fewer resources, such as few-shot learning Tunstall et al. [2022]. Over the last few years, a lot of studies in NLP have focused on languages or variants of languages called low resources Mengoni and Santucci [2023]. This change of direction is mainly due to the emergence of social media such as Facebook, Twitter, RenRen, LinkedIn, Google+, and Tuenti, as a means of communication where people exchange messages and comments.

Automatic summarization has consistently attracted attention, due to its versatility and wide application in various downstream tasks. Despite its popularity, we find that annotation efforts have largely been disjointed, and have lacked common terminology. Consequently, it is challenging to discover existing resources or identify coherent research directions. To address this, we survey a large body of work spanning 133 datasets in over 100 languages, creating a novel ontology covering sample properties, collection methods and distribution. With this ontology we make key observations, including the lack in accessible high-quality datasets for low-resource languages, and the field's over-reliance on the news domain and on automatically collected distant supervision. Finally, we make available a web interface that allows users to interact and explore our ontology and dataset collection, as well as a template for a summarization data card, which can be used to streamline future research into a more coherent body of work.

While piano music has become a significant area of study in Music Information Retrieval (MIR), there is a notable lack of datasets for piano solo music with text labels. To address this gap, we present PIAST (PIano dataset with Audio, Symbolic, and Text), a piano music dataset. Utilizing a piano-specific taxonomy of semantic tags, we collected 9,673 tracks from YouTube and added human annotations for 2,023 tracks by music experts, resulting in two subsets: PIAST-YT and PIAST-AT. Both include audio, text, tag annotations, and transcribed MIDI utilizing state-of-the-art piano transcription and beat tracking models. Among many possible tasks with the multi-modal dataset, we conduct music tagging and retrieval using both audio and MIDI data and report baseline performances to demonstrate its potential as a valuable resource for MIR research.

The first piece of AI-generated video I ever made moved me to tears – tears of laughter. Given the chance to fool around with Runway AI's Gen-3 Alpha, I dropped in an image of an eagle carrying off a wolf. Moments later, the picture sprang into life. Except the bird only had one leg – and its plummeting prey sprouted wings from its tail and morphed into a wolf-headed goose. It was weird and hilarious.

On Friday, TriStar Pictures released Here, a 50 million Robert Zemeckis-directed film that used real-time generative AI face transformation techniques to portray actors Tom Hanks and Robin Wright across a 60-year span, marking one of Hollywood's first full-length features built around AI-powered visual effects. The film adapts a 2014 graphic novel set primarily in a New Jersey living room across multiple time periods. Rather than cast different actors for various ages, the production used AI to modify Hanks' and Wright's appearances throughout. The de-aging technology comes from Metaphysic, a visual effects company that creates real time face swapping and aging effects. During filming, the crew watched two monitors simultaneously: one showing the actors' actual appearances and another displaying them at whatever age the scene required.