Preference elicitation is an active learning approach to tackle the cold-start problem of recommender systems. Roughly speaking, new users are asked to rate some carefully selected items in order to compute appropriate recommendations for them. To the best of our knowledge, we are the first to propose a method for preference elicitation that is based on SLIM , a state-of-the-art technique for top-N recommendation. Our approach mainly consists of a new training technique for SLIM, which we call Greedy SLIM. This technique iteratively selects items for the training in order to minimize the SLIM loss greedily. We conduct offline experiments as well as a user study to assess the performance of this new method. The results are remarkable, especially with respect to the user study. We conclude that Greedy SLIM seems to be more suitable for preference elicitation than widely used methods based on latent factor models.

Many commercial and open-source models claim to detect machine-generated text with extremely high accuracy (99% or more). However, very few of these detectors are evaluated on shared benchmark datasets and even when they are, the datasets used for evaluation are insufficiently challenging-lacking variations in sampling strategy, adversarial attacks, and open-source generative models. In this work we present RAID: the largest and most challenging benchmark dataset for machine-generated text detection. RAID includes over 6 million generations spanning 11 models, 8 domains, 11 adversarial attacks and 4 decoding strategies. Using RAID, we evaluate the out-of-domain and adversarial robustness of 8 open- and 4 closed-source detectors and find that current detectors are easily fooled by adversarial attacks, variations in sampling strategies, repetition penalties, and unseen generative models. We release our data along with a leaderboard to encourage future research.

Machine-Generated Text (MGT) detection aims to identify a piece of text as machine or human written. Prior work has primarily formulated MGT detection as a binary classification task over an entire document, with limited work exploring cases where only part of a document is machine generated. This paper provides the first in-depth study of MGT that localizes the portions of a document that were machine generated. Thus, if a bad actor were to change a key portion of a news article to spread misinformation, whole document MGT detection may fail since the vast majority is human written, but our approach can succeed due to its granular approach. A key challenge in our MGT localization task is that short spans of text, e.g., a single sentence, provides little information indicating if it is machine generated due to its short length. To address this, we leverage contextual information, where we predict whether multiple sentences are machine or human written at once. This enables our approach to identify changes in style or content to boost performance. A gain of 4-13% mean Average Precision (mAP) over prior work demonstrates the effectiveness of approach on five diverse datasets: GoodNews, VisualNews, WikiText, Essay, and WP. We release our implementation at https://github.com/Zhongping-Zhang/MGT_Localization.

In cross-modal music processing, translation between visual, auditory, and semantic content opens up new possibilities as well as challenges. The construction of such a transformative scheme depends upon a benchmark corpus with a comprehensive data infrastructure. In particular, the assembly of a large-scale cross-modal dataset presents major challenges. In this paper, we present the MOSA (Music mOtion with Semantic Annotation) dataset, which contains high quality 3-D motion capture data, aligned audio recordings, and note-by-note semantic annotations of pitch, beat, phrase, dynamic, articulation, and harmony for 742 professional music performances by 23 professional musicians, comprising more than 30 hours and 570 K notes of data. To our knowledge, this is the largest cross-modal music dataset with note-level annotations to date. To demonstrate the usage of the MOSA dataset, we present several innovative cross-modal music information retrieval (MIR) and musical content generation tasks, including the detection of beats, downbeats, phrase, and expressive contents from audio, video and motion data, and the generation of musicians' body motion from given music audio. The dataset and codes are available alongside this publication (https://github.com/yufenhuang/MOSA-Music-mOtion-and-Semantic-Annotation-dataset).

We consider the two-sample testing problem for networks, where the goal is to determine whether two sets of networks originated from the same stochastic model. Assuming no vertex correspondence and allowing for different numbers of nodes, we address a fundamental network testing problem that goes beyond simple adjacency matrix comparisons. We adopt the stochastic block model (SBM) for network distributions, due to their interpretability and the potential to approximate more general models. The lack of meaningful node labels and vertex correspondence translate to a graph matching challenge when developing a test for SBMs. We introduce an efficient algorithm to match estimated network parameters, allowing us to properly combine and contrast information within and across samples, leading to a powerful test. We show that the matching algorithm, and the overall test are consistent, under mild conditions on the sparsity of the networks and the sample sizes, and derive a chi-squared asymptotic null distribution for the test. Through a mixture of theoretical insights and empirical validations, including experiments with both synthetic and real-world data, this study advances robust statistical inference for complex network data.

This study explores the application of evolutionary generative algorithms in music production to preserve and enhance human creativity. By integrating human feedback into Differential Evolution algorithms, we produced six songs that were submitted to international record labels, all of which received contract offers. In addition to testing the commercial viability of these methods, this paper examines the long-term implications of content generation using traditional machine learning methods compared with evolutionary algorithms. Specifically, as current generative techniques continue to scale, the potential for computer-generated content to outpace human creation becomes likely. This trend poses a risk of exhausting the pool of human-created training data, potentially forcing generative machine learning models to increasingly depend on their random input functions for generating novel content. In contrast to a future of content generation guided by aimless random functions, our approach allows for individualized creative exploration, ensuring that computer-assisted content generation methods are human-centric and culturally relevant through time.

Learning robust audio representations currently demands extensive datasets of real-world sound recordings. By applying artificial transformations to these recordings, models can learn to recognize similarities despite subtle variations through techniques like contrastive learning. However, these transformations are only approximations of the true diversity found in real-world sounds, which are generated by complex interactions of physical processes, from vocal cord vibrations to the resonance of musical instruments. We propose a solution to both the data scale and transformation limitations, leveraging synthetic audio. By randomly perturbing the parameters of a sound synthesizer, we generate audio doppelg\"angers-synthetic positive pairs with causally manipulated variations in timbre, pitch, and temporal envelopes. These variations, difficult to achieve through transformations of existing audio, provide a rich source of contrastive information. Despite the shift to randomly generated synthetic data, our method produces strong representations, competitive with real data on standard audio classification benchmarks. Notably, our approach is lightweight, requires no data storage, and has only a single hyperparameter, which we extensively analyze. We offer this method as a complement to existing strategies for contrastive learning in audio, using synthesized sounds to reduce the data burden on practitioners.

With the recent advancement in large language models (LLMs), there is a growing interest in combining LLMs with multimodal learning. Previous surveys of multimodal large language models (MLLMs) mainly focus on multimodal understanding. This survey elaborates on multimodal generation and editing across various domains, comprising image, video, 3D, and audio. Specifically, we summarize the notable advancements with milestone works in these fields and categorize these studies into LLM-based and CLIP/T5-based methods. Then, we summarize the various roles of LLMs in multimodal generation and exhaustively investigate the critical technical components behind these methods and the multimodal datasets utilized in these studies. Additionally, we dig into tool-augmented multimodal agents that can leverage existing generative models for human-computer interaction. Lastly, we discuss the advancements in the generative AI safety field, investigate emerging applications, and discuss future prospects. Our work provides a systematic and insightful overview of multimodal generation and processing, which is expected to advance the development of Artificial Intelligence for Generative Content (AIGC) and world models. A curated list of all related papers can be found at https://github.com/YingqingHe/Awesome-LLMs-meet-Multimodal-Generation

We study interactive learning of LLM-based language agents based on user edits made to the agent's output. In a typical setting such as writing assistants, the user interacts with a language agent to generate a response given a context, and may optionally edit the agent response to personalize it based on their latent preference, in addition to improving the correctness. The edit feedback is naturally generated, making it a suitable candidate for improving the agent's alignment with the user's preference, and for reducing the cost of user edits over time. We propose a learning framework, PRELUDE that infers a description of the user's latent preference based on historic edit data. The inferred user preference descriptions are used to define prompts for generating responses in the future. This avoids fine-tuning the agent, which is costly, challenging to scale with the number of users, and may even degrade its performance on other tasks. Furthermore, learning descriptive preference improves interpretability, allowing the user to view and modify the learned preference. However, user preference can be complex, subtle, and vary based on context, making it challenging to learn. To address this, we propose a simple yet effective algorithm named CIPHER that leverages the LLM to infer the user preference for a given context based on user edits. In the future, CIPHER retrieves inferred preferences from the k-closest contexts in the history, and forms an aggregate preference for response generation. We introduce two interactive environments -- summarization and email writing, and use a GPT-4 simulated user for evaluation. On both tasks, CIPHER outperforms several baselines by achieving the lowest edit distance cost while only having a small overhead in LLM query cost. Our analysis reports that user preferences learned by CIPHER show significant similarity to the ground truth latent preferences.

Diffusion-based singing voice conversion (SVC) models have shown better synthesis quality compared to traditional methods. However, in cross-domain SVC scenarios, where there is a significant disparity in pitch between the source and target voice domains, the models tend to generate audios with hoarseness, posing challenges in achieving high-quality vocal outputs. Therefore, in this paper, we propose a Self-supervised Pitch Augmentation method for Singing Voice Conversion (SPA-SVC), which can enhance the voice quality in SVC tasks without requiring additional data or increasing model parameters. We innovatively introduce a cycle pitch shifting training strategy and Structural Similarity Index (SSIM) loss into our SVC model, effectively enhancing its performance. Experimental results on the public singing datasets M4Singer indicate that our proposed method significantly improves model performance in both general SVC scenarios and particularly in cross-domain SVC scenarios.