Writing down lyrics for human consumption involves not only accurately capturing word sequences, but also incorporating punctuation and formatting for clarity and to convey contextual information. This includes song structure, emotional emphasis, and contrast between lead and background vocals. While automatic lyrics transcription (ALT) systems have advanced beyond producing unstructured strings of words and are able to draw on wider context, ALT benchmarks have not kept pace and continue to focus exclusively on words. To address this gap, we introduce Jam-ALT, a comprehensive lyrics transcription benchmark. The benchmark features a complete revision of the JamendoLyrics dataset, in adherence to industry standards for lyrics transcription and formatting, along with evaluation metrics designed to capture and assess the lyric-specific nuances, laying the foundation for improving the readability of lyrics. We apply the benchmark to recent transcription systems and present additional error analysis, as well as an experimental comparison with a classical music dataset.

Currently, large language models are gaining popularity, their achievements are used in many areas, ranging from text translation to generating answers to queries. However, the main problem with these new machine learning algorithms is that training such models requires large computing resources that only large IT companies have. To avoid this problem, a number of methods (LoRA, quantization) have been proposed so that existing models can be effectively fine-tuned for specific tasks. In this paper, we propose an E2E (end to end) audio summarization model using these techniques. In addition, this paper examines the effectiveness of these approaches to the problem under consideration and draws conclusions about the applicability of these methods.

Automated soft moderation systems are unable to ascertain if a post supports or refutes a false claim, resulting in a large number of contextual false positives. This limits their effectiveness, for example undermining trust in health experts by adding warnings to their posts or resorting to vague warnings instead of granular fact-checks, which result in desensitizing users. In this paper, we propose to incorporate stance detection into existing automated soft-moderation pipelines, with the goal of ruling out contextual false positives and providing more precise recommendations for social media content that should receive warnings. We develop a textual deviation task called Contrastive Textual Deviation (CTD) and show that it outperforms existing stance detection approaches when applied to soft moderation.We then integrate CTD into the stateof-the-art system for automated soft moderation Lambretta, showing that our approach can reduce contextual false positives from 20% to 2.1%, providing another important building block towards deploying reliable automated soft moderation tools on social media.

We use coupled hidden Markov models to automatically annotate the 371 Bach chorales in the Riemenschneider edition, a corpus containing approximately 100,000 notes and 20,000 chords. We give three separate analyses that achieve progressively greater accuracy at the cost of making increasingly strong assumptions about musical syntax. Although our method makes almost no use of human input, we are able to identify both chords and keys with an accuracy of 85% or greater when compared to an expert human analysis, resulting in annotations accurate enough to be used for a range of music-theoretical purposes, while also being free of subjective human judgments. Our work bears on longstanding debates about the objective reality of the structures postulated by standard Western harmonic theory, as well as on specific questions about the nature of Western harmonic syntax.

Samsung's Galaxy Z Flip series has always tempted me more than the Z Fold. Maybe it's the flip-phone nostalgia taking hold; maybe it's the fact that I don't want to watch video inside a square; maybe it's simply the Z Flip's more palatable price. The Z Flip series has launched in tandem with the Z Fold for several years, but often with specifications that put it around the bottom of each flagship family, including the traditionally shaped Galaxy S family. As we mentioned in our Z Fold 6 review, there's more foldable competition than ever. In fact, in the face of Motorola's most recent foldables, while Samsung is doing something, is it enough? While Z Flip 6's design has remained largely the same, Samsung made several under-the-hood upgrades this year, with improved battery life and cameras.

Generative models, such as diffusion models (DMs), variational autoencoders (VAEs), and generative adversarial networks (GANs), produce images with a level of authenticity that makes them nearly indistinguishable from real photos and artwork. While this capability is beneficial for many industries, the difficulty of identifying synthetic images leaves online media platforms vulnerable to impersonation and misinformation attempts. To support the development of defensive methods, we introduce ImagiNet, a high-resolution and balanced dataset for synthetic image detection, designed to mitigate potential biases in existing resources. It contains 200K examples, spanning four content categories: photos, paintings, faces, and uncategorized. Synthetic images are produced with open-source and proprietary generators, whereas real counterparts of the same content type are collected from public datasets. The structure of ImagiNet allows for a two-track evaluation system: i) classification as real or synthetic and ii) identification of the generative model. To establish a baseline, we train a ResNet-50 model using a self-supervised contrastive objective (SelfCon) for each track. The model demonstrates state-of-the-art performance and high inference speed across established benchmarks, achieving an AUC of up to 0.99 and balanced accuracy ranging from 86% to 95%, even under social network conditions that involve compression and resizing.

Existing music captioning methods are limited to generating concise global descriptions of short music clips, which fail to capture fine-grained musical characteristics and time-aware musical changes. To address these limitations, we propose FUTGA, a model equipped with fined-grained music understanding capabilities through learning from generative augmentation with temporal compositions. We leverage existing music caption datasets and large language models (LLMs) to synthesize fine-grained music captions with structural descriptions and time boundaries for full-length songs. Augmented by the proposed synthetic dataset, FUTGA is enabled to identify the music's temporal changes at key transition points and their musical functions, as well as generate detailed descriptions for each music segment. We further introduce a full-length music caption dataset generated by FUTGA, as the augmentation of the MusicCaps and the Song Describer datasets. We evaluate the automatically generated captions on several downstream tasks, including music generation and retrieval. The experiments demonstrate the quality of the generated captions and the better performance in various downstream tasks achieved by the proposed music captioning approach. Our code and datasets can be found in \href{https://huggingface.co/JoshuaW1997/FUTGA}{\textcolor{blue}{https://huggingface.co/JoshuaW1997/FUTGA}}.

Emotion-driven melody harmonization aims to generate diverse harmonies for a single melody to convey desired emotions. Previous research found it hard to alter the perceived emotional valence of lead sheets only by harmonizing the same melody with different chords, which may be attributed to the constraints imposed by the melody itself and the limitation of existing music representation. In this paper, we propose a novel functional representation for symbolic music. This new method takes musical keys into account, recognizing their significant role in shaping music's emotional character through major-minor tonality. It also allows for melodic variation with respect to keys and addresses the problem of data scarcity for better emotion modeling. A Transformer is employed to harmonize key-adaptable melodies, allowing for keys determined in rule-based or model-based manner. Experimental results confirm the effectiveness of our new representation in generating key-aware harmonies, with objective and subjective evaluations affirming the potential of our approach to convey specific valence for versatile melody.

Text-based editing diffusion models exhibit limited performance when the user's input instruction is ambiguous. To solve this problem, we propose $\textit{Specify ANd Edit}$ (SANE), a zero-shot inference pipeline for diffusion-based editing systems. We use a large language model (LLM) to decompose the input instruction into specific instructions, i.e. well-defined interventions to apply to the input image to satisfy the user's request. We benefit from the LLM-derived instructions along the original one, thanks to a novel denoising guidance strategy specifically designed for the task. Our experiments with three baselines and on two datasets demonstrate the benefits of SANE in all setups. Moreover, our pipeline improves the interpretability of editing models, and boosts the output diversity. We also demonstrate that our approach can be applied to any edit, whether ambiguous or not. Our code is public at https://github.com/fabvio/SANE.

Music generation introduces challenging complexities to large language models. Symbolic structures of music often include vertical harmonization as well as horizontal counterpoint, urging various adaptations and enhancements for large-scale Transformers. However, existing works share three major drawbacks: 1) their tokenization requires domain-specific annotations, such as bars and beats, that are typically missing in raw MIDI data; 2) the pure impact of enhancing token embedding methods is hardly examined without domain-specific annotations; and 3) existing works to overcome the aforementioned drawbacks, such as MuseNet, lack reproducibility. To tackle such limitations, we develop a MIDI-based music generation framework inspired by MuseNet, empirically studying two structural embeddings that do not rely on domain-specific annotations. We provide various metrics and insights that can guide suitable encoding to deploy. We also verify that multiple embedding configurations can selectively boost certain musical aspects. By providing open-source implementations via HuggingFace, our findings shed light on leveraging large language models toward practical and reproducible music generation.