Drones have become an important tool in a creator's bag of tricks, allowing them to capture aerial footage that elevates their videos. And nowadays, they've become more accessible as video quality and features have dramatically improved while prices have dropped. Recent budget-friendly models include DJI's Neo and Flip drones, along with the HoverAir X1 Pro lineup, all under 500. If you've got more to spend, the options are similarly plentiful with drones like the DJI Mini 4 Pro and HoverAir X1 Pro Max. And for the price of a good mirrorless camera, you can get DJI's Mavic 3 Pro that offers awesome image quality, range and other features.

The new essay collection "Searches: Selfhood in the Digital Age," by Vauhini Vara, opens with a transcript. "If I paste some writing here, can we talk about it?" Her interlocutor, the large language model ChatGPT, responds, "Of course!" The chatbot asks what specific themes it should focus on. "Nothing in particular," Vara replies.

I've never played Minecraft in my life--but then I'm not a Christian, either, and have always delighted in the distinctly Mormon cinematic universe of Jared Hess, the director of "A Minecraft Movie." He's best known for "Napoleon Dynamite," from 2004, which evokes its spiritual milieu only implicitly, by the absence of secular pop culture and of teen-age ribaldry. He followed it with "Nacho Libre," starring Jack Black as a friar who enters the wrestling ring to save a convent, and, in 2009, with "Gentlemen Broncos," a celestial gross-out vision of an adolescent gospel. His satire "Don Verdean," from 2015, is explicitly set in church communities and involves relic smuggling in Israel; his 2016 comedy, "Masterminds," is a heist film that's centered on grace and holy innocence. With "A Minecraft Movie," I was impatient to see what Hess would do with another world of extreme fantasy, akin to that of "Gentlemen Broncos." The short answer is, too much and not nearly enough; the I.P. is the boss, the characters are its minions, and Hess--constrained both by a script that he didn't write and by the demands of complex C.G.I.--struggles to live up to his own œuvre, which is among the most substantially loopy (or loopily substantial) in modern cinema.

In a darkened room, a fractured symphony of rattles, hums and warbles bounces off the walls – like an orchestra tuning up in some parallel universe. If you look closely there is a small fragment of a performer. In the centre of the room, visitors hover around a raised plinth, craning to glimpse the brains behind the operation. Under a magnifying lens sit two white blobs, like a tiny pair of jellyfish. Together, they form the lab-grown "mini-brain" of the late US musician Alvin Lucier – composing a posthumous score in real time.

Sign up for the Slatest to get the most insightful analysis, criticism, and advice out there, delivered to your inbox daily. Imagine yourself strapped to a chair with your head held in place by some device. The only thing you're free to move is your eyes. You hear something to your left; you'd want to turn your head left to look, or at least take a sidelong glance. Your brain sends the necessary impulses to your muscles--only you can't move.

I am a forty-five-year-old journalist who, for many years, didn't read the news. In high school, I knew about events like the O. J. Simpson trial and the Oklahoma City bombing, but not much else. In college, I was friends with geeky economics majors who read The Economist, but I'm pretty sure I never actually turned on CNN or bought a paper at the newsstand. I read novels, and magazines like Wired and Spin. If I went online, it wasn't to check the front page of the Times but to browse record reviews from College Music Journal. Somehow, during this time, I thought of myself as well informed.

China is using generative artificial intelligence (AI) to ramp up disinformation against Taiwan to "divide" Taiwan's public, the island's National Security Bureau said. Taiwan has accused China of stepping up military drills, trade sanctions and influence campaigns against the island in recent years to force the island to accept Chinese sovereignty claims. Taiwan strongly rejects China's sovereignty claims. China staged two days of war games and live-fire drills near the democratically governed island this month, triggering concern by the United States and many of its allies.

The integration of large language models (LLMs) into information retrieval systems introduces new attack surfaces, particularly for adversarial ranking manipulations. We present StealthRank, a novel adversarial ranking attack that manipulates LLM-driven product recommendation systems while maintaining textual fluency and stealth. Unlike existing methods that often introduce detectable anomalies, StealthRank employs an energy-based optimization framework combined with Langevin dynamics to generate StealthRank Prompts (SRPs)-adversarial text sequences embedded within product descriptions that subtly yet effectively influence LLM ranking mechanisms. We evaluate StealthRank across multiple LLMs, demonstrating its ability to covertly boost the ranking of target products while avoiding explicit manipulation traces that can be easily detected. Our results show that StealthRank consistently outperforms state-of-the-art adversarial ranking baselines in both effectiveness and stealth, highlighting critical vulnerabilities in LLM-driven recommendation systems.

With the last Mission: Impossible film, Dead Reckoning, the long-running franchise officially entered science fiction territory by making intelligent AI its villain. We've seen Tom Cruise's Ethan hunt jump off of buildings and hang from the side of planes, but how can he fight a computer program? The latest trailer for the series' next film, and potentially the last to feature Hunt, doesn't answer that question, but clearly it will involve even more death-defying stunts (like hanging on to a flipping bi-plane!), As I wrote in my review of Deck Reckoning: "As much as I love other action film franchises – like John Wick's increasingly elaborate choreography, or the sheer ridiculousness of the Fast and the Furious – Mission: Impossible remains uniquely enjoyable. It's committed to delivering astonishing practical stunt work. And a part of me hopes that somehow, a team of geeks can also fight back against the excesses of AI." Mission: Impossible -- The Final Reckoning hits theaters on May 23.

Movies based on video games have become a pretty big deal in recent years. Just look at those box office returns for A Minecraft Movie for proof of that. This means that more films are coming down the pike, including a motion picture based on Hideo Kojima's delivery simulator Death Stranding. We first learned this was coming back in 2022, but now there's a writer and director attached to the project. The production company A24, which is helping to finance the film, just announced that it will be written and directed by Michael Sarnoski.