The Audio-Visual Question Answering (AVQA) task holds significant potential for applications. Compared to traditional unimodal approaches, the multi-modal input of AVQA makes feature extraction and fusion processes more challenging. Euclidean space is difficult to effectively represent multi-dimensional relationships of data. Especially when extracting and processing data with a tree structure or hierarchical structure, Euclidean space is not suitable as an embedding space. Additionally, the self-attention mechanism in Transformers is effective in capturing the dynamic relationships between elements in a sequence. However, the self-attention mechanism's limitations in window modeling and quadratic computational complexity reduce its effectiveness in modeling long sequences. To address these limitations, we propose SHMamba: Structured Hyperbolic State Space Model to integrate the advantages of hyperbolic geometry and state space models. Specifically, SHMamba leverages the intrinsic properties of hyperbolic space to represent hierarchical structures and complex relationships in audio-visual data. Meanwhile, the state space model captures dynamic changes over time by globally modeling the entire sequence. Furthermore, we introduce an adaptive curvature hyperbolic alignment module and a cross fusion block to enhance the understanding of hierarchical structures and the dynamic exchange of cross-modal information, respectively. Extensive experiments demonstrate that SHMamba outperforms previous methods with fewer parameters and computational costs. Our learnable parameters are reduced by 78.12\%, while the average performance improves by 2.53\%. Experiments show that our method demonstrates superiority among all current major methods and is more suitable for practical application scenarios.

For web agents to be practically useful, they must adapt to the continuously evolving web environment characterized by frequent updates to user interfaces and content. However, most existing benchmarks only capture the static aspects of the web. To bridge this gap, we introduce WebCanvas, an innovative online evaluation framework for web agents that effectively addresses the dynamic nature of web interactions. WebCanvas contains three main components to facilitate realistic assessments: (1) A novel evaluation metric which reliably capture critical intermediate actions or states necessary for task completions while disregarding noise caused by insignificant events or changed web-elements. (2) A benchmark dataset called Mind2Web-Live, a refined version of original Mind2Web static dataset containing 542 tasks with 2439 intermediate evaluation states; (3) Lightweight and generalizable annotation tools and testing pipelines that enables the community to collect and maintain the high-quality, up-to-date dataset. Building on WebCanvas, we open-source an agent framework with extensible modules for reasoning, providing a foundation for the community to conduct online inference and evaluations. Our best-performing agent achieves a task success rate of 23.1% and a task completion rate of 48.8% on the Mind2Web-Live test set. Additionally, we analyze the performance discrepancies across various websites, domains, and experimental environments. We encourage the community to contribute further insights on online agent evaluation, thereby advancing this field of research.

Large visual-language models (LVLMs) exhibit exceptional performance in visual-language reasoning across diverse cross-modal benchmarks. Despite these advances, recent research indicates that Large Language Models (LLMs), like GPT-3.5-turbo, underachieve compared to well-trained smaller models, such as BERT, in Fake News Detection (FND), prompting inquiries into LVLMs' efficacy in FND tasks. Although performance could improve through fine-tuning LVLMs, the substantial parameters and requisite pre-trained weights render it a resource-heavy endeavor for FND applications. This paper initially assesses the FND capabilities of two notable LVLMs, CogVLM and GPT4V, in comparison to a smaller yet adeptly trained CLIP model in a zero-shot context. The findings demonstrate that LVLMs can attain performance competitive with that of the smaller model. Next, we integrate standard in-context learning (ICL) with LVLMs, noting improvements in FND performance, though limited in scope and consistency. To address this, we introduce the \textbf{I}n-context \textbf{M}ultimodal \textbf{F}ake \textbf{N}ews \textbf{D}etection (IMFND) framework, enriching in-context examples and test inputs with predictions and corresponding probabilities from a well-trained smaller model. This strategic integration directs the LVLMs' focus towards news segments associated with higher probabilities, thereby improving their analytical accuracy. The experimental results suggest that the IMFND framework significantly boosts the FND efficiency of LVLMs, achieving enhanced accuracy over the standard ICL approach across three publicly available FND datasets.

The rise of generative AI is transforming the landscape of digital imagery, and exerting a significant influence on online creative communities. This has led to the emergence of AI-Generated Content (AIGC) social platforms, such as Civitai. These distinctive social platforms allow users to build and share their own generative AI models, thereby enhancing the potential for more diverse artistic expression. Designed in the vein of social networks, they also provide artists with the means to showcase their creations (generated from the models), engage in discussions, and obtain feedback, thus nurturing a sense of community. Yet, this openness also raises concerns about the abuse of such platforms, e.g., using models to disseminate deceptive deepfakes or infringe upon copyrights. To explore this, we conduct the first comprehensive empirical study of an AIGC social platform, focusing on its use for generating abusive content. As an exemplar, we construct a comprehensive dataset covering Civitai, the largest available AIGC social platform. Based on this dataset of 87K models and 2M images, we explore the characteristics of content and discuss strategies for moderation to better govern these platforms.

The nascent topic of fake news requires automatic detection methods to quickly learn from limited annotated samples. Therefore, the capacity to rapidly acquire proficiency in a new task with limited guidance, also known as few-shot learning, is critical for detecting fake news in its early stages. Existing approaches either involve fine-tuning pre-trained language models which come with a large number of parameters, or training a complex neural network from scratch with large-scale annotated datasets. This paper presents a multimodal fake news detection model which augments multimodal features using unimodal features. For this purpose, we introduce Cross-Modal Augmentation (CMA), a simple approach for enhancing few-shot multimodal fake news detection by transforming n-shot classification into a more robust (n $\times$ z)-shot problem, where z represents the number of supplementary features. The proposed CMA achieves SOTA results over three benchmark datasets, utilizing a surprisingly simple linear probing method to classify multimodal fake news with only a few training samples. Furthermore, our method is significantly more lightweight than prior approaches, particularly in terms of the number of trainable parameters and epoch times. The code is available here: \url{https://github.com/zgjiangtoby/FND_fewshot}

Automated choreography advances by generating dance from music. Current methods create skeleton keypoint sequences, not full dance videos, and cannot make specific individuals dance, limiting their real-world use. These methods also need precise keypoint annotations, making data collection difficult and restricting the use of self-made video datasets. To overcome these challenges, we introduce a novel task: generating dance videos directly from images of individuals guided by music. This task enables the dance generation of specific individuals without requiring keypoint annotations, making it more versatile and applicable to various situations. Our solution, the Dance Any Beat Diffusion model (DabFusion), utilizes a reference image and a music piece to generate dance videos featuring various dance types and choreographies. The music is analyzed by our specially designed music encoder, which identifies essential features including dance style, movement, and rhythm. DabFusion excels in generating dance videos not only for individuals in the training dataset but also for any previously unseen person. This versatility stems from its approach of generating latent optical flow, which contains all necessary motion information to animate any person in the image. We evaluate DabFusion's performance using the AIST++ dataset, focusing on video quality, audio-video synchronization, and motion-music alignment. We propose a 2D Motion-Music Alignment Score (2D-MM Align), which builds on the Beat Alignment Score to more effectively evaluate motion-music alignment for this new task. Experiments show that our DabFusion establishes a solid baseline for this innovative task. Video results can be found on our project page: https://DabFusion.github.io.

Good weight initialization serves as an effective measure to reduce the training cost of a deep neural network (DNN) model. The choice of how to initialize parameters is challenging and may require manual tuning, which can be time-consuming and prone to human error. To overcome such limitations, this work takes a novel step towards building a weight generator to synthesize the neural weights for initialization. We use the image-to-image translation task with generative adversarial networks (GANs) as an example due to the ease of collecting model weights spanning a wide range. Specifically, we first collect a dataset with various image editing concepts and their corresponding trained weights, which are later used for the training of the weight generator. To address the different characteristics among layers and the substantial number of weights to be predicted, we divide the weights into equal-sized blocks and assign each block an index. Subsequently, a diffusion model is trained with such a dataset using both text conditions of the concept and the block indexes. By initializing the image translation model with the denoised weights predicted by our diffusion model, the training requires only 43.3 seconds. Compared to training from scratch (i.e., Pix2pix), we achieve a 15x training time acceleration for a new concept while obtaining even better image generation quality.

Digital image manipulation has become increasingly accessible and realistic with the advent of generative AI technologies. Recent developments allow for text-guided inpainting, making sophisticated image edits possible with minimal effort. This poses new challenges for digital media forensics. For example, diffusion model-based approaches could either splice the inpainted region into the original image, or regenerate the entire image. In the latter case, traditional image forgery localization (IFL) methods typically fail. This paper introduces the Text-Guided Inpainting Forgery (TGIF) dataset, a comprehensive collection of images designed to support the training and evaluation of image forgery localization and synthetic image detection (SID) methods. The TGIF dataset includes approximately 80k forged images, originating from popular open-source and commercial methods; SD2, SDXL, and Adobe Firefly. Using this data, we benchmark several state-of-the-art IFL and SID methods. Whereas traditional IFL methods can detect spliced images, they fail to detect regenerated inpainted images. Moreover, traditional SID may detect the regenerated inpainted images to be fake, but cannot localize the inpainted area. Finally, both types of methods fail when exposed to stronger compression, while they are less robust to modern compression algorithms, such as WEBP. As such, this work demonstrates the inefficiency of state-of-the-art detectors on local manipulations performed by modern generative approaches, and aspires to help with the development of more capable IFL and SID methods. The dataset can be downloaded at https://github.com/IDLabMedia/tgif-dataset.

Recent work integrating Large Language Models (LLMs) has led to significant improvements in the Knowledge Base Question Answering (KBQA) task. However, we posit that existing KBQA datasets that either have simple questions, use synthetically generated logical forms, or are based on small knowledge base (KB) schemas, do not capture the true complexity of KBQA tasks. To address this, we introduce the SPINACH dataset, an expert-annotated KBQA dataset collected from forum discussions on Wikidata's "Request a Query" forum with 320 decontextualized question-SPARQL pairs. Much more complex than existing datasets, SPINACH calls for strong KBQA systems that do not rely on training data to learn the KB schema, but can dynamically explore large and often incomplete schemas and reason about them. Along with the dataset, we introduce the SPINACH agent, a new KBQA approach that mimics how a human expert would write SPARQLs for such challenging questions. Experiments on existing datasets show SPINACH's capability in KBQA, achieving a new state of the art on the QALD-7, QALD-9 Plus and QALD-10 datasets by 30.1%, 27.0%, and 10.0% in F1, respectively, and coming within 1.6% of the fine-tuned LLaMA SOTA model on WikiWebQuestions. On our new SPINACH dataset, SPINACH agent outperforms all baselines, including the best GPT-4-based KBQA agent, by 38.1% in F1.

This exploration has yielded important findings in political sciences (Mintz et al., 2022), sociology (Bericat, 2016; Turner & Stets, 2006), economics (Loewenstein, 2000), anthropology (Lutz & White, 1986), organizational research (Diener et al., 2020) as well other fields of social (Kleef, 2018) and psychological sciences (Derks et al., 2008). While investigating this role of emotions, many researchers concentrate on the question of whether an emotion is present, focusing on the categorical aspects of emotions (Fritz et al., 2009; Saarimäki et al., 2016; Siedlecka & Denson, 2019; Tanaka-Matsumi et al., 1995). However, beyond the sole presence or absence of emotions, there is also their intensity, which was early recognized as necessary to understand human behaviors (Brehm, 1999; Plutchik, 1965). People often describe emotions like anger, sadness, or happiness in varying degrees, from none at all to very intense, and research indicates that emotion intensity is crucial in cognitive processing, social behavior, and communication within groups (Frijda et al., 1992; Niedenthal & Brauer, 2012; Reisenzein, 1994).