Multimodal models that jointly process audio and language hold great promise in audio understanding and are increasingly being adopted in the music domain. By allowing users to query via text and obtain information about a given audio input, these models have the potential to enable a variety of music understanding tasks via language-based interfaces. However, their evaluation poses considerable challenges, and it remains unclear how to effectively assess their ability to correctly interpret music-related inputs with current methods. Motivated by this, we introduce MuChoMusic, a benchmark for evaluating music understanding in multimodal language models focused on audio. MuChoMusic comprises 1,187 multiple-choice questions, all validated by human annotators, on 644 music tracks sourced from two publicly available music datasets, and covering a wide variety of genres. Questions in the benchmark are crafted to assess knowledge and reasoning abilities across several dimensions that cover fundamental musical concepts and their relation to cultural and functional contexts. Through the holistic analysis afforded by the benchmark, we evaluate five open-source models and identify several pitfalls, including an over-reliance on the language modality, pointing to a need for better multimodal integration. Data and code are open-sourced.

Representing symbolic music with compound tokens, where each token consists of several different sub-tokens representing a distinct musical feature or attribute, offers the advantage of reducing sequence length. While previous research has validated the efficacy of compound tokens in music sequence modeling, predicting all sub-tokens simultaneously can lead to suboptimal results as it may not fully capture the interdependencies between them. We introduce the Nested Music Transformer (NMT), an architecture tailored for decoding compound tokens autoregressively, similar to processing flattened tokens, but with low memory usage. The NMT consists of two transformers: the main decoder that models a sequence of compound tokens and the sub-decoder for modeling sub-tokens of each compound token. The experiment results showed that applying the NMT to compound tokens can enhance the performance in terms of better perplexity in processing various symbolic music datasets and discrete audio tokens from the MAESTRO dataset.

In today's music industry, album cover design is as crucial as the music itself, reflecting the artist's vision and brand. However, many AI-driven album cover services require subscriptions or technical expertise, limiting accessibility. To address these challenges, we developed Music2P, an open-source, multi-modal AI-driven tool that streamlines album cover creation, making it efficient, accessible, and cost-effective through Ngrok. Music2P automates the design process using techniques such as Bootstrapping Language Image Pre-training (BLIP), music-to-text conversion (LP-music-caps), image segmentation (LoRA), and album cover and QR code generation (ControlNet). This paper demonstrates the Music2P interface, details our application of these technologies, and outlines future improvements. Our ultimate goal is to provide a tool that empowers musicians and producers, especially those with limited resources or expertise, to create compelling album covers.

We introduce a project that revives a piece of 15th-century Korean court music, Chihwapyeong and Chwipunghyeong, composed upon the poem Songs of the Dragon Flying to Heaven. One of the earliest examples of Jeongganbo, a Korean musical notation system, the remaining version only consists of a rudimentary melody. Our research team, commissioned by the National Gugak (Korean Traditional Music) Center, aimed to transform this old melody into a performable arrangement for a six-part ensemble. Using Jeongganbo data acquired through bespoke optical music recognition, we trained a BERT-like masked language model and an encoder-decoder transformer model. We also propose an encoding scheme that strictly follows the structure of Jeongganbo and denotes note durations as positions. The resulting machine-transformed version of Chihwapyeong and Chwipunghyeong were evaluated by experts and performed by the Court Music Orchestra of National Gugak Center. Our work demonstrates that generative models can successfully be applied to traditional music with limited training data if combined with careful design.

This paper describes IAI group's participation for automated check-worthiness estimation for claims, within the framework of the 2024 CheckThat! Lab "Task 1: Check-Worthiness Estimation". The task involves the automated detection of check-worthy claims in English, Dutch, and Arabic political debates and Twitter data. We utilized various pre-trained generative decoder and encoder transformer models, employing methods such as few-shot chain-of-thought reasoning, fine-tuning, data augmentation, and transfer learning from one language to another. Despite variable success in terms of performance, our models achieved notable placements on the organizer's leaderboard: ninth-best in English, third-best in Dutch, and the top placement in Arabic, utilizing multilingual datasets for enhancing the generalizability of check-worthiness detection. Despite a significant drop in performance on the unlabeled test dataset compared to the development test dataset, our findings contribute to the ongoing efforts in claim detection research, highlighting the challenges and potential of language-specific adaptations in claim verification systems.

Coordination is a fundamental aspect of life. The advent of social media has made it integral also to online human interactions, such as those that characterize thriving online communities and social movements. At the same time, coordination is also core to effective disinformation, manipulation, and hate campaigns. This survey collects, categorizes, and critically discusses the body of work produced as a result of the growing interest on coordinated online behavior. We reconcile industry and academic definitions, propose a comprehensive framework to study coordinated online behavior, and review and critically discuss the existing detection and characterization methods. Our analysis identifies open challenges and promising directions of research, serving as a guide for scholars, practitioners, and policymakers in understanding and addressing the complexities inherent to online coordination.

Learning token embeddings based on token co-occurrence statistics has proven effective for both pre-training and fine-tuning in natural language processing. However, recent studies have pointed out the distribution of learned embeddings degenerates into anisotropy, and even pre-trained language models (PLMs) suffer from a loss of semantics-related information in embeddings for low-frequency tokens. This study first analyzes fine-tuning dynamics of a PLM, BART-large, and demonstrates its robustness against degeneration. On the basis of this finding, we propose DefinitionEMB, a method that utilizes definitions to construct isotropically distributed and semantics-related token embeddings for PLMs while maintaining original robustness during fine-tuning. Our experiments demonstrate the effectiveness of leveraging definitions from Wiktionary to construct such embeddings for RoBERTa-base and BART-large. Furthermore, the constructed embeddings for low-frequency tokens improve the performance of these models across various GLUE and four text summarization datasets.

The Retrieval-Augmented Language Model (RALM) has shown remarkable performance on knowledge-intensive tasks by incorporating external knowledge during inference, which mitigates the factual hallucinations inherited in large language models (LLMs). Despite these advancements, challenges persist in the implementation of RALMs, particularly concerning their reliability and traceability. To be specific, the irrelevant document retrieval may result in unhelpful response generation or even deteriorate the performance of LLMs, while the lack of proper citations in generated outputs complicates efforts to verify the trustworthiness of the models. To this end, we propose a novel self-reasoning framework aimed at improving the reliability and traceability of RALMs, whose core idea is to leverage reasoning trajectories generated by the LLM itself. The framework involves constructing self-reason trajectories with three processes: a relevance-aware process, an evidence-aware selective process, and a trajectory analysis process. We have evaluated our framework across four public datasets (two short-form QA datasets, one long-form QA dataset, and one fact verification dataset) to demonstrate the superiority of our method, which can outperform existing state-of-art models and can achieve comparable performance with GPT-4, while only using 2,000 training samples.

More than 300 video game performers and Hollywood actors picketed in front of the Warner Bros Studios building on Thursday to protest against what they call an unwillingness from top gaming companies to protect union voice actors and motion capture workers equally against the unregulated use of artificial intelligence. Standing before the crowd, Duncan Crabtree-Ireland, national executive director of the Screen Actors Guild-American Federation of Television and Radio Artists (Sag-Aftra), said that AI has become the most challenging issue in many of the union's negotiations. "We've made deals with the studios and streamers. We've made deals without a strike with the major record labels and with countless other employers, which provide for informed consent and fair compensation for our members," he told the Associated Press. "And yet, for some reason, the video game companies refuse to do that and that's what's going to be their undoing."

After the live experiences, TV shows based on TV shows and a boom in childhood South Korean games and hobbies, Squid Game returns for season two. Almost three years after the bleak, lightly anti-capitalism drama became a massive hit in the US. Season two will hit Netflix December 26, with a final third season coming sometime in 2025. In a letter, series director and writer, Hwang Dong-hyuk, teased the continuation of Seong Gi-hun's revenge, facing off against Front Man. We're expecting more death, betrayal and enough delicious Korean food to make me want to take a trip to Seoul.