The troubling rise of hallucination presents perhaps the most significant impediment to the advancement of responsible AI. In recent times, considerable research has focused on detecting and mitigating hallucination in Large Language Models (LLMs). However, it's worth noting that hallucination is also quite prevalent in Vision-Language models (VLMs). In this paper, we offer a fine-grained discourse on profiling VLM hallucination based on two tasks: i) image captioning, and ii) Visual Question Answering (VQA). We delineate eight fine-grained orientations of visual hallucination: i) Contextual Guessing, ii) Identity Incongruity, iii) Geographical Erratum, iv) Visual Illusion, v) Gender Anomaly, vi) VLM as Classifier, vii) Wrong Reading, and viii) Numeric Discrepancy. We curate Visual HallucInation eLiciTation (VHILT), a publicly available dataset comprising 2,000 samples generated using eight VLMs across two tasks of captioning and VQA along with human annotations for the categories as mentioned earlier.

We present CoDa (Constrained Generation based Data Augmentation), a controllable, effective, and training-free data augmentation technique for low-resource (data-scarce) NLP. Our approach is based on prompting off-the-shelf instruction-following Large Language Models (LLMs) for generating text that satisfies a set of constraints. Precisely, we extract a set of simple constraints from every instance in the low-resource dataset and verbalize them to prompt an LLM to generate novel and diverse training instances. Our findings reveal that synthetic data that follows simple constraints in the downstream dataset act as highly effective augmentations, and CoDa can achieve this without intricate decoding-time constrained generation techniques or fine-tuning with complex algorithms that eventually make the model biased toward the small number of training instances. Additionally, CoDa is the first framework that provides users explicit control over the augmentation generation process, thereby also allowing easy adaptation to several domains. We demonstrate the effectiveness of CoDa across 11 datasets spanning 3 tasks and 3 low-resource settings. CoDa outperforms all our baselines, qualitatively and quantitatively, with improvements of 0.12%-7.19%. Code is available here: https://github.com/Sreyan88/CoDa

The surge of interest in data augmentation within the realm of NLP has been driven by the need to address challenges posed by hate speech domains, the dynamic nature of social media vocabulary, and the demands for large-scale neural networks requiring extensive training data. However, the prevalent use of lexical substitution in data augmentation has raised concerns, as it may inadvertently alter the intended meaning, thereby impacting the efficacy of supervised machine learning models. In pursuit of suitable data augmentation methods, this study explores both established legacy approaches and contemporary practices such as Large Language Models (LLM), including GPT in Hate Speech detection. Additionally, we propose an optimized utilization of BERT-based encoder models with contextual cosine similarity filtration, exposing significant limitations in prior synonym substitution methods. Our comparative analysis encompasses five popular augmentation techniques: WordNet and Fast-Text synonym replacement, Back-translation, BERT-mask contextual augmentation, and LLM. Our analysis across five benchmarked datasets revealed that while traditional methods like back-translation show low label alteration rates (0.3-1.5%), and BERT-based contextual synonym replacement offers sentence diversity but at the cost of higher label alteration rates (over 6%). Our proposed BERT-based contextual cosine similarity filtration markedly reduced label alteration to just 0.05%, demonstrating its efficacy in 0.7% higher F1 performance. However, augmenting data with GPT-3 not only avoided overfitting with up to sevenfold data increase but also improved embedding space coverage by 15% and classification F1 score by 1.4% over traditional methods, and by 0.8% over our method.

For decades, robotics researchers have pursued various tasks for multi-robot systems, from cooperative manipulation to search and rescue. These tasks are multi-robot extensions of classical robotic tasks and often optimized on dimensions such as speed or efficiency. As robots transition from commercial and research settings into everyday environments, social task aims such as engagement or entertainment become increasingly relevant. This work presents a compelling multi-robot task, in which the main aim is to enthrall and interest. In this task, the goal is for a human to be drawn to move alongside and participate in a dynamic, expressive robot flock. Towards this aim, the research team created algorithms for robot movements and engaging interaction modes such as gestures and sound. The contributions are as follows: (1) a novel group navigation algorithm involving human and robot agents, (2) a gesture responsive algorithm for real-time, human-robot flocking interaction, (3) a weight mode characterization system for modifying flocking behavior, and (4) a method of encoding a choreographer's preferences inside a dynamic, adaptive, learned system. An experiment was performed to understand individual human behavior while interacting with the flock under three conditions: weight modes selected by a human choreographer, a learned model, or subset list. Results from the experiment showed that the perception of the experience was not influenced by the weight mode selection. This work elucidates how differing task aims such as engagement manifest in multi-robot system design and execution, and broadens the domain of multi-robot tasks.

Twitter has emerged as a global hub for engaging in online conversations and as a research corpus for various disciplines that have recognized the significance of its user-generated content. Argument mining is an important analytical task for processing and understanding online discourse. Specifically, it aims to identify the structural elements of arguments, denoted as information and inference. These elements, however, are not static and may require context within the conversation they are in, yet there is a lack of data and annotation frameworks addressing this dynamic aspect on Twitter. We contribute TACO, the first dataset of Twitter Arguments utilizing 1,814 tweets covering 200 entire conversations spanning six heterogeneous topics annotated with an agreement of 0.718 Krippendorff's alpha among six experts. Second, we provide our annotation framework, incorporating definitions from the Cambridge Dictionary, to define and identify argument components on Twitter. Our transformer-based classifier achieves an 85.06\% macro F1 baseline score in detecting arguments. Moreover, our data reveals that Twitter users tend to engage in discussions involving informed inferences and information. TACO serves multiple purposes, such as training tweet classifiers to manage tweets based on inference and information elements, while also providing valuable insights into the conversational reply patterns of tweets.

Financial news items are unstructured sources of information that can be mined to extract knowledge for market screening applications. Manual extraction of relevant information from the continuous stream of finance-related news is cumbersome and beyond the skills of many investors, who, at most, can follow a few sources and authors. Accordingly, we focus on the analysis of financial news to identify relevant text and, within that text, forecasts and predictions. We propose a novel Natural Language Processing (NLP) system to assist investors in the detection of relevant financial events in unstructured textual sources by considering both relevance and temporality at the discursive level. Firstly, we segment the text to group together closely related text. Secondly, we apply co-reference resolution to discover internal dependencies within segments. Finally, we perform relevant topic modelling with Latent Dirichlet Allocation (LDA) to separate relevant from less relevant text and then analyse the relevant text using a Machine Learning-oriented temporal approach to identify predictions and speculative statements. We created an experimental data set composed of 2,158 financial news items that were manually labelled by NLP researchers to evaluate our solution. The ROUGE-L values for the identification of relevant text and predictions/forecasts were 0.662 and 0.982, respectively. To our knowledge, this is the first work to jointly consider relevance and temporality at the discursive level. It contributes to the transfer of human associative discourse capabilities to expert systems through the combination of multi-paragraph topic segmentation and co-reference resolution to separate author expression patterns, topic modelling with LDA to detect relevant text, and discursive temporality analysis to identify forecasts and predictions within this text.

Justine Bateman told Fox News Digital the industry is headed towards replacing every part of the job with artificial intelligence. "Mamma Mia!" star Sara Poyzer was replaced by artificial intelligence in an upcoming BBC project. Poyzer shared the news on X by showing a screenshot of an email that read: "Sorry for the delay – we have the approval from BBC to use the AI generated voice so we won't need Sara anymore." HOLLYWOOD EXECS WARN AI STEALS JOBS BUT CAN'T DO JOB OF TRUE ARTISTS: 'I WANT TO WORK WITH HUMAN BEINGS' The BBC is crafting a "highly sensitive documentary" and artificial intelligence was an option to recreate a dying person's voice. "We are making a highly sensitive documentary which features a contributor who is nearing the end of life and is now unable to speak," the BBC said in a statement to Deadline.

Luke Bryan speaks during the signing of the ELVIS Act to Protect Voice & amp; Likeness in Age of AI event at Robert's Western World on March 21, 2024, in Nashville, Tennessee. 'AMAZING PRECEDENT': Luke Bryan is celebrating new protections from artificial intelligence for musicians in Nashville. Luke Bryan has high praise for the Tennessee state government over its new AI regulation law. ELECTION THREAT: Former Secretary of State Hillary Clinton described herself as a victim of election disinformation during a panel discussion on Thursday, and warned that the advancement of artificial intelligence (AI) will make her experience "look primitive." LEVEL UP: Google has developed an artificial intelligence system that can play video games like a human and take orders from players and could eventually even have real-world implications down the line.

Officially, the appointment started in January and lasts three months. But Reben's relationship with the San Francisco–based AI firm seems casual: "It's a little fuzzy, because I'm the first, and we're figuring stuff out. I'm probably going to keep working with them." In fact, Reben has been working with OpenAI for years already. Five years ago, he was invited to try out an early version of GPT-3 before it was released to the public. "I got to play around with that quite a bit and made a few artworks," he says.

A new top-grossing film that has received global recognition for its cinematic prowess is now being revered by the most successful director of the century. Oscar-winning director Steven Spielberg recently proclaimed Dune: Part Two as a'visual epic' in a new interview, calling it'one of the most brilliant science-fiction films I've ever seen.' Spielberg said his favorite scene in the Blockbuster was watching Timothée Chalamet - who plays Paul Atreides - ride a sandworm. Spielberg has also lavished praise on Denis Villeneuve who directed both Dune films, saying Villeneuve's name will be added to the list of sci-fi filmmakers who have built incredible and unique worlds. 'You have made one of the most brilliant science fiction films I have ever seen,' adding that it'is truly a visual epic and it's also filled with deeply, deeply drawn characters,' Spielberg told Villeneuve in the Director's Cut podcast: Dune: Part Two cleared 82.5 million in its opening weekend, surpassing Oppenheimer which brought in 82.4 million. Since its release, the film has grossed nearly 240 million at the domestic box office and 570 million globally.