Piano playing requires agile, precise, and coordinated hand control that stretches the limits of dexterity. Hand motion models with the sophistication to accurately recreate piano playing have a wide range of applications in character animation, embodied AI, biomechanics, and VR/AR. In this paper, we construct a first-of-its-kind large-scale dataset that contains approximately 10 hours of 3D hand motion and audio from 15 elite-level pianists playing 153 pieces of classical music. To capture natural performances, we designed a markerless setup in which motions are reconstructed from multi-view videos using state-of-the-art pose estimation models. The motion data is further refined via inverse kinematics using the high-resolution MIDI key-pressing data obtained from sensors in a specialized Yamaha Disklavier piano. Leveraging the collected dataset, we developed a pipeline that can synthesize physically-plausible hand motions for musical scores outside of the dataset. Our approach employs a combination of imitation learning and reinforcement learning to obtain policies for physics-based bimanual control involving the interaction between hands and piano keys. To solve the sampling efficiency problem with the large motion dataset, we use a diffusion model to generate natural reference motions, which provide high-level trajectory and fingering (finger order and placement) information. However, the generated reference motion alone does not provide sufficient accuracy for piano performance modeling. We then further augmented the data by using musical similarity to retrieve similar motions from the captured dataset to boost the precision of the RL policy. With the proposed method, our model generates natural, dexterous motions that generalize to music from outside the training dataset.

Songs have been found to profoundly impact human emotions, with lyrics having significant power to stimulate emotional changes in the audience. There is a scarcity of large, high quality in-domain datasets for lyrics-based song emotion classification (Edmonds and Sedoc, 2021; Zhou, 2022). It has been noted that in-domain training datasets are often difficult to acquire (Zhang and Miao, 2023) and that label acquisition is often limited by cost, time, and other factors (Azad et al., 2018). We examine the novel usage of a large out-of-domain dataset as a creative solution to the challenge of training data scarcity in the emotional classification of song lyrics. We find that CNN models trained on a large Reddit comments dataset achieve satisfactory performance and generalizability to lyrical emotion classification, thus giving insights into and a promising possibility in leveraging large, publicly available out-of-domain datasets for domains whose in-domain data are lacking or costly to acquire.

Evaluating diffusion-based image-editing models is a crucial task in the field of Generative AI. Specifically, it is imperative to assess their capacity to execute diverse editing tasks while preserving the image content and realism. While recent developments in generative models have opened up previously unheard-of possibilities for image editing, conducting a thorough evaluation of these models remains a challenging and open task. The absence of a standardized evaluation benchmark, primarily due to the inherent need for a post-edit reference image for evaluation, further complicates this issue. Currently, evaluations often rely on established models such as CLIP or require human intervention for a comprehensive understanding of the performance of these image editing models. Our benchmark, PixLens, provides a comprehensive evaluation of both edit quality and latent representation disentanglement, contributing to the advancement and refinement of existing methodologies in the field.

Discrete diffusion has achieved state-of-the-art performance, outperforming or approaching autoregressive models on standard benchmarks. In this work, we introduce Discrete Diffusion with Planned Denoising (DDPD), a novel framework that separates the generation process into two models: a planner and a denoiser. At inference time, the planner selects which positions to denoise next by identifying the most corrupted positions in need of denoising, including both initially corrupted and those requiring additional refinement. This plan-and-denoise approach enables more efficient reconstruction during generation by iteratively identifying and denoising corruptions in the optimal order. DDPD outperforms traditional denoiser-only mask diffusion methods, achieving superior results on language modeling benchmarks such as text8, OpenWebText, and token-based generation on ImageNet $256 \times 256$. Notably, in language modeling, DDPD significantly reduces the performance gap between diffusion-based and autoregressive methods in terms of generative perplexity. Code is available at https://github.com/liusulin/DDPD.

The paper studies the framework of teaching a loss function to a machine learning algorithm (the student model). Inspired from ideas of machine teaching and recent work of "learning to teach" [Fan et al. 18], the paper proposes L2T-DLF framework where a teacher model is jointly trained with a student model. Here, the teacher's goal is to learn a better policy of how to generate dynamic loss functions for the student by accounting for the current state of the student (e.g., training iteration, training error, test error). As shown in Algorithm#1, the teacher/student interaction happens in episodes: (1) the teacher's parameter \theta is fixed in a given episode, (2) the student model is trained end-to-end, and (3) then \theta is updated. In Section 3.3, the paper proposes a gradient-based method to update the parameter of the teacher model.

The authors claim that there is no suitable metric to evaluate the quality of the generated audio, which is plausible, so they listened to the audio and evaluated on their own. The only shortcoming here is that no systematic and blind listening test has been conducted yet. The authors themselves might be biased and thus, the capabilities of the proposed approach cannot be considered as fully proven from a scientific perspective. However, a link to the audio is provided so that the readers can convince themselves from the proposed method. Minor comments: -"nats per timestep": should be defined -p. 3, l.

How are we able to learn about complex current events just from short snippets of video? While natural language enables straightforward ways to represent under-specified, partially observable events, visual data does not facilitate analogous methods and, consequently, introduces unique challenges in event understanding. With the growing prevalence of vision-capable AI agents, these systems must be able to model events from collections of unstructured video data. To tackle robust event modeling in multimodal settings, we introduce a multimodal formulation for partially-defined events and cast the extraction of these events as a three-stage span retrieval task. We propose a corresponding benchmark for this task, MultiVENT-G, that consists of 14.5 hours of densely annotated current event videos and 1,168 text documents, containing 22.8K labeled event-centric entities. We propose a collection of LLM-driven approaches to the task of multimodal event analysis, and evaluate them on MultiVENT-G. Results illustrate the challenges that abstract event understanding poses and demonstrates promise in event-centric video-language systems.

Large text-to-image diffusion models Saharia et al. (2022); Pernias et al. (2024); Podell et al. (2024); Ramesh et al. (2022) have demonstrated significant capabilities in generating photorealistic images based on given textual prompts, facilitating both the creation and editing of real images. Current research Cao et al. (2023); Brack et al. (2024); Ju et al. (2024); Parmar et al. (2023); Wu & la Torre (2022); Xu et al. (2024) highlights three main challenges in image editing: controllability, background preservation, and efficiency. Specifically, the edited parts must align with the target prompt's concepts, while unedited regions should remain unchanged. Additionally, the editing process must be sufficiently efficient to support interactive tasks. There are two mainstream categories of image editing approaches, namely inversion-based and inversion-free methods, as illustrated in Figure 1. Inversion-based approaches Song et al. (2021a); Mokady et al. (2023); Wu & la Torre (2022); Huberman-Spiegelglas et al. (2024) progressively add noise to a clean image and then remove the noise conditioned on a given target prompt, utilizing large text-to-image diffusion models (i.e. Stable Diffusion Rombach et al. (2022)), to obtain the edited image. However, directly inverting the diffusion sampling process (e.g., DDIM Song et al. (2021a)) for reconstruction introduces bias from the initial image due to errors accumulated by an unconditional score term, as discussed in classifier-free guidance (CFG) Ho & Salimans (2022) and proven in App.

We present a novel approach to classify causal micro-narratives from text. These narratives are sentence-level explanations of the cause(s) and/or effect(s) of a target subject. The approach requires only a subject-specific ontology of causes and effects, and we demonstrate it with an application to inflation narratives. Using a human-annotated dataset spanning historical and contemporary US news articles for training, we evaluate several large language models (LLMs) on this multi-label classification task. The best-performing model--a fine-tuned Llama 3.1 8B--achieves F1 scores of 0.87 on narrative detection and 0.71 on narrative classification. Comprehensive error analysis reveals challenges arising from linguistic ambiguity and highlights how model errors often mirror human annotator disagreements. This research establishes a framework for extracting causal micro-narratives from real-world data, with wide-ranging applications to social science research.

The Greenland Ice Sheet (GrIS) has emerged as a significant contributor to global sea level rise, primarily due to increased meltwater runoff. Supraglacial lakes, which form on the ice sheet surface during the summer months, can impact ice sheet dynamics and mass loss; thus, better understanding these lakes' seasonal evolution and dynamics is an important task. This study presents a computationally efficient time series classification approach that uses Gaussian Mixture Models (GMMs) of the Reconstructed Phase Spaces (RPSs) to identify supraglacial lakes based on their seasonal evolution: 1) those that refreeze at the end of the melt season, 2) those that drain during the melt season, and 3) those that become buried, remaining liquid insulated a few meters beneath the surface. Our approach uses time series data from the Sentinel-1 and Sentinel-2 satellites, which utilize microwave and visible radiation, respectively. Evaluated on a GrIS-wide dataset, the RPS-GMM model, trained on a single representative sample per class, achieves 85.46% accuracy with Sentinel-1 data alone and 89.70% with combined Sentinel-1 and Sentinel-2 data. This performance significantly surpasses existing machine learning and deep learning models which require a large training data. The results demonstrate the robustness of the RPS-GMM model in capturing the complex temporal dynamics of supraglacial lakes with minimal training data.