No one can say for sure what's going on in the president's head. His 25 greatest obsessions can get us a little closer. This is the year the first baby boomers--those born in 1946--turn 80, and that cohort includes Donald Trump. We have all recently lived through what it means to have an 80-year-old commander in chief, but at a political moment that's simultaneously more horrific, erratic, and just plain befuddling than anything this country has seen in ages, we wanted to understand the brain of 80-year-old president. Plenty of people are trying to discern whether his recent rants and raves are due to a more serious cognitive decline--we understand the instinct; we've done it too --but we went a different (if related) route. The more we dug into Trump's many fixations, the more we realized that this man still thinks he lives in the 1980s. We also discovered--without too much surprise--that he often seems to fundamentally misunderstand the works he treasures most deeply. These items might not replace a brain map, but they do create a certain holistic view of what animates and splinters Trump's mind. Sometimes, they just help explain his worldview. Other times, they seem to have had real influence on policy and the America that Trump is trying to create. Welcome to Trump Brain, the 25 things that define who the president is--and what he wants. Please enable javascript to fully experience this interactive. When millions of people took to the streets in October to protest Trump's authoritarianism, the president responded by dunking on his critics online. Specifically, he posted an A.I.-generated video of a fighter jet, piloted by himself in a literal crown, dropping human excrement onto the crowds. It was perhaps Trump's most juvenile use of A.I. slop yet--the kind of low-quality, feverish content made possible by artificial intelligence. Trump undoubtedly is the perfect president for the A.I. slop era. In some ways, this is because he's the ideal audience for it: Like many older internet users delighted by the technology, Trump seems to enjoy mindless, cartoonish, childish content. One of the videos he shared depicted him playing soccer with Cristiano Ronaldo in the Oval Office.

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They expect you to die! Interactive takes on MI6's globetrotting spy have been around almost as long as the films, but that doesn't mean all of them were a success. 'The enormity of the idea helped me': how Patrick Gibson became gaming's new James Bond Bond finally arrived in an official video game capacity in 1984, courtesy of Parker Brothers. The game grouped several 007 adventures (Diamonds Are Forever, The Spy Who Loved Me, Moonraker and For Your Eyes Only) together. Yet despite including elements from each movie, it was essentially the same game throughout: an unsatisfying and tricky mashup of the arcade games Moon Patrol and Scramble, with the player controlling Bond's amphibious Lotus from The Spy Who Loved Me. Obscure pub trivia fact: due to the dispute between Bond producers Eon and screenwriter Kevin McClory, the Diamonds Are Forever segment replaced Blofeld with a villain named Seraffino.

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'I found out because I bought a new Amazon Alexa and while setting it up realized this is linked via our family prime account,' the woman shared on Reddit. 'Found in history, 'Alexa play beautiful love songs,' followed by the sound of them having sex.' To find such recordings saved to an Amazon Alexa, open the Alexa app, tap More, go to Alexa Privacy, then select Review Voice History to see recordings by date or device. Users can play back clips, delete individual recordings or delete their entire voice history. If you own a Google Home, open the Google Home app and tap Activity to review recent home events, including camera, doorbell and device activity. To check Assistant recordings, go to your Google Account activity controls and review or delete Google Assistant activity.

After decades risking arrest, South Korea's tattoo artists step into the limelight When Kim Tae-nam took the stage last Saturday in Seoul, it was a moment he had long been waiting for - the career he had chosen was no longer illegal. He couldn't stop smiling, the relief spilling into his voice: This was only possible because of our effort, all your sweat and tears. Let's hear it from everyone: Tattoos are art! They had gathered on a rooftop in Seongsu, a hip Seoul neighbourhood, for Ink Bomb: more than 90 local tattooists and artists openly celebrating body art, which had thrived in the shadows for decades. Just days before, South Korea's top court had overturned its 1992 ruling that defined tattooing as a medical act - bringing to an end Korean tattooists' decades-long fight for legitimacy.

They Khan't get away with that. Paramount+ looks to have used generative AI to whip up a thumbnail for, according to a report by . The image shows Captain Kirk, as played by William Shatner, dressed in a business suit. Kirk never dons a business suit in, or any other time throughout Shatner's decades of portraying the character. He did rock a flannel shirt and jeans once during a visit to 1930s Earth.

'Like a billionaire on acid': Star Wars director Gareth Edwards comes out in favour of AI Speaking at Amazon's AI on the Lot event, the Rogue One film-maker Gareth Edwards said'it'll do anything you ask' and'it's going to be better than CGI' Jurassic World Rebirth and Rogue One director Gareth Edwards has enthusiastically endorsed the use of generative AI in film-making, saying "it is a fucking genius at helping you" and "it's going to be better than CGI". Edwards was speaking at AI on the Lot, an event in Culver City, California, organised by Amazon, and in remarks reported by the Hollywood Reporter said: "I can't see a reason why you wouldn't become interested in this stuff as a film-maker. It's so clearly a tool that might be up there with the camera. It's going to be better than CGI." Edwards said that AI is most useful in the preparatory stages of film-making, saying: "It's only good for iteration and discovering what the movie should be, and then once you know what it is, go in and start making it your movie." He added: "It has no taste whatsoever. It is a fucking genius at helping you. I view it like having a second-unit director who is a billionaire on acid. Like, it'll do anything you ask, not a problem. And you'll give it notes, and it'll be like, 'I don't do notes. I'll just do something totally different.' Edwards' positive view of AI was echoed by veteran writer and director Paul Schrader, who was also speaking at the event. In remarks reported by Deadline, Schrader said: "I don't think the real future of AI commercially is in all this flash, all these monsters - that's just jacked-up special effects on steroids," he said. "The real tip of the spear is when we can create an AI protagonist, not a hybrid, and that movie makes money.

Sex workers appear on the livestreams of famous manosphere influencers to boost their followings--but often end up being degraded. Adult film star Willow Ryder didn't immediately recognize the man who entered the Miami party she was at earlier this month, but she knew he wasn't part of the sex work industry . He had an entourage and what appeared to be a hulking bodyguard. Her friends told her it was Clavicular, aka Braden Peters, a popular Kick livestreamer known for " looksmaxxing," or resorting to extreme measures to improve his appearance. Ryder says she didn't know exactly who Clavicular was or what he talked about on his stream, but she knew that he had a massive following.

The film forms part of a research project undertaken by Alan Warburton which also includes a research paper and a series of satellite events. The film is based on doctoral research undertaken at Birkbeck's Vasari Centre for Art & Technology. It was commissioned by the National Videogame Museum in collaboration with the Open Data Institute (ODI) and Cambridge University's Leverhulme Centre for the Future of Intelligence . The ODI hosted a webinar on 6 May to discuss the content of the film. The panellists explored what AI can and can't do, what effects a collapse of real and virtual could have on visual culture, and if we're living in a post-truth world.