ABSTRACT The recent success of raw audio waveform synthesis models like WaveNet motivates a new approach for music synthesis, in which the entire process -- creating audio samples from a score and instrument information -- is modeled using generative neural networks. This paper describes a neural music synthesis model with flexible timbre controls, which consists of a recurrent neural network conditioned on a learned instrument embedding followed by a WaveNet vocoder. The learned embedding space successfully captures the diverse variations in timbres within a large dataset and enables timbre control and morphing by interpolating between instruments in the embedding space. The synthesis quality is evaluated both numerically and perceptually, and an interactive web demo is presented. Index Terms-- Music Synthesis, Timbre Embedding, WaveNet 1. INTRODUCTION Musical synthesis, most commonly, is the process of generating musical audio with given control parameters such as instrument type and note sequences over time.

ABSTRACT The state-of-the-art in text-to-speech synthesis has recently improved considerably due to novel neural waveform generation methods, such as WaveNet. However, these methods suffer from their slow sequential inference process, while their parallel versions are difficult to train and even more expensive computationally. Meanwhile, generative adversarial networks (GANs) have achieved impressive results in image generation and are making their way into audio applications; parallel inference is among their lucrative properties. Listening test results show that while direct waveform generation with GAN is still far behind WaveNet, a GAN-based glottal excitation model can achieve quality and voice similarity on par with a WaveNet vocoder. Index Terms-- Neural vocoding, text-to-speech, GAN, glottal excitation model 1. INTRODUCTION Recent advances in deep learning have led to text-to-speech (TTS) systems achieving near-human naturalness [1]. This is partially due to neural sequence-to-sequence mapping methods that can learn to align and map between input text and output acoustic feature sequences [2].

We investigated the impact of noisy linguistic features on the performance of a Japanese speech synthesis system based on neural network that uses WaveNet vocoder. We compared an ideal system that uses manually corrected linguistic features including phoneme and prosodic information in training and test sets against a few other systems that use corrupted linguistic features. Both subjective and objective results demonstrate that corrupted linguistic features, especially those in the test set, affected the ideal system's performance significantly in a statistical sense due to a mismatched condition between the training and test sets. Interestingly, while an utterance-level Turing test showed that listeners had a difficult time differentiating synthetic speech from natural speech, it further indicated that adding noise to the linguistic features in the training set can partially reduce the effect of the mismatch, regularize the model, and help the system perform better when linguistic features of the test set are noisy.

Recent neural networks such as WaveNet and sampleRNN that learn directly from speech waveform samples have achieved very high-quality synthetic speech in terms of both naturalness and speaker similarity even in multi-speaker text-to-speech synthesis systems. Such neural networks are being used as an alternative to vocoders and hence they are often called neural vocoders. The neural vocoder uses acoustic features as local condition parameters, and these parameters need to be accurately predicted by another acoustic model. However, it is not yet clear how to train this acoustic model, which is problematic because the final quality of synthetic speech is significantly affected by the performance of the acoustic model. Significant degradation happens, especially when predicted acoustic features have mismatched characteristics compared to natural ones. In order to reduce the mismatched characteristics between natural and generated acoustic features, we propose frameworks that incorporate either a conditional generative adversarial network (GAN) or its variant, Wasserstein GAN with gradient penalty (WGAN-GP), into multi-speaker speech synthesis that uses the WaveNet vocoder. We also extend the GAN frameworks and use the discretized mixture logistic loss of a well-trained WaveNet in addition to mean squared error and adversarial losses as parts of objective functions. Experimental results show that acoustic models trained using the WGAN-GP framework using back-propagated discretized-mixture-of-logistics (DML) loss achieves the highest subjective evaluation scores in terms of both quality and speaker similarity.

Recent speech technology research has seen a growing interest in using WaveNets as statistical vocoders, i.e., generating speech waveforms from acoustic features. These models have been shown to improve the generated speech quality over classical vocoders in many tasks, such as text-to-speech synthesis and voice conversion. Furthermore, conditioning WaveNets with acoustic features allows sharing the waveform generator model across multiple speakers without additional speaker codes. However, multi-speaker WaveNet models require large amounts of training data and computation to cover the entire acoustic space. This paper proposes leveraging the source-filter model of speech production to more effectively train a speaker-independent waveform generator with limited resources. We present a multi-speaker 'GlotNet' vocoder, which utilizes a WaveNet to generate glottal excitation waveforms, which are then used to excite the corresponding vocal tract filter to produce speech. Listening tests show that the proposed model performs favourably to a direct WaveNet vocoder trained with the same model architecture and data.

Recent advances in speech synthesis suggest that limitations such as the lossy nature of the amplitude spectrum with minimum phase approximation and the over-smoothing effect in acoustic modeling can be overcome by using advanced machine learning approaches. In this paper, we build a framework in which we can fairly compare new vocoding and acoustic modeling techniques with conventional approaches by means of a large scale crowdsourced evaluation. Results on acoustic models showed that generative adversarial networks and an autoregressive (AR) model performed better than a normal recurrent network and the AR model performed best. Evaluation on vocoders by using the same AR acoustic model demonstrated that a Wavenet vocoder outperformed classical source-filter-based vocoders. Particularly, generated speech waveforms from the combination of AR acoustic model and Wavenet vocoder achieved a similar score of speech quality to vocoded speech.