The days are long and hot. Naturally, I sit in the depths of my room outfitted with blackout curtains that keep my frail skin shielded from the mild Midwestern sun outside. I find myself hours deep in a game of Stellaris. I am the immortal emperor of the Driesse Imperium, puppeting a despotic regime from the shadows and steering them toward war. The (digital) year is 2356, and my grand fleet is finally finished constructing.

Having inspired a huge subgenre of political comedy, Jon Stewart, who walked away from The Daily Show in 2015, has returned to television in a determined but defensive crouch. That he's both worried about and pre-emptively rebelling against criticism is evident in the extremely '90s credit sequence that introduces his new weekly Apple TV show, The Problem With Jon Stewart. Over grinding, Rage Against the Machine -style guitars, the credits cycle through unflattering potential titles like The Money Grab With Jon Stewart before landing on a title that both sets up the show's format--each weekly episode deals with a central problem, like "War" or "Freedom"--and preempts the title of skeptical think pieces. Stewart plays defense as host too, alluding early and often to how old he looks and to how little his audience is laughing. Concerns that The Problem's writing staff might be too white and male, like The Daily Show's, are staved off by literally showing us Stewart bantering with his staff, which is admirably diverse.

The U.S. drone strike this week that killed Iranian Gen. Qassem Soleimani – a terrorist murderer responsible for thousands of deaths – resulted in extensive news coverage that criticized President Trump for ordering his killing and falsely portrayed Soleimani in a positive light. Journalists couldn't pile on enough praise or make enough ridiculous comparisons glorifying Soleimani – from the despicable to the ridiculous. He was like Gen. George Patton or the Duke of Wellington (Business Insider), and former French President Charles de Gaulle or the French Foreign Legion (CNN). That strategy was hardly new. Back in 2017, Time magazine piled on the praise, saying Soleimani was "James Bond, Erwin Rommel and Lady Gaga rolled into one." Wacky leftist "Young Turks" correspondent/producer Emma Vigeland joined the postmortem comparison chorus with her own oddball take: "Imagine the Iranian government assassinated Mike Pompeo with a drone, at the direction of the president, and called it self-defense," she wrote.