Discrete representation learning has shown promising results across various domains, including generation and understanding in image, speech and language. Inspired by these advances, we propose MuseTok, a tokenization method for symbolic music, and investigate its effectiveness in both music generation and understanding tasks. MuseTok employs the residual vector quantized-variational autoencoder (RQ-VAE) on bar-wise music segments within a Transformer-based encoder-decoder framework, producing music codes that achieve high-fidelity music reconstruction and accurate understanding of music theory. For comprehensive evaluation, we apply MuseTok to music generation and semantic understanding tasks, including melody extraction, chord recognition, and emotion recognition. Models incorporating MuseTok outperform previous representation learning baselines in semantic understanding while maintaining comparable performance in content generation. Furthermore, qualitative analyses on MuseTok codes, using ground-truth categories and synthetic datasets, reveal that MuseTok effectively captures underlying musical concepts from large music collections.

Existing state-of-the-art symbolic music generation models predominantly adopt autoregressive or hierarchical autoregressive architectures, modelling symbolic music as a sequence of attribute tokens with unidirectional temporal dependencies, under the assumption of a fixed, strict dependency structure among these attributes. However, we observe that using different attributes as the initial token in these models leads to comparable performance. This suggests that the attributes of a musical note are, in essence, a concurrent and unordered set, rather than a temporally dependent sequence. Based on this insight, we introduce Amadeus, a novel symbolic music generation framework. Amadeus adopts a two-level architecture: an autoregressive model for note sequences and a bidirectional discrete diffusion model for attributes. To enhance performance, we propose Music Latent Space Discriminability Enhancement Strategy(MLSDES), incorporating contrastive learning constraints that amplify discriminability of intermediate music representations. The Conditional Information Enhancement Module (CIEM) simultaneously strengthens note latent vector representation via attention mechanisms, enabling more precise note decoding. We conduct extensive experiments on unconditional and text-conditioned generation tasks. Amadeus significantly outperforms SOTA models across multiple metrics while achieving at least 4$\times$ speed-up. Furthermore, we demonstrate training-free, fine-grained note attribute control feasibility using our model. To explore the upper performance bound of the Amadeus architecture, we compile the largest open-source symbolic music dataset to date, AMD (Amadeus MIDI Dataset), supporting both pre-training and fine-tuning.

Large language models (LLMs) excel at modeling relationships between strings in natural language and have shown promise in extending to other symbolic domains like coding or mathematics. However, the extent to which they implicitly model symbolic music remains underexplored. This paper investigates how LLMs represent musical concepts by generating symbolic music data from textual prompts describing combinations of genres and styles, and evaluating their utility through recognition and generation tasks. We produce a dataset of LLM-generated MIDI files without relying on explicit musical training. We then train neural networks entirely on this LLM-generated MIDI dataset and perform genre and style classification as well as melody completion, benchmark-ing their performance against established models. Our results demonstrate that LLMs can infer rudimentary musical structures and temporal relationships from text, highlighting both their potential to implicitly encode musical patterns and their limitations due to a lack of explicit musical context, shedding light on their generative capabilities for symbolic music.

We propose a pre-trained BERT-like model for symbolic music understanding that achieves competitive performance across a wide range of downstream tasks. To achieve this target, we design two novel pre-training objectives, namely token correction and pianoroll prediction. First, we sample a portion of note tokens and corrupt them with a limited amount of noise, and then train the model to denoise the corrupted tokens; second, we also train the model to predict bar-level and local pianoroll-derived representations from the corrupted note tokens. We argue that these objectives guide the model to better learn specific musical knowledge such as pitch intervals. For evaluation, we propose a benchmark that incorporates 12 downstream tasks ranging from chord estimation to symbolic genre classification. Results confirm the effectiveness of the proposed pre-training objectives on downstream tasks.

We study the capabilities of generative autoregressive transformer models trained on large amounts of symbolic solo-piano transcriptions. After first pretraining on approximately 60,000 hours of music, we use a comparatively smaller, high-quality subset, to finetune models to produce musical continuations, perform symbolic classification tasks, and produce general-purpose contrastive MIDI embeddings by adapting the SimCLR framework to symbolic music. When evaluating piano continuation coherence, our generative model outperforms leading symbolic generation techniques and remains competitive with proprietary audio generation models. On MIR classification benchmarks, frozen representations from our contrastive model achieve state-of-the-art results in linear probe experiments, while direct finetuning demonstrates the generalizability of pretrained representations, often requiring only a few hundred labeled examples to specialize to downstream tasks.

Mamba-Diffusion Model with Learnable Wavelet for Controllable Symbolic Music Generation 1 st Jincheng Zhang Centre for Digital Music Queen Mary University of London London, UK jincheng.zhang@qmul.ac.uk 2 nd Gy orgy Fazekas Centre for Digital Music Queen Mary University of London London, UK george.fazekas@qmul.ac.uk 3 rd Charalampos Saitis Centre for Digital Music Queen Mary University of London London, UK c.saitis@qmul.ac.uk Abstract --The recent surge in the popularity of diffusion models for image synthesis has attracted new attention to their potential for generation tasks in other domains. However, their applications to symbolic music generation remain largely under-explored because symbolic music is typically represented as sequences of discrete events and standard diffusion models are not well-suited for discrete data. We represent symbolic music as image-like pi-anorolls, facilitating the use of diffusion models for the generation of symbolic music. Moreover, this study introduces a novel diffusion model that incorporates our proposed Transformer-Mamba block and learnable wavelet transform. Classifier-free guidance is utilised to generate symbolic music with target chords. Our evaluation shows that our method achieves compelling results in terms of music quality and controllability, outperforming the strong baseline in pianoroll generation. Index T erms --symbolic music generation, deep learning, diffusion models, wavelet transform, Mamba I.

Multi-modal music generation, using multiple modalities like text, images, and video alongside musical scores and audio as guidance, is an emerging research area with broad applications. This paper reviews this field, categorizing music generation systems from the perspective of modalities. The review covers modality representation, multi-modal data alignment, and their utilization to guide music generation. Current datasets and evaluation methods are also discussed. Key challenges in this area include effective multi-modal integration, large-scale comprehensive datasets, and systematic evaluation methods. Finally, an outlook on future research directions is provided, focusing on creativity, efficiency, multi-modal alignment, and evaluation.

In this paper we introduce the Frechet Music Distance (FMD), a novel evaluation metric for generative symbolic music models, inspired by the Frechet Inception Distance (FID) in computer vision and Frechet Audio Distance (FAD) in generative audio. FMD calculates the distance between distributions of reference and generated symbolic music embeddings, capturing abstract musical features. We validate FMD across several datasets and models. Results indicate that FMD effectively differentiates model quality, providing a domain-specific metric for evaluating symbolic music generation, and establishing a reproducible standard for future research in symbolic music modeling.

We present Music102, an advanced model built upon the Music101 prototype, aimed at enhancing chord progression accompaniment through a D12-equivariant transformer. Inspired by group theory and symbolic music structures, Music102 leverages musical symmetry--such as transposition and reflection operations--integrating these properties into the transformer architecture. By encoding prior music knowledge, the model maintains equivariance across both melody and chord sequences. The POP909 dataset was employed to train and evaluate Music102, revealing significant improvements over Music101 in both weighted loss and exact accuracy metrics, despite using fewer parameters. This work showcases the adaptability of self-attention mechanisms and layer normalization to the discrete musical domain, addressing challenges in computational music analysis. With its stable and flexible neural framework, Music102 sets the stage for further exploration in equivariant music generation and computational composition tools, bridging mathematical theory with practical music performance.

The recent explosion of generative AI-Music systems has raised numerous concerns over data copyright, licensing music from musicians, and the conflict between open-source AI and large prestige companies. Such issues highlight the need for publicly available, copyright-free musical data, in which there is a large shortage, particularly for symbolic music data. To alleviate this issue, we present PDMX: a large-scale open-source dataset of over 250K public domain MusicXML scores collected from the score-sharing forum MuseScore, making it the largest available copyright-free symbolic music dataset to our knowledge. PDMX additionally includes a wealth of both tag and user interaction metadata, allowing us to efficiently analyze the dataset and filter for high quality user-generated scores. Given the additional metadata afforded by our data collection process, we conduct multitrack music generation experiments evaluating how different representative subsets of PDMX lead to different behaviors in downstream models, and how user-rating statistics can be used as an effective measure of data quality. Examples can be found at https://pnlong.github.io/PDMX.demo/.