This work presents a user-centric recommendation framework, designed as a pipeline with four distinct, connected, and customizable phases. These phases are intended to improve explainability and boost user engagement. We have collected the historical Last.fm track playback records of a single user over approximately 15 years. The collected dataset includes more than 90,000 playbacks and approximately 14,000 unique tracks. From track playback records, we have created a dataset of user temporal contexts (each row is a specific moment when the user listened to certain music descriptors). As music descriptors, we have used community-contributed Last.fm tags and Spotify audio features. They represent the music that, throughout years, the user has been listening to. Next, given the most relevant Last.fm tags of a moment (e.g. the hour of the day), we predict the Spotify audio features that best fit the user preferences in that particular moment. Finally, we use the predicted audio features to find tracks similar to these features. The final aim is to recommend (and discover) tracks that the user may feel like listening to at a particular moment. For our initial study case, we have chosen to predict only a single audio feature target: danceability. The framework, however, allows to include more target variables. The ability to learn the musical habits from a single user can be quite powerful, and this framework could be extended to other users.

Hit song prediction, one of the emerging fields in music information retrieval (MIR), remains a considerable challenge. Being able to understand what makes a given song a hit is clearly beneficial to the whole music industry. Previous approaches to hit song prediction have focused on using audio features of a record. This study aims to improve the prediction result of the top 10 hits among Billboard Hot 100 songs using more alternative metadata, including song audio features provided by Spotify, song lyrics, and novel metadata-based features (title topic, popularity continuity and genre class). Five machine learning approaches are applied, including: k-nearest neighbours, Naive Bayes, Random Forest, Logistic Regression and Multilayer Perceptron. Our results show that Random Forest (RF) and Logistic Regression (LR) with all features (including novel features, song audio features and lyrics features) outperforms other models, achieving 89.1% and 87.2% accuracy, and 0.91 and 0.93 AUC, respectively. Our findings also demonstrate the utility of our novel music metadata features, which contributed most to the models' discriminative performance.