Since both the singing and the annotation demand great professional efforts, it leads to much more challenges than that of speech.

Singing Voice Synthesis (SVS) remains constrained in practical deployment due to its strong dependence on accurate phoneme-level alignment and manually annotated melody contours, requirements that are resource-intensive and hinder scalability. To overcome these limitations, we propose a melody-driven SVS framework capable of synthesizing arbitrary lyrics following any reference melody, without relying on phoneme-level alignment. Our method builds on a Diffusion Transformer (DiT) architecture, enhanced with a dedicated melody extraction module that derives melody representations directly from reference audio. To ensure robust melody encoding, we employ a teacher model to guide the optimization of the melody extractor, alongside an implicit alignment mechanism that enforces similarity distribution constraints for improved melodic stability and coherence. Additionally, we refine duration modeling using weakly annotated song data and introduce a Flow-GRPO reinforcement learning strategy with a multi-objective reward function to jointly enhance pronunciation clarity and melodic fidelity. Experiments show that our model achieves superior performance over existing approaches in both objective measures and subjective listening tests, especially in zero-shot and lyric adaptation settings, while maintaining high audio quality without manual annotation. This work offers a practical and scalable solution for advancing data-efficient singing voice synthesis. To support reproducibility, we release our inference code and model checkpoints.

Abstract--Controllable Singing V oice Synthesis (SVS) aims to generate expressive singing voices reflecting user intent. While recent SVS systems achieve high audio quality, most rely on probabilistic modeling, limiting precise control over attributes such as dynamics. We address this by focusing on dynamic control--temporal loudness variation essential for musical expressiveness--and explicitly condition the SVS model on energy sequences extracted from ground-truth spectrograms, reducing annotation costs and improving controllability. We also propose a phoneme-level energy sequence for user-friendly control. T o the best of our knowledge, this is the first attempt enabling user-driven dynamics control in SVS. Experiments show our method achieves over 50% reduction in mean absolute error of energy sequences for phoneme-level inputs compared to baseline and energy-predictor models, without compromising synthesis quality.

Singing voice synthesis (SVS) aims to generate expressive and high-quality vocals from musical scores, requiring precise modeling of pitch, duration, and articulation. While diffusion-based models have achieved remarkable success in image and video generation, their application to SVS remains challenging due to the complex acoustic and musical characteristics of singing, often resulting in artifacts that degrade naturalness. In this work, we propose SmoothSinger, a conditional diffusion model designed to synthesize high quality and natural singing voices. Unlike prior methods that depend on vocoders as a final stage and often introduce distortion, SmoothSinger refines low-quality synthesized audio directly in a unified framework, mitigating the degradation associated with two-stage pipelines. The model adopts a reference-guided dual-branch architecture, using low-quality audio from any baseline system as a reference to guide the denoising process, enabling more expressive and context-aware synthesis. Furthermore, it enhances the conventional U-Net with a parallel low-frequency upsampling path, allowing the model to better capture pitch contours and long term spectral dependencies. To improve alignment during training, we replace reference audio with degraded ground truth audio, addressing temporal mismatch between reference and target signals. Experiments on the Opencpop dataset, a large-scale Chinese singing corpus, demonstrate that SmoothSinger achieves state-of-the-art results in both objective and subjective evaluations. Extensive ablation studies confirm its effectiveness in reducing artifacts and improving the naturalness of synthesized voices.

In this paper, we propose a singing voice synthesis model, Karaoker-SSL, that is trained only on text and speech data as a typical multi-speaker acoustic model. It is a low-resource pipeline that does not utilize any singing data end-to-end, since its vocoder is also trained on speech data. Karaoker-SSL is conditioned by self-supervised speech representations in an unsupervised manner. We preprocess these representations by selecting only a subset of their task-correlated dimensions. The conditioning module is indirectly guided to capture style information during training by multi-tasking. This is achieved with a Conformer-based module, which predicts the pitch from the acoustic model's output. Thus, Karaoker-SSL allows singing voice synthesis without reliance on hand-crafted and domain-specific features. There are also no requirements for text alignments or lyrics timestamps. To refine the voice quality, we employ a U-Net discriminator that is conditioned on the target speaker and follows a Diffusion GAN training scheme.

Denoising diffusion probabilistic models (DDPMs) have shown promising performance for speech synthesis. However, a large number of iterative steps are required to achieve high sample quality, which restricts the inference speed. Maintaining sample quality while increasing sampling speed has become a challenging task. In this paper, we propose a "Co"nsistency "Mo"del-based "Speech" synthesis method, CoMoSpeech, which achieve speech synthesis through a single diffusion sampling step while achieving high audio quality. The consistency constraint is applied to distill a consistency model from a well-designed diffusion-based teacher model, which ultimately yields superior performances in the distilled CoMoSpeech. Our experiments show that by generating audio recordings by a single sampling step, the CoMoSpeech achieves an inference speed more than 150 times faster than real-time on a single NVIDIA A100 GPU, which is comparable to FastSpeech2, making diffusion-sampling based speech synthesis truly practical. Meanwhile, objective and subjective evaluations on text-to-speech and singing voice synthesis show that the proposed teacher models yield the best audio quality, and the one-step sampling based CoMoSpeech achieves the best inference speed with better or comparable audio quality to other conventional multi-step diffusion model baselines. Audio samples are available at https://comospeech.github.io/.

This paper presents an end-to-end high-quality singing voice synthesis (SVS) system that uses bidirectional encoder representation from Transformers (BERT) derived semantic embeddings to improve the expressiveness of the synthesized singing voice. Based on the main architecture of recently proposed VISinger, we put forward several specific designs for expressive singing voice synthesis. First, different from the previous SVS models, we use text representation of lyrics extracted from pre-trained BERT as additional input to the model. The representation contains information about semantics of the lyrics, which could help SVS system produce more expressive and natural voice. Second, we further introduce an energy predictor to stabilize the synthesized voice and model the wider range of energy variations that also contribute to the expressiveness of singing voice. Last but not the least, to attenuate the off-key issues, the pitch predictor is re-designed to predict the real to note pitch ratio. Both objective and subjective experimental results indicate that the proposed SVS system can produce singing voice with higher-quality outperforming VISinger.

Machine learning algorithms excel at generating realistic photos, videos, and even voices. Last year, researchers at AI startup Dessa created a convincing fake audio file of popular American podcaster Joe Rogan's voice. In an Instagram post, Rogan responded to the highly realistic spoof: "At this point I've long ago left enough content out there that they could basically have me saying anything they want…" Although few-shot training may be changing this, Rogan was not wrong about the large voice library he has generated. Generally speaking, in ML the more training data the better, and this is also the case in voice synthesis. Although current machine learning techniques enable researchers to synthesize even singing voices at a similarly high quality, existing singing-voice datasets typically include only single singers.