If your first thought, as we ushered in the New Year, was not of fresh starts and resolutions but of the crises looming in 2024 and beyond, the best antidote, culturally speaking, might be to lean into catastrophe. Metrograph has catered to the pessimists among us by curating a series entitled "The Future Looks Bright from Afar" (through Feb. 4), which promises a suite of sci-fi films marked by "grim prognostications" about mankind's trajectory. As it happens, the great new crowd-pleaser of the moment is also a disaster story, albeit one set firmly in the past. "Godzilla Minus One" follows a kamikaze pilot who shirks his duty in the final days of the Second World War--a decision that puts him in the path of the eponymous monster and, years later, leaves him uniquely motivated to stop its rampage through postwar Tokyo. Elevated by emotional and historical specificity as well as set pieces that belie its modest fifteen-million-dollar budget, Takashi Yamazaki's contribution to the Godzilla canon is simultaneously a study in survivor's guilt and a "Jaws"-style blockbuster, complete with the revelation that our protagonists are going to need a bigger boat.