quentin tarantino
'Taxi Driver' screenwriter calls AI 'smarter' and 'better' than Oscar-nominated writers
"The Agency" star Katherine Waterston admitted she finds AI generally "terrifying" for Hollywood and beyond. Screenwriter Paul Schrader, known for his critically acclaimed works like "Taxi Driver," "Raging Bull" and "First Reformed," surprised fans when he shared his apparent approval of artificial intelligence. In a series of posts last week, the Oscar-nominee marveled at AI and ChatGPT's capabilities when it came to his profession. "I've just come to realize AI is smarter than I am. Has better ideas, has more efficient ways to execute them," he wrote on Jan 16. "Taxi Driver" screenwriter and director Paul Schrader surprised fans with his interest in artificial intelligence.
DnDScore: Decontextualization and Decomposition for Factuality Verification in Long-Form Text Generation
Wanner, Miriam, Van Durme, Benjamin, Dredze, Mark
The decompose-then-verify strategy for verification of Large Language Model (LLM) generations decomposes claims that are then independently verified. Decontextualization augments text (claims) to ensure it can be verified outside of the original context, enabling reliable verification. While decomposition and decontextualization have been explored independently, their interactions in a complete system have not been investigated. Their conflicting purposes can create tensions: decomposition isolates atomic facts while decontextualization inserts relevant information. Furthermore, a decontextualized subclaim presents a challenge to the verification step: what part of the augmented text should be verified as it now contains multiple atomic facts? We conduct an evaluation of different decomposition, decontextualization, and verification strategies and find that the choice of strategy matters in the resulting factuality scores. Additionally, we introduce DnDScore, a decontextualization aware verification method which validates subclaims in the context of contextual information.
New on DVD: 'The Hateful Eight' is Quentin Tarantino at his worst (but the acting, music and vistas are swell)
Quentin Tarantino indulges in some of his worst impulses in this widescreen western, loading it up with violence and vulgarity to an almost nihilistic degree. Yet as tone-deaf and ugly as the film often is, it's also beautifully shot (by Robert Richardson) and masterfully acted (by an all-star cast that includes Kurt Russell, Samuel L. Jackson, Walton Goggins and an Oscar-nominated Jennifer Jason Leigh), with a stirring Oscar-winning score from Ennio Morricone. And it's always a pleasure to listen to Tarantino's dialogue, with its winding speeches and stories within stories. He bites off more than he can chew with this claustrophobic tale of post-Civil War animus, boiling over at a snowed-in Wyoming trading post, but while the movie is uneven, it's often thrilling. Buyer beware, though: While the film itself is certainly worthy, this first DVD and Blu-ray release contains the shorter, nonroadshow cut, with just a couple of featurettes.