Right: Normalized attention scores processed by two different normalization methods. Table 1: Performance of searched architectures using different NAS algorithms in DARTS [ 7 ] space on CIFAR-10 [ 5 ]. The inference latency was measured on a machine with GeForce RTX 3090 GPU. The batch size was set to 1. Encode(ms) Infer(ms) Total(ms) NAR-Former 2.4784 17.4864 19.9648 NAR-Former V2 2.3722 5.2276 7.5998 may be somewhat different. Due to the softmax, Eq. ( 5) focuses almost all attention on the current The Eq. ( 2) restricts attention to connected nodes by introducing the adjacency matrix.

Neural Information Processing Systems http://nips.cc/

In Section 2.2 we show, using an idealized model for the token distribution, that if one iteratively

Bond markets respond differently to macroeconomic news compared to equity markets, yet most sentiment models are trained primarily on general financial or equity news data. However, bond prices often move in the opposite direction to economic optimism, making general or equity-based sentiment tools potentially misleading. We introduce BondBERT, a transformer-based language model fine-tuned on bond-specific news. BondBERT can act as the perception and reasoning component of a financial decision-support agent, providing sentiment signals that integrate with forecasting models. We propose a generalisable framework for adapting transformers to low-volatility, domain-inverse sentiment tasks by compiling and cleaning 30,000 UK bond market articles (2018-2025). BondBERT's sentiment predictions are compared against FinBERT, FinGPT, and Instruct-FinGPT using event-based correlation, up/down accuracy analyses, and LSTM forecasting across ten UK sovereign bonds. We find that BondBERT consistently produces positive correlations with bond returns, and achieves higher alignment and forecasting accuracy than the three baseline models. These results demonstrate that domain-specific sentiment adaptation better captures fixed income dynamics, bridging a gap between NLP advances and bond market analytics.

Operator learning offers a robust framework for approximating mappings between infinite-dimensional function spaces. It has also become a powerful tool for solving inverse problems in the computational sciences. This chapter surveys methodological and theoretical developments at the intersection of operator learning and inverse problems. It begins by summarizing the probabilistic and deterministic approaches to inverse problems, and pays special attention to emerging measure-centric formulations that treat observed data or unknown parameters as probability distributions. The discussion then turns to operator learning by covering essential components such as data generation, loss functions, and widely used architectures for representing function-to-function maps. The core of the chapter centers on the end-to-end inverse operator learning paradigm, which aims to directly map observed data to the solution of the inverse problem without requiring explicit knowledge of the forward map. It highlights the unique challenge that noise plays in this data-driven inversion setting, presents structure-aware architectures for both point predictions and posterior estimates, and surveys relevant theory for linear and nonlinear inverse problems. The chapter also discusses the estimation of priors and regularizers, where operator learning is used more selectively within classical inversion algorithms.

With the rise of AI-generated content (AIGC), generating perceptually natural and feeling-aligned music from multimodal inputs has become a central challenge. Existing approaches often rely on explicit emotion labels that require costly annotation, underscoring the need for more flexible feeling-aligned methods. To support multimodal music generation, we construct ArtiCaps, a pseudo feeling-aligned image-music-text dataset created by semantically matching descriptions from ArtEmis and MusicCaps. We further propose Art2Music, a lightweight cross-modal framework that synthesizes music from artistic images and user comments. In the first stage, images and text are encoded with OpenCLIP and fused using a gated residual module; the fused representation is decoded by a bidirectional LSTM into Mel-spectrograms with a frequency-weighted L1 loss to enhance high-frequency fidelity. In the second stage, a fine-tuned HiFi-GAN vocoder reconstructs high-quality audio waveforms. Experiments on ArtiCaps show clear improvements in Mel-Cepstral Distortion, Frechet Audio Distance, Log-Spectral Distance, and cosine similarity. A small LLM-based rating study further verifies consistent cross-modal feeling alignment and offers interpretable explanations of matches and mismatches across modalities. These results demonstrate improved perceptual naturalness, spectral fidelity, and semantic consistency. Art2Music also maintains robust performance with only 50k training samples, providing a scalable solution for feeling-aligned creative audio generation in interactive art, personalized soundscapes, and digital art exhibitions.