In contrast to V AE-based neural compression, where the (mean) decoder is a deterministic neural network, our decoder is a conditional diffusion model. Our approach thus introduces an additional "content" latent variable on which the reverse diffusion process

Current perceptual similarity metrics operate at the level of pixels and patches.

Real world image super-resolution (Real-ISR) often leverages the powerful generative priors of text-to-image diffusion models by regularizing the output to lie on their learned manifold. However, existing methods often overlook the importance of the regularizing manifold, typically defaulting to a text-conditioned manifold. This approach suffers from two key limitations. Conceptually, it is misaligned with the Real-ISR task, which is to generate high quality (HQ) images directly tied to the low quality (LQ) images. Practically, the teacher model often reconstructs images with color distortions and blurred edges, indicating a flawed generative prior for this task. To correct these flaws and ensure conceptual alignment, a more suitable manifold must incorporate information from the images. While the most straightforward approach is to condition directly on the raw input images, their high information densities make the regularization process numerically unstable. To resolve this, we propose image-conditioned manifold regularization (ICM), a method that regularizes the output towards a manifold conditioned on the sparse yet essential structural information: a combination of colormap and Canny edges. ICM provides a task-aligned and stable regularization signal, thereby avoiding the instability of dense-conditioning and enhancing the final super-resolution quality. Our experiments confirm that the proposed regularization significantly enhances super-resolution performance, particularly in perceptual quality, demonstrating its effectiveness for real-world applications. We will release the source code of our work for reproducibility.

Video editing and synthesis often introduce object inconsistencies, such as frame flicker and identity drift that degrade perceptual quality. To address these issues, we introduce ObjectAlign, a novel framework that seamlessly blends perceptual metrics with symbolic reasoning to detect, verify, and correct object-level and temporal inconsistencies in edited video sequences. The novel contributions of ObjectAlign are as follows: First, we propose learnable thresholds for metrics characterizing object consistency (i.e. CLIP-based semantic similarity, LPIPS perceptual distance, histogram correlation, and SAM-derived object-mask IoU). Second, we introduce a neuro-symbolic verifier that combines two components: (a) a formal, SMT-based check that operates on masked object embeddings to provably guarantee that object identity does not drift, and (b) a temporal fidelity check that uses a probabilistic model checker to verify the video's formal representation against a temporal logic specification. A frame transition is subsequently deemed "consistent" based on a single logical assertion that requires satisfying both the learned metric thresholds and this unified neuro-symbolic constraint, ensuring both low-level stability and high-level temporal correctness. Finally, for each contiguous block of flagged frames, we propose a neural network based interpolation for adaptive frame repair, dynamically choosing the interpolation depth based on the number of frames to be corrected. This enables reconstruction of the corrupted frames from the last valid and next valid keyframes. Our results show up to 1.4 point improvement in CLIP Score and up to 6.1 point improvement in warp error compared to SOTA baselines on the DAVIS and Pexels video datasets.

We provide more versions of HI-Diff to demonstrate the effectiveness of our proposed method. Image size is 3 256 256 to calculate FLOPs. We provide a variant of HI-Diff, called HI-Diff-2. The refinement stage contains 4 blocks. These settings are consistent with HI-Diff.

Bin-picking of metal objects using low-cost RGB-D cameras often suffers from sparse depth information and reflective surface textures, leading to errors and the need for manual labeling. To reduce human intervention, we propose a two-stage framework consisting of a metric learning stage and a self-training stage. Specifically, to automatically process data captured by a low-cost camera (LC), we introduce a Multi-object Pose Reasoning (MoPR) algorithm that optimizes pose hypotheses under depth, collision, and boundary constraints. To further refine pose candidates, we adopt a Symmetry-aware Lie-group based Bayesian Gaussian Mixture Model (SaL-BGMM), integrated with the Expectation-Maximization (EM) algorithm, for symmetry-aware filtering. Additionally, we propose a Weighted Ranking Information Noise Contrastive Estimation (WR-InfoNCE) loss to enable the LC to learn a perceptual metric from reconstructed data, supporting self-training on untrained or even unseen objects. Experimental results show that our approach outperforms several state-of-the-art methods on both the ROBI dataset and our newly introduced Self-ROBI dataset.

Measuring perceptual similarity is a key tool in computer vision. In recent years perceptual metrics based on features extracted from neural networks with large and diverse training sets, e.g. CLIP, have become popular. At the same time, the metrics extracted from features of neural networks are not adversarially robust. In this paper we show that adversarially robust CLIP models, called R-CLIP$_\textrm{F}$, obtained by unsupervised adversarial fine-tuning induce a better and adversarially robust perceptual metric that outperforms existing metrics in a zero-shot setting, and further matches the performance of state-of-the-art metrics while being robust after fine-tuning. Moreover, our perceptual metric achieves strong performance on related tasks such as robust image-to-image retrieval, which becomes especially relevant when applied to "Not Safe for Work" (NSFW) content detection and dataset filtering. While standard perceptual metrics can be easily attacked by a small perturbation completely degrading NSFW detection, our robust perceptual metric maintains high accuracy under an attack while having similar performance for unperturbed images. Finally, perceptual metrics induced by robust CLIP models have higher interpretability: feature inversion can show which images are considered similar, while text inversion can find what images are associated to a given prompt. This also allows us to visualize the very rich visual concepts learned by a CLIP model, including memorized persons, paintings and complex queries.