Look Up Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Mashable @Home Trending Now Mashable Selects Say More Top creators, ranked Gift Ideas For Everyone On Your List Creator Playbook In My Bag AI at School Safety Net All Series'NAZA' review: Israeli documentary is a living nightmare -- and required viewing Documentary NAZA examines how Israeli forces use AI and surveillance systems to target and kill Palestinians. Belen Edwards is an Entertainment Reporter at Mashable. She covers movies and TV with a focus on fantasy and science fiction, adaptations, animation, and more nerdy goodness. She is a member of the Critics Choice Association and the Television Critics Association, as well as a Tomatometer-approved critic. All products featured here are independently selected by our editors and writers.

The origin story of Sam Altman's company is reimagined as a campy comedy starring Andrew Garfield O n the day that Luca Guadagnino's film about Sam Altman and OpenAI premiered, Vanity Fair released a cover story on Altman. Alongside glossy portraits from Annie Leibovitz, the world's pre-eminent portrait photographer, the story describes him as the Oppenheimer of his day, evoking the image of a man leading humanity towards its own inevitable demise at the hands of sentient robots. Altman doesn't seem to be grappling with much existential angst about the whole thing though: in an interview also released this week, he said that we should be prepared to accept "bad things" in return for the benefits of AI. Club Kid review - Jordan Firstman's heartfelt comedy is irresistible How much worse can things get? AI agents have already gone rogue, hacking into government systems and "bruteforcing" UN databases.

Look Up Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Trending Now Mashable Selects Say More Top creators, ranked Gift Ideas For Everyone On Your List Creator Playbook In My Bag AI at School Safety Net Versus All Series'A Statement' review: Star-studded climate change drama is more than just hot air Belen Edwards is an Entertainment Reporter at Mashable. She covers movies and TV with a focus on fantasy and science fiction, adaptations, animation, and more nerdy goodness. She is a member of the Critics Choice Association and the Television Critics Association, as well as a Tomatometer-approved critic. That is one of the early questions posed in director Tom McCarthy's (), which dramatizes a real-life 1980 meeting between scientists, policymakers, and activists about the issue of climate change . By the end of the conference, participants are expected to have prepared a statement on the problem, and what to do next.

The honor and struggle of the working class is a staple of auteur cinema -- in modern days, via some of the works of the Dardenne brothers and Mike Leigh and, in earlier times, with classics such as "The Bicycle Thief." But few directors do neorealism like Ken Loach. And few Loach movies arrive at a more propitious moment than the British director's latest, "I, Daniel Blake." The surprising (to some critics, really surprising) recipient of this year's Palme d'Or at the Cannes Film Festival, "Blake" made its U.S. premiere at the New York Film Festival on Saturday ahead of its American release in December. It comes as income inequality has dominated a presidential election cycle and driven various forms of populism across Europe.