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The two standout science-fiction films of 2025

New Scientist

From Mickey 17 and M3gan 2.0 to a musical about the end of the world, this was an eclectic year for science-fiction films. Some ideas are so compelling, so intuitive, one would sooner recycle them than take them apart to explore. So, in 1950, Isaac Asimov fixed up some puzzle stories into a fiendish, Agatha Christie-in-space sci-fi novel, I, Robot, while in 1968, Stanley Kubrick's 2001: A Space Odyssey set a high bar for films about (or at least containing) artificial intelligence. There, ideas-wise, the story of robots in cinema pretty much starts to repeat on an endless loop. This year, The Electric State spun a yarn about a robot rebellion, M3gan 2.0 showed you can't keep a good killerbot down and Companion took the femmebot's point of view to give us a decent adult-themed Asimov pastiche. All three toyed with the usual notions around free will and indulged in handwringing about when to treat a machine like a person.


Trump urged by Ben Stiller, Paul McCartney and hundreds of stars to protect AI copyright rules

FOX News

The'America's Got Talent' judge told Fox News Digital why he doesn't like AI technology in songwriting. "We firmly believe that America's global AI leadership must not come at the expense of our essential creative industries," the letter, addressed to Trump's Office of Science and Technology Policy and shared by Deadline and Variety, began. "America's arts and entertainment industry supports over 2.3M American jobs with over 229Bn in wages annually, while providing the foundation for American democratic influence and soft power abroad. The letter was submitted as part of comments on the Trump administration's U.S. AI Action Plan. WHAT IS ARTIFICIAL INTELLIGENCE (AI)? SIMON COWELL WARNS AI'SHOULDN'T BE ABLE TO STEAL' HUMAN TALENT "Access to America's creative catalog of films, writing, video content, and music is not a matter of national security.


Netflix's Most Expensive Movie Ever Is Here, and It's a Monumental Disaster

Slate

When he got his first glimpse of a movie studio, Orson Welles excitedly proclaimed it "the biggest electric train set any boy ever had." But with a reported budget of more than 300 million, Joe and Anthony Russo's The Electric State makes Welles' train set look like a busted caboose. The most expensive movie in Netflix's history, it's also among the costliest of all time, joining a list that includes the brothers' own Avengers: Infinity War and Avengers: Endgame. If the Russos are the most profligate creators in history--their Amazon series Citadel is also one of the most expensive TV shows ever made--they're among the most successful too. And yet for all the money they're making, and all that they're allowed to spend, they don't seem to be enjoying themselves very much.

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Chris Pratt blasts Hollywood stars with 'bad' attitudes on set, says it 'ruins everything for everyone'

FOX News

Pratt, Charlie Day and Jack Black on new animated film, playing iconic characters, being fans of the game and more. Chris Pratt had harsh words for Hollywood stars who bring negativity to movie sets. On Thursday, the 45-year-old actor joined co-star Millie Bobby Brown and directors Joe and Anthony Russo on the New York Comic Con panel for their upcoming Netflix sci-fi film "The Electric State." During the panel, Pratt slammed actors who had "bad" attitudes while filming. "Look, these guys can attest to this, because they're the same way. Like, there's no room for s---ty attitudes there," the Marvel star said, via People magazine.

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