Audio event detection is a widely studied audio processing task, with applications ranging from self-driving cars to healthcare. In-the-wild datasets such as Audioset have propelled research in this field. However, many efforts typically involve manual annotation and verification, which is expensive to perform at scale. Movies depict various real-life and fictional scenarios which makes them a rich resource for mining a wide-range of audio events. In this work, we present a dataset of audio events called Subtitle-Aligned Movie Sounds (SAM-S). We use publicly-available closed-caption transcripts to automatically mine over 110K audio events from 430 movies. We identify three dimensions to categorize audio events: sound, source, quality, and present the steps involved to produce a final taxonomy of 245 sounds. We discuss the choices involved in generating the taxonomy, and also highlight the human-centered nature of sounds in our dataset. We establish a baseline performance for audio-only sound classification of 34.76% mean average precision and show that incorporating visual information can further improve the performance by about 5%. Data and code are made available for research at https://github.com/usc-sail/mica-subtitle-aligned-movie-sounds

Last year, Amazon announced the beta release of Alexa Guard, a new service that lets customers who are leaving the house instruct their Echo devices to listen for glass breaking or smoke and carbon dioxide alarms going off. At this year's International Conference on Acoustics, Speech, and Signal Processing, our team is presenting several papers on sound detection. I wrote about one of them a few weeks ago, a new method for doing machine learning with unbalanced data sets. Today I'll briefly discuss two others, both of which, like the first, describe machine learning systems. One paper addresses the problem of media detection, or recognizing when the speech captured by a digital-assistant device comes from a TV or radio rather than a human speaker.

We propose a multi-label multi-task framework based on a convolutional recurrent neural network to unify detection of isolated and overlapping audio events. The framework leverages the power of convolutional recurrent neural network architectures; convolutional layers learn effective features over which higher recurrent layers perform sequential modelling. Furthermore, the output layer is designed to handle arbitrary degrees of event overlap. At each time step in the recurrent output sequence, an output triple is dedicated to each event category of interest to jointly model event occurrence and temporal boundaries. That is, the network jointly determines whether an event of this category occurs, and when it occurs, by estimating onset and offset positions at each recurrent time step. We then introduce three sequential losses for network training: multi-label classification loss, distance estimation loss, and confidence loss. We demonstrate good generalization on two datasets: ITC-Irst for isolated audio event detection, and TUT-SED-Synthetic-2016 for overlapping audio event detection.

We propose a method to perform audio event detection under the common constraint that only limited training data are available. In training a deep learning system to perform audio event detection, two practical problems arise. Firstly, most datasets are "weakly labelled" having only a list of events present in each recording without any temporal information for training. Secondly, deep neural networks need a very large amount of labelled training data to achieve good quality performance, yet in practice it is difficult to collect enough samples for most classes of interest. In this paper, we propose a data-efficient training of a stacked convolutional and recurrent neural network. This neural network is trained in a multi instance learning setting for which we introduce a new loss function that leads to improved training compared to the usual approaches for weakly supervised learning. We successfully test our approach on two low-resource datasets that lack temporal labels.

In training a deep learning system to perform audio transcription, two practical problems may arise. Firstly, most datasets are weakly labelled, having only a list of events present in each recording without any temporal information for training. Secondly, deep neural networks need a very large amount of labelled training data to achieve good quality performance, yet in practice it is difficult to collect enough samples for most classes of interest. In this paper, we propose factorising the final task of audio transcription into multiple intermediate tasks in order to improve the training performance when dealing with this kind of low-resource datasets. We evaluate three data-efficient approaches of training a stacked convolutional and recurrent neural network for the intermediate tasks. Our results show that different methods of training have different advantages and disadvantages.