Marvin Minsky
Remembering Marvin Minsky
Forbus, Kenneth D. (Northwestern University) | Kuipers, Benjamin (University of Michigan) | Lieberman, Henry (Massachusetts Institute of Technology)
Marvin Minsky, one of the pioneers of artificial intelligence and a renowned mathematicial and computer scientist, died on Sunday, 24 January 2016 of a cerebral hemmorhage. In this article, AI scientists Kenneth D. Forbus (Northwestern University), Benjamin Kuipers (University of Michigan), and Henry Lieberman (Massachusetts Institute of Technology) recall their interactions with Minksy and briefly recount the impact he had on their lives and their research. A remembrance of Marvin Minsky was held at the AAAI Spring Symposium at Stanford University on March 22. Video remembrances of Minsky by Danny Bobrow, Benjamin Kuipers, Ray Kurzweil, Richard Waldinger, and others can be on the sentient webpage1 or on youtube.com.
In Honor of Marvin Minsky's Contributions on his 80th Birthday
Hillis, Danny, McCarthy, John, Mitchell, Tom M., Mueller, Erik T., Riecken, Doug, Sloman, Aaron, Winston, Patrick Henry
This article seizes an opportune time to honor Marvin and his contributions and influence in artificial intelligence, science, and beyond. The article provides readers with some personal insights of Minsky from Danny Hillis, John McCarthy, Tom Mitchell, Erik Mueller, Doug Riecken, Aaron Sloman, and Patrick Henry Winston -- all members of the AI community that Minsky helped to found. The article continues with a brief resume of Minsky's research, which spans an enormous range of fields. It concludes with a short biographical account of Minsky's personal history.
A Conversation with Marvin Minsky
Minsky, Marvin L., Laske, Otto
The following excerpts are from an interview with Marvin Minsky which took place at his home in Brookline, Massachusetts, on January 23rd, 1991. The interview, which is included in its entirety as a Foreword in the book Understanding Music with AI: Perspectives on Music Cognition (edited by Mira Balaban, Kemal Ebcioglu, and Otto Laske), is a conversation about music, its peculiar features as a human activity, the special problems it poses for the scientist, and the suitability of AI methods for clarifying and/or solving some of these problems. The conversation is open-ended, and should be read accordingly, as a discourse to be continued at another time.