--Music similarity retrieval is fundamental for managing and exploring relevant content from large collections in streaming platforms. This paper presents a novel cross-modal contrastive learning framework that leverages the open-ended nature of text descriptions to guide music similarity modeling, addressing the limitations of traditional uni-modal approaches in capturing complex musical relationships. T o overcome the scarcity of high-quality text-music paired data, this paper introduces a dual-source data acquisition approach combining online scraping and LLM-based prompting, where carefully designed prompts leverage LLMs' comprehensive music knowledge to generate contextually rich descriptions. Extensive experiments demonstrate that the proposed framework achieves significant performance improvements over existing benchmarks through objective metrics, subjective evaluations, and real-world A/B testing on the Huawei Music streaming platform. Music similarity retrieval plays an important role in many music information retrieval (MIR) tasks, such as music recommendation [1], personalized playlist generation [2] and background music replacement in video editing [3], [4]. As digital music collections rapidly expand within streaming platforms, accurately identifying similarities between musical pieces has become critical for managing and exploring relevant content from such large collections efficiently.

Automatic speaker verification, like every other biometric system, is vulnerable to spoofing attacks. Using only a few minutes of recorded voice of a genuine client of a speaker verification system, attackers can develop a variety of spoofing attacks that might trick such systems. Detecting these attacks using the audio cues present in the recordings is an important challenge. Most existing spoofing detection systems depend on knowing the used spoofing technique. With this research, we aim at overcoming this limitation, by examining robust audio features, both traditional and those learned through an autoencoder, that are generalizable over different types of replay spoofing. Furthermore, we provide a detailed account of all the steps necessary in setting up state-of-the-art audio feature detection, pre-, and postprocessing, such that the (non-audio expert) machine learning researcher can implement such systems. Finally, we evaluate the performance of our robust replay speaker detection system with a wide variety and different combinations of both extracted and machine learned audio features on the `out in the wild' ASVspoof 2017 dataset. This dataset contains a variety of new spoofing configurations. Since our focus is on examining which features will ensure robustness, we base our system on a traditional Gaussian Mixture Model-Universal Background Model. We then systematically investigate the relative contribution of each feature set. The fused models, based on both the known audio features and the machine learned features respectively, have a comparable performance with an Equal Error Rate (EER) of 12. The final best performing model, which obtains an EER of 10.8, is a hybrid model that contains both known and machine learned features, thus revealing the importance of incorporating both types of features when developing a robust spoofing prediction model.

Separating a singing voice from its music accompaniment remains an important challenge in the field of music information retrieval. We present a unique neural network approach inspired by a technique that has revolutionized the field of vision: pixel-wise image classification, which we combine with cross entropy loss and pretraining of the CNN as an autoencoder on singing voice spectrograms. The pixel-wise classification technique directly estimates the sound source label for each time-frequency (T-F) bin in our spectrogram image, thus eliminating common pre-and postprocessing tasks. The proposed network is trained by using the Ideal Binary Mask (IBM) as the target output label. The IBM identifies the dominant sound source in each T-F bin of the magnitude spectrogram of a mixture signal, by considering each T-F bin as a pixel with a multi-label (for each sound source). Cross entropy is used as the training objective, so as to minimize the average probability error between the target and predicted label for each pixel. By treating the singing voice separation problem as a pixel-wise classification task, we additionally eliminate one of the commonly used, yet not easy to comprehend, postprocessing steps: the Wiener filter postprocessing. The proposed CNN outperforms the first runner up in the Music Information Retrieval Evaluation eXchange (MIREX) 2016 and the winner of MIREX 2014 with a gain of 2.2702 5.9563 dB global normalized source to distortion ratio (GNSDR) when applied to the iKala dataset. This work is supported by the MOE Academic fund AFD 05/15 SL and SUTD SRG ISTD 2017 129. Corresponding Author D. Herremans Singapore University of Technology and Design, Singapore & Institute for High Performance Computing, A*STAR, Singapore Email: dorien herremans@sutd.edu.sg 1 INTRODUCTION to compete with cutting-edge singing voice separation systems which use multichannel modeling,data augmentation, and model blending. Keywords Singing Voice Separation · Convolutional Neural Network · Ideal Binary Mask · Cross Entropy · Pixel-wise Image Classification 1 Introduction Humans have an exceptional ability to separate different sounds from a musical signal [3]. For instance, some musicians can distinguish the guitar part from a song and transcribe it; and most non-musician listeners are able to hear and sing along to lyrics of a song.