We present a novel inference scheme, self-speculative decoding, for accelerating Large Language Models (LLMs) without the need for an auxiliary model. This approach is characterized by a two-stage process: drafting and verification. The drafting stage generates draft tokens at a slightly lower quality but more quickly, which is achieved by selectively skipping certain intermediate layers during drafting Subsequently, the verification stage employs the original LLM to validate those draft output tokens in one forward pass. This process ensures the final output remains identical to that produced by the unaltered LLM, thereby maintaining output quality. The proposed method requires no additional neural network training and no extra memory footprint, making it a plug-and-play and cost-effective solution for inference acceleration. Benchmarks with LLaMA-2 and its fine-tuned models demonstrated a speedup up to 1.73$\times$.

In deep learning research, many melody extraction models rely on redesigning neural network architectures to improve performance. In this paper, we propose an input feature modification and a training objective modification based on two assumptions. First, harmonics in the spectrograms of audio data decay rapidly along the frequency axis. To enhance the model's sensitivity on the trailing harmonics, we modify the Combined Frequency and Periodicity (CFP) representation using discrete z-transform. Second, the vocal and non-vocal segments with extremely short duration are uncommon. To ensure a more stable melody contour, we design a differentiable loss function that prevents the model from predicting such segments. We apply these modifications to several models, including MSNet, FTANet, and a newly introduced model, PianoNet, modified from a piano transcription network. Our experimental results demonstrate that the proposed modifications are empirically effective for singing melody extraction.

Diffusion models have shown promising results in cross-modal generation tasks, including text-to-image and text-to-audio generation. However, generating music, as a special type of audio, presents unique challenges due to limited availability of music data and sensitive issues related to copyright and plagiarism. In this paper, to tackle these challenges, we first construct a state-of-the-art text-to-music model, MusicLDM, that adapts Stable Diffusion and AudioLDM architectures to the music domain. We achieve this by retraining the contrastive language-audio pretraining model (CLAP) and the Hifi-GAN vocoder, as components of MusicLDM, on a collection of music data samples. Then, to address the limitations of training data and to avoid plagiarism, we leverage a beat tracking model and propose two different mixup strategies for data augmentation: beat-synchronous audio mixup and beat-synchronous latent mixup, which recombine training audio directly or via a latent embeddings space, respectively. Such mixup strategies encourage the model to interpolate between musical training samples and generate new music within the convex hull of the training data, making the generated music more diverse while still staying faithful to the corresponding style. In addition to popular evaluation metrics, we design several new evaluation metrics based on CLAP score to demonstrate that our proposed MusicLDM and beat-synchronous mixup strategies improve both the quality and novelty of generated music, as well as the correspondence between input text and generated music.

Existing approaches for generating multitrack music with transformer models have been limited in terms of the number of instruments, the length of the music segments and slow inference. This is partly due to the memory requirements of the lengthy input sequences necessitated by existing representations. In this work, we propose a new multitrack music representation that allows a diverse set of instruments while keeping a short sequence length. Our proposed Multitrack Music Transformer (MMT) achieves comparable performance with state-of-the-art systems, landing in between two recently proposed models in a subjective listening test, while achieving substantial speedups and memory reductions over both, making the method attractive for real time improvisation or near real time creative applications. Further, we propose a new measure for analyzing musical self-attention and show that the trained model attends more to notes that form a consonant interval with the current note and to notes that are 4N beats away from the current step.

In partial multi-label learning (PML), each data example is equipped with a candidate label set, which consists of multiple ground-truth labels and other false-positive labels. Recently, graph-based methods, which demonstrate a good ability to estimate accurate confidence scores from candidate labels, have been prevalent to deal with PML problems. However, we observe that existing graph-based PML methods typically adopt linear multi-label classifiers and thus fail to achieve superior performance. In this work, we attempt to remove several obstacles for extending them to deep models and propose a novel deep Partial multi-Label model with grAph-disambIguatioN (PLAIN). Specifically, we introduce the instance-level and label-level similarities to recover label confidences as well as exploit label dependencies. At each training epoch, labels are propagated on the instance and label graphs to produce relatively accurate pseudo-labels; then, we train the deep model to fit the numerical labels. Moreover, we provide a careful analysis of the risk functions to guarantee the robustness of the proposed model. Extensive experiments on various synthetic datasets and three real-world PML datasets demonstrate that PLAIN achieves significantly superior results to state-of-the-art methods.

The present study explores the intricacies of causal relationship extraction, a vital component in the pursuit of causality knowledge. Causality is frequently intertwined with temporal elements, as the progression from cause to effect is not instantaneous but rather ensconced in a temporal dimension. Thus, the extraction of temporal causality holds paramount significance in the field. In light of this, we propose a method for extracting causality from the text that integrates both temporal and causal relations, with a particular focus on the time aspect. To this end, we first compile a dataset that encompasses temporal relationships. Subsequently, we present a novel model, TC-GAT, which employs a graph attention mechanism to assign weights to the temporal relationships and leverages a causal knowledge graph to determine the adjacency matrix. Additionally, we implement an equilibrium mechanism to regulate the interplay between temporal and causal relations. Our experiments demonstrate that our proposed method significantly surpasses baseline models in the task of causality extraction.

Image segmentation is a fundamental task in the field of imaging and vision. Supervised deep learning for segmentation has achieved unparalleled success when sufficient training data with annotated labels are available. However, annotation is known to be expensive to obtain, especially for histopathology images where the target regions are usually with high morphology variations and irregular shapes. Thus, weakly supervised learning with sparse annotations of points is promising to reduce the annotation workload. In this work, we propose a contrast-based variational model to generate segmentation results, which serve as reliable complementary supervision to train a deep segmentation model for histopathology images. The proposed method considers the common characteristics of target regions in histopathology images and can be trained in an end-to-end manner. It can generate more regionally consistent and smoother boundary segmentation, and is more robust to unlabeled `novel' regions. Experiments on two different histology datasets demonstrate its effectiveness and efficiency in comparison to previous models.

In spite of the progress in music source separation research, the small amount of publicly-available clean source data remains a constant limiting factor for performance. Thus, recent advances in self-supervised learning present a largely-unexplored opportunity for improving separation models by leveraging unlabelled music data. In this paper, we propose a self-supervised learning framework for music source separation inspired by the HuBERT speech representation model. We first investigate the potential impact of the original HuBERT model by inserting an adapted version of it into the well-known Demucs V2 time-domain separation model architecture. We then propose a time-frequency-domain self-supervised model, Pac-HuBERT (for primitive auditory clustering HuBERT), that we later use in combination with a Res-U-Net decoder for source separation. Pac-HuBERT uses primitive auditory features of music as unsupervised clustering labels to initialize the self-supervised pretraining process using the Free Music Archive (FMA) dataset. The resulting framework achieves better source-to-distortion ratio (SDR) performance on the MusDB18 test set than the original Demucs V2 and Res-U-Net models. We further demonstrate that it can boost performance with small amounts of supervised data. Ultimately, our proposed framework is an effective solution to the challenge of limited clean source data for music source separation.

To facilitate research in the direction of fine-tuning foundation models from human feedback, we held the MineRL BASALT Competition on Fine-Tuning from Human Feedback at NeurIPS 2022. The BASALT challenge asks teams to compete to develop algorithms to solve tasks with hard-to-specify reward functions in Minecraft. Through this competition, we aimed to promote the development of algorithms that use human feedback as channels to learn the desired behavior. We describe the competition and provide an overview of the top solutions. We conclude by discussing the impact of the competition and future directions for improvement.

Detecting obstacles is crucial for safe and efficient autonomous driving. To this end, we present NVRadarNet, a deep neural network (DNN) that detects dynamic obstacles and drivable free space using automotive RADAR sensors. The network utilizes temporally accumulated data from multiple RADAR sensors to detect dynamic obstacles and compute their orientation in a top-down bird's-eye view (BEV). The network also regresses drivable free space to detect unclassified obstacles. Our DNN is the first of its kind to utilize sparse RADAR signals in order to perform obstacle and free space detection in real time from RADAR data only. The network has been successfully used for perception on our autonomous vehicles in real self-driving scenarios. The network runs faster than real time on an embedded GPU and shows good generalization across geographic regions.