A Lo-Fi Rebellion Against A.I.

The New Yorker 

As slick, machine-generated visuals become ubiquitous, artists and designers are embracing a style of handmade imperfection. Two and a half years ago, Christine Tyler Hill, a designer and artist in Burlington, Vermont, began working as a crossing guard in her neighborhood. The city paid her twenty dollars an hour, but the real draw was the chance to get to know local families and "be more enmeshed with my very immediate, outside-my-door community," she told me recently. She was tired of staring at a screen doing design work, and new clients were getting harder to come by, in part, she surmised, because of the rise of generative artificial intelligence . She began documenting her crossing-guard shifts on Instagram, posting mini comics about the frigid weather, the charming habits of commuting children, and the beauty of an overflowing trash can.