Ghost in the Shell

The New Yorker 

The new Scarlett Johansson movie, "Ghost in the Shell," is upon us, sheathed in controversy. Rupert Sanders's film is adapted from the anime work of the same name, directed by Mamoru Oshii, in 1995. Fans of anime are ferociously purist and loyal, and for them, I suspect, the very notion of converting Oshii's masterpiece (as it is deemed to be) into a live-action Hollywood remake smells of both travesty and sellout. Such scorn is as nothing, however, compared with the wrath that has greeted the casting of Johansson. In the original, which started life as a graphic novel, her character was called Major Kusanagi, but in Sanders's movie she is referred to mostly as Major.

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