Existing symbolic music generation methods usually utilize discriminator to improve the quality of generated music via global perception of music. However, considering the complexity of information in music, such as rhythm and melody, a single discriminator cannot fully reflect the differences in these two primary dimensions of music. In this work, we propose to decouple the melody and rhythm from music, and design corresponding fine-grained discriminators to tackle the aforementioned issues. Specifically, equipped with a pitch augmentation strategy, the melody discriminator discerns the melody variations presented by the generated samples. By contrast, the rhythm discriminator, enhanced with bar-level relative positional encoding, focuses on the velocity of generated notes. Such a design allows the generator to be more explicitly aware of which aspects should be adjusted in the generated music, making it easier to mimic human-composed music. Experimental results on the POP909 benchmark demonstrate the favorable performance of the proposed method compared to several state-of-the-art methods in terms of both objective and subjective metrics.

Recent advances in large language models (LLMs) have enabled autonomous agents with complex reasoning and task-fulfillment capabilities using a wide range of tools. However, effectively identifying the most relevant tools for a given task becomes a key bottleneck as the toolset size grows, hindering reliable tool utilization. To address this, we introduce Re-Invoke, an unsupervised tool retrieval method designed to scale effectively to large toolsets without training. Specifically, we first generate a diverse set of synthetic queries that comprehensively cover different aspects of the query space associated with each tool document during the tool indexing phase. Second, we leverage LLM's query understanding capabilities to extract key tool-related context and underlying intents from user queries during the inference phase. Finally, we employ a novel multi-view similarity ranking strategy based on intents to pinpoint the most relevant tools for each query. Our evaluation demonstrates that Re-Invoke significantly outperforms state-of-the-art alternatives in both single-tool and multi-tool scenarios, all within a fully unsupervised setting. Notably, on the ToolE datasets, we achieve a 20% relative improvement in nDCG@5 for single-tool retrieval and a 39% improvement for multi-tool retrieval.

Apple pulled the latest short film in its The Underdogs: OOO (Out of Office) series set in Thailand. The Bangkok Post reports that Apple issued an apology to the people of Thailand for the fifth film in its Underdogs series. The ad series features a group of travel weary office workers navigating the world using Apple's various products. Several viewers posted comments criticizing the film's use of a sepia filter to make Thailand seem underdeveloped. The comments also called out the costuming and scenery decisions in its airport scene using outdated representations of Thailand's citizens.

Less than three hours after the stabbing attack on Monday that led to the death of three children, an AI-generated image was shared on X by an account called Europe Invasion. It depicted bearded men in traditional Muslim dress outside the Houses of Parliament, one waving a knife, behind a crying child in a union jack T-shirt. The tweet, which has since been viewed 900,000 times, was captioned: "We must protect our children!" and shared by one of the most potent accounts for misinformation about the Southport stabbings. AI technology has been used in other ways, including an anti-immigration Facebook group that illustrated a call to attend a rally in Middlesbrough by generating an image of a large crowd at the town's cenotaph. Platforms like Suno – which employs AI to generate music complete with vocals and instruments – have been used to create online songs combining references to Southport with xenophobic content.

Multimodal models that jointly process audio and language hold great promise in audio understanding and are increasingly being adopted in the music domain. By allowing users to query via text and obtain information about a given audio input, these models have the potential to enable a variety of music understanding tasks via language-based interfaces. However, their evaluation poses considerable challenges, and it remains unclear how to effectively assess their ability to correctly interpret music-related inputs with current methods. Motivated by this, we introduce MuChoMusic, a benchmark for evaluating music understanding in multimodal language models focused on audio. MuChoMusic comprises 1,187 multiple-choice questions, all validated by human annotators, on 644 music tracks sourced from two publicly available music datasets, and covering a wide variety of genres. Questions in the benchmark are crafted to assess knowledge and reasoning abilities across several dimensions that cover fundamental musical concepts and their relation to cultural and functional contexts. Through the holistic analysis afforded by the benchmark, we evaluate five open-source models and identify several pitfalls, including an over-reliance on the language modality, pointing to a need for better multimodal integration. Data and code are open-sourced.

Representing symbolic music with compound tokens, where each token consists of several different sub-tokens representing a distinct musical feature or attribute, offers the advantage of reducing sequence length. While previous research has validated the efficacy of compound tokens in music sequence modeling, predicting all sub-tokens simultaneously can lead to suboptimal results as it may not fully capture the interdependencies between them. We introduce the Nested Music Transformer (NMT), an architecture tailored for decoding compound tokens autoregressively, similar to processing flattened tokens, but with low memory usage. The NMT consists of two transformers: the main decoder that models a sequence of compound tokens and the sub-decoder for modeling sub-tokens of each compound token. The experiment results showed that applying the NMT to compound tokens can enhance the performance in terms of better perplexity in processing various symbolic music datasets and discrete audio tokens from the MAESTRO dataset.

In today's music industry, album cover design is as crucial as the music itself, reflecting the artist's vision and brand. However, many AI-driven album cover services require subscriptions or technical expertise, limiting accessibility. To address these challenges, we developed Music2P, an open-source, multi-modal AI-driven tool that streamlines album cover creation, making it efficient, accessible, and cost-effective through Ngrok. Music2P automates the design process using techniques such as Bootstrapping Language Image Pre-training (BLIP), music-to-text conversion (LP-music-caps), image segmentation (LoRA), and album cover and QR code generation (ControlNet). This paper demonstrates the Music2P interface, details our application of these technologies, and outlines future improvements. Our ultimate goal is to provide a tool that empowers musicians and producers, especially those with limited resources or expertise, to create compelling album covers.

We introduce a project that revives a piece of 15th-century Korean court music, Chihwapyeong and Chwipunghyeong, composed upon the poem Songs of the Dragon Flying to Heaven. One of the earliest examples of Jeongganbo, a Korean musical notation system, the remaining version only consists of a rudimentary melody. Our research team, commissioned by the National Gugak (Korean Traditional Music) Center, aimed to transform this old melody into a performable arrangement for a six-part ensemble. Using Jeongganbo data acquired through bespoke optical music recognition, we trained a BERT-like masked language model and an encoder-decoder transformer model. We also propose an encoding scheme that strictly follows the structure of Jeongganbo and denotes note durations as positions. The resulting machine-transformed version of Chihwapyeong and Chwipunghyeong were evaluated by experts and performed by the Court Music Orchestra of National Gugak Center. Our work demonstrates that generative models can successfully be applied to traditional music with limited training data if combined with careful design.

This paper describes IAI group's participation for automated check-worthiness estimation for claims, within the framework of the 2024 CheckThat! Lab "Task 1: Check-Worthiness Estimation". The task involves the automated detection of check-worthy claims in English, Dutch, and Arabic political debates and Twitter data. We utilized various pre-trained generative decoder and encoder transformer models, employing methods such as few-shot chain-of-thought reasoning, fine-tuning, data augmentation, and transfer learning from one language to another. Despite variable success in terms of performance, our models achieved notable placements on the organizer's leaderboard: ninth-best in English, third-best in Dutch, and the top placement in Arabic, utilizing multilingual datasets for enhancing the generalizability of check-worthiness detection. Despite a significant drop in performance on the unlabeled test dataset compared to the development test dataset, our findings contribute to the ongoing efforts in claim detection research, highlighting the challenges and potential of language-specific adaptations in claim verification systems.

Coordination is a fundamental aspect of life. The advent of social media has made it integral also to online human interactions, such as those that characterize thriving online communities and social movements. At the same time, coordination is also core to effective disinformation, manipulation, and hate campaigns. This survey collects, categorizes, and critically discusses the body of work produced as a result of the growing interest on coordinated online behavior. We reconcile industry and academic definitions, propose a comprehensive framework to study coordinated online behavior, and review and critically discuss the existing detection and characterization methods. Our analysis identifies open challenges and promising directions of research, serving as a guide for scholars, practitioners, and policymakers in understanding and addressing the complexities inherent to online coordination.