The development of unbiased large language models is widely recognized as crucial, yet existing benchmarks fall short in detecting biases due to limited scope, contamination, and lack of a fairness baseline. SAGED(-Bias) is the first holistic benchmarking pipeline to address these problems. The pipeline encompasses five core stages: scraping materials, assembling benchmarks, generating responses, extracting numeric features, and diagnosing with disparity metrics. SAGED includes metrics for max disparity, such as impact ratio, and bias concentration, such as Max Z-scores. Noticing that assessment tool bias and contextual bias in prompts can distort evaluation, SAGED implements counterfactual branching and baseline calibration for mitigation. For demonstration, we use SAGED on G20 Countries with popular 8b-level models including Gemma2, Llama3.1, Mistral, and Qwen2. With sentiment analysis, we find that while Mistral and Qwen2 show lower max disparity and higher bias concentration than Gemma2 and Llama3.1, all models are notably biased against countries like Russia and (except for Qwen2) China. With further experiments to have models role-playing U.S. (vice-/former-) presidents, we see bias amplifies and shifts in heterogeneous directions. Moreover, we see Qwen2 and Mistral not engage in role-playing, while Llama3.1 and Gemma2 role-play Trump notably more intensively than Biden and Harris, indicating role-playing performance bias in these models.

In this work, we introduce OmniGen, a new diffusion model for unified image generation. Unlike popular diffusion models (e.g., Stable Diffusion), OmniGen no longer requires additional modules such as ControlNet or IP-Adapter to process diverse control conditions. OmniGenis characterized by the following features: 1) Unification: OmniGen not only demonstrates text-to-image generation capabilities but also inherently supports other downstream tasks, such as image editing, subject-driven generation, and visual-conditional generation. Additionally, OmniGen can handle classical computer vision tasks by transforming them into image generation tasks, such as edge detection and human pose recognition. 2) Simplicity: The architecture of OmniGen is highly simplified, eliminating the need for additional text encoders. Moreover, it is more user-friendly compared to existing diffusion models, enabling complex tasks to be accomplished through instructions without the need for extra preprocessing steps (e.g., human pose estimation), thereby significantly simplifying the workflow of image generation. 3) Knowledge Transfer: Through learning in a unified format, OmniGen effectively transfers knowledge across different tasks, manages unseen tasks and domains, and exhibits novel capabilities. We also explore the model's reasoning capabilities and potential applications of chain-of-thought mechanism. This work represents the first attempt at a general-purpose image generation model, and there remain several unresolved issues. We will open-source the related resources at https://github.com/VectorSpaceLab/OmniGen to foster advancements in this field.

LLMs are an integral part of retrieval-augmented generation (RAG) systems. While many studies focus on evaluating the quality of end-to-end RAG systems, there is a lack of research on understanding the appropriateness of an LLM for the RAG task. Thus, we introduce a new metric, Trust-Score, that provides a holistic evaluation of the trustworthiness of LLMs in an RAG framework. We show that various prompting methods, such as in-context learning, fail to adapt LLMs effectively to the RAG task. Thus, we propose Trust-Align, a framework to align LLMs for higher Trust-Score. LLaMA-3-8b, aligned with our method, significantly outperforms open-source LLMs of comparable sizes on ASQA (up 10.7), QAMPARI (up 29.2) and ELI5 (up 14.9). We release our code at: https://github.com/declare-lab/trust-align.

Music-text multimodal systems have enabled new approaches to Music Information Research (MIR) applications such as audio-to-text and text-to-audio retrieval, text-based song generation, and music captioning. Despite the reported success, little effort has been put into evaluating the musical knowledge of Large Language Models (LLM). In this paper, we demonstrate that LLMs suffer from 1) prompt sensitivity, 2) inability to model negation (e.g. 'rock song without guitar'), and 3) sensitivity towards the presence of specific words. We quantified these properties as a triplet-based accuracy, evaluating the ability to model the relative similarity of labels in a hierarchical ontology. We leveraged the Audioset ontology to generate triplets consisting of an anchor, a positive (relevant) label, and a negative (less relevant) label for the genre and instruments sub-tree. We evaluated the triplet-based musical knowledge for six general-purpose Transformer-based models. The triplets obtained through this methodology required filtering, as some were difficult to judge and therefore relatively uninformative for evaluation purposes. Despite the relatively high accuracy reported, inconsistencies are evident in all six models, suggesting that off-the-shelf LLMs need adaptation to music before use.

Recent advancements in music source separation have significantly progressed, particularly in isolating vocals, drums, and bass elements from mixed tracks. These developments owe much to the creation and use of large-scale, multitrack datasets dedicated to these specific components. However, the challenge of extracting similarly sounding sources from orchestra recordings has not been extensively explored, largely due to a scarcity of comprehensive and clean (i.e bleed-free) multitrack datasets. In this paper, we introduce a novel multitrack dataset called SynthSOD, developed using a set of simulation techniques to create a realistic (i.e. using high-quality soundfonts), musically motivated, and heterogeneous training set comprising different dynamics, natural tempo changes, styles, and conditions. Moreover, we demonstrate the application of a widely used baseline music separation model trained on our synthesized dataset w.r.t to the well-known EnsembleSet, and evaluate its performance under both synthetic and real-world conditions.

Video Language Models (VLMs) are crucial for generalizing across diverse tasks and using language cues to enhance learning. While transformer-based architectures have been the de facto in vision-language training, they face challenges like quadratic computational complexity, high GPU memory usage, and difficulty with long-term dependencies. To address these limitations, we introduce MambaVL, a novel model that leverages recent advancements in selective state space modality fusion to efficiently capture long-range dependencies and learn joint representations for vision and language data. MambaVL utilizes a shared state transition matrix across both modalities, allowing the model to capture information about actions from multiple perspectives within the scene. Furthermore, we propose a question-answering task that helps guide the model toward relevant cues. These questions provide critical information about actions, objects, and environmental context, leading to enhanced performance. As a result, MambaVL achieves state-of-the-art performance in action recognition on the Epic-Kitchens-100 dataset and outperforms baseline methods in action anticipation.

News media, especially video news media, have penetrated into every aspect of daily life, which also brings the risk of fake news. Therefore, multimodal fake news detection has recently garnered increased attention. However, the existing datasets are comprised of user-uploaded videos and contain an excess amounts of superfluous data, which introduces noise into the model training process. To address this issue, we construct a dataset named Official-NV, comprising officially published news videos. The crawl officially published videos are augmented through the use of LLMs-based generation and manual verification, thereby expanding the dataset. Furthermore, the proposed dataset is benchmarked against several baselines to demonstrate its effectiveness in multimodal news detection.

This paper presents NFDIcore 2.0, an ontology compliant with the Basic Formal Ontology (BFO) designed to represent the diverse research communities of the National Research Data Infrastructure (NFDI) in Germany. NFDIcore ensures the interoperability across various research disciplines, thereby facilitating cross-domain research. Each domain's individual requirements are addressed through specific ontology modules. This paper discusses lessons learned during the ontology development and mapping process, supported by practical validation through use cases in diverse research domains. The originality of NFDIcore lies in its adherence to BFO, the use of SWRL rules for efficient knowledge discovery, and its modular, extensible design tailored to meet the needs of heterogeneous research domains.

Multimodal models are critical for music understanding tasks, as they capture the complex interplay between audio and lyrics. However, as these models become more prevalent, the need for explainability grows-understanding how these systems make decisions is vital for ensuring fairness, reducing bias, and fostering trust. In this paper, we introduce MusicLIME, a model-agnostic feature importance explanation method designed for multimodal music models. Unlike traditional unimodal methods, which analyze each modality separately without considering the interaction between them, often leading to incomplete or misleading explanations, MusicLIME reveals how audio and lyrical features interact and contribute to predictions, providing a holistic view of the model's decision-making. Additionally, we enhance local explanations by aggregating them into global explanations, giving users a broader perspective of model behavior. Through this work, we contribute to improving the interpretability of multimodal music models, empowering users to make informed choices, and fostering more equitable, fair, and transparent music understanding systems.

The recent explosion of generative AI-Music systems has raised numerous concerns over data copyright, licensing music from musicians, and the conflict between open-source AI and large prestige companies. Such issues highlight the need for publicly available, copyright-free musical data, in which there is a large shortage, particularly for symbolic music data. To alleviate this issue, we present PDMX: a large-scale open-source dataset of over 250K public domain MusicXML scores collected from the score-sharing forum MuseScore, making it the largest available copyright-free symbolic music dataset to our knowledge. PDMX additionally includes a wealth of both tag and user interaction metadata, allowing us to efficiently analyze the dataset and filter for high quality user-generated scores. Given the additional metadata afforded by our data collection process, we conduct multitrack music generation experiments evaluating how different representative subsets of PDMX lead to different behaviors in downstream models, and how user-rating statistics can be used as an effective measure of data quality. Examples can be found at https://pnlong.github.io/PDMX.demo/.