Neither President Franklin Delano Roosevelt nor British Prime Minister Winston Churchill, nor any of their senior military or political advisors, saw the Japanese attacks of late 1941 coming. The forces of Imperial Japan achieved total surprise across the Pacific. The intelligence failures in the U.S. leading up to Pearl Harbor were catastrophic. So was Great Britain's general underestimation of the threat from Imperial Japan. The U.K.'s fortress outpost in the Pacific at Singapore was thought to be, if not impregnable, than as close to it as possible.

Diffusion and flow-matching models have revolutionized automatic text-to-audio generation in recent times. These models are increasingly capable of generating high quality and faithful audio outputs capturing to speech and acoustic events. However, there is still much room for improvement in creative audio generation that primarily involves music and songs. Recent open lyrics-to-song models, such as, DiffRhythm, ACE-Step, and LeVo, have set an acceptable standard in automatic song generation for recreational use. However, these models lack fine-grained word-level controllability often desired by musicians in their workflows. To the best of our knowledge, our flow-matching-based JAM is the first effort toward endowing word-level timing and duration control in song generation, allowing fine-grained vocal control. To enhance the quality of generated songs to better align with human preferences, we implement aesthetic alignment through Direct Preference Optimization, which iteratively refines the model using a synthetic dataset, eliminating the need or manual data annotations. Furthermore, we aim to standardize the evaluation of such lyrics-to-song models through our public evaluation dataset JAME. We show that JAM outperforms the existing models in terms of the music-specific attributes.

The rapid spread of multilingual misinformation requires robust automated fact verification systems capable of handling fine-grained veracity assessments across diverse languages. While large language models have shown remarkable capabilities across many NLP tasks, their effectiveness for multilingual claim verification with nuanced classification schemes remains understudied. We conduct a comprehensive evaluation of five state-of-the-art language models on the X-Fact dataset, which spans 25 languages with seven distinct veracity categories. Our experiments compare small language models (encoder-based XLM-R and mT5) with recent decoder-only LLMs (Llama 3.1, Qwen 2.5, Mistral Nemo) using both prompting and fine-tuning approaches. Surprisingly, we find that XLM-R (270M parameters) substantially outperforms all tested LLMs (7-12B parameters), achieving 57.7% macro-F1 compared to the best LLM performance of 16.9%. This represents a 15.8% improvement over the previous state-of-the-art (41.9%), establishing new performance benchmarks for multilingual fact verification. Our analysis reveals problematic patterns in LLM behavior, including systematic difficulties in leveraging evidence and pronounced biases toward frequent categories in imbalanced data settings. These findings suggest that for fine-grained multilingual fact verification, smaller specialized models may be more effective than general-purpose large models, with important implications for practical deployment of fact-checking systems.

Music enhances video narratives and emotions, driving demand for automatic video-to-music (V2M) generation. However, existing V2M methods relying solely on visual features or supplementary textual inputs generate music in a black-box manner, often failing to meet user expectations. To address this challenge, we propose a novel multi-condition guided V2M generation framework that incorporates multiple time-varying conditions for enhanced control over music generation. Our method uses a two-stage training strategy that enables learning of V2M fundamentals and audiovisual temporal synchronization while meeting users' needs for multi-condition control. In the first stage, we introduce a fine-grained feature selection module and a progressive temporal alignment attention mechanism to ensure flexible feature alignment. For the second stage, we develop a dynamic conditional fusion module and a control-guided decoder module to integrate multiple conditions and accurately guide the music composition process. Extensive experiments demonstrate that our method outperforms existing V2M pipelines in both subjective and objective evaluations, significantly enhancing control and alignment with user expectations.

Antisocial behavior (ASB) on social media-including hate speech, harassment, and trolling-poses growing challenges for platform safety and societal wellbeing. While prior work has primarily focused on detecting harmful content after it appears, predictive approaches aim to forecast future harmful behaviors-such as hate speech propagation, conversation derailment, or user recidivism-before they fully unfold. Despite increasing interest, the field remains fragmented, lacking a unified taxonomy or clear synthesis of existing methods. This paper presents a systematic review of over 49 studies on ASB prediction, offering a structured taxonomy of five core task types: early harm detection, harm emergence prediction, harm propagation prediction, behavioral risk prediction, and proactive moderation support. We analyze how these tasks differ by temporal framing, prediction granularity, and operational goals. In addition, we examine trends in modeling techniques-from classical machine learning to pre-trained language models-and assess the influence of dataset characteristics on task feasibility and generalization. Our review highlights methodological challenges, such as dataset scarcity, temporal drift, and limited benchmarks, while outlining emerging research directions including multilingual modeling, cross-platform generalization, and human-in-the-loop systems. By organizing the field around a coherent framework, this survey aims to guide future work toward more robust and socially responsible ASB prediction.

The widespread availability of video recording through smartphones and digital devices has made video-based evidence more accessible than ever. Surveillance footage plays a crucial role in security, law enforcement, and judicial processes. However, with the rise of advanced video editing tools, tampering with digital recordings has become increasingly easy, raising concerns about their authenticity. Ensuring the integrity of surveillance videos is essential, as manipulated footage can lead to misinformation and undermine judicial decisions. This paper provides a comprehensive review of existing forensic techniques used to detect video forgery, focusing on their effectiveness in verifying the authenticity of surveillance recordings. Various methods, including compression-based analysis, frame duplication detection, and machine learning-based approaches, are explored. The findings highlight the growing necessity for more robust forensic techniques to counteract evolving forgery methods. Strengthening video forensic capabilities will ensure that surveillance recordings remain credible and admissible as legal evidence.

A multi-modal guardrail must effectively filter image content based on user-defined policies, identifying material that may be hateful, reinforce harmful stereotypes, contain explicit material, or spread misinformation. Deploying such guardrails in real-world applications, however, poses significant challenges. Users often require varied and highly customizable policies and typically cannot provide abundant examples for each custom policy. Consequently, an ideal guardrail should be scalable to the multiple policies and adaptable to evolving user standards with minimal retraining. Existing fine-tuning methods typically condition predictions on pre-defined policies, restricting their generalizability to new policies or necessitating extensive retraining to adapt. Conversely, training-free methods struggle with limited context lengths, making it difficult to incorporate all the policies comprehensively. To overcome these limitations, we propose to condition model's judgment on "precedents", which are the reasoning processes of prior data points similar to the given input. By leveraging precedents instead of fixed policies, our approach greatly enhances the flexibility and adaptability of the guardrail. In this paper, we introduce a critique-revise mechanism for collecting high-quality precedents and two strategies that utilize precedents for robust prediction. Experimental results demonstrate that our approach outperforms previous methods across both few-shot and full-dataset scenarios and exhibits superior generalization to novel policies.

We propose a meta learning framework for detecting anomalies in human language across diverse domains with limited labeled data. Anomalies in language ranging from spam and fake news to hate speech pose a major challenge due to their sparsity and variability. We treat anomaly detection as a few shot binary classification problem and leverage meta-learning to train models that generalize across tasks. Using datasets from domains such as SMS spam, COVID-19 fake news, and hate speech, we evaluate model generalization on unseen tasks with minimal labeled anomalies. Our method combines episodic training with prototypical networks and domain resampling to adapt quickly to new anomaly detection tasks. Empirical results show that our method outperforms strong baselines in F1 and AUC scores. We also release the code and benchmarks to facilitate further research in few-shot text anomaly detection.

This work introduces a self-supervised neuro-analytical, cost efficient, model for visual-based quadrotor control in which a small 1.7M parameters student ConvNet learns automatically from an analytical teacher, an improved image-based visual servoing (IBVS) controller . Our IBVS system solves numerical instabilities by reducing the classical visual servoing equations and enabling efficient stable image feature detection. Through knowledge distillation, the student model achieves 11 faster inference compared to the teacher IBVS pipeline, while demonstrating similar control accuracy at a significantly lower computational and memory cost. Our vision-only self-supervised neuro-analytic control, enables quadrotor orientation and movement without requiring explicit geometric models or fiducial markers. The proposed methodology leverages simulation-to-reality transfer learning and is validated on a small drone platform in GPS-denied indoor environments. Our key contributions include: (1) an analytical IBVS teacher that solves numerical instabilities inherent in classical approaches, (2) a two-stage segmentation pipeline combining YOLOv11 with a U-Net-based mask splitter for robust anterior-posterior vehicle segmentation to correctly estimate the orientation of the target, and (3) an efficient knowledge distillation dual-path system, which transfers geometric visual servoing capabilities from the analytical IBVS teacher to a compact and small student neural network that outperforms the teacher, while being suitable for real-time onboard deployment.

Modern artistic productions increasingly demand automated choreography generation that adapts to diverse musical styles and individual dancer characteristics. Existing approaches often fail to produce high-quality dance videos that harmonize with both musical rhythm and user-defined choreography styles, limiting their applicability in real-world creative contexts. To address this gap, we introduce ChoreoMuse, a diffusion-based framework that uses SMPL format parameters and their variation version as intermediaries between music and video generation, thereby overcoming the usual constraints imposed by video resolution. Critically, ChoreoMuse supports style-controllable, high-fidelity dance video generation across diverse musical genres and individual dancer characteristics, including the flexibility to handle any reference individual at any resolution. Our method employs a novel music encoder MotionTune to capture motion cues from audio, ensuring that the generated choreography closely follows the beat and expressive qualities of the input music. To quantitatively evaluate how well the generated dances match both musical and choreographic styles, we introduce two new metrics that measure alignment with the intended stylistic cues. Extensive experiments confirm that ChoreoMuse achieves state-of-the-art performance across multiple dimensions, including video quality, beat alignment, dance diversity, and style adherence, demonstrating its potential as a robust solution for a wide range of creative applications. Video results can be found on our project page: https://choreomuse.github.io.