Can a language model trained largely on Anglo-American texts generate stories that are culturally relevant to other nationalities? To find out, we generated 11,800 stories - 50 for each of 236 countries - by sending the prompt "Write a 1500 word potential {demonym} story" to OpenAI's model gpt-4o-mini. Although the stories do include surface-level national symbols and themes, they overwhelmingly conform to a single narrative plot structure across countries: a protagonist lives in or returns home to a small town and resolves a minor conflict by reconnecting with tradition and organising community events. Real-world conflicts are sanitised, romance is almost absent, and narrative tension is downplayed in favour of nostalgia and reconciliation. The result is a narrative homogenisation: an AI-generated synthetic imaginary that prioritises stability above change and tradition above growth. We argue that the structural homogeneity of AI-generated narratives constitutes a distinct form of AI bias, a narrative standardisation that should be acknowledged alongside the more familiar representational bias. These findings are relevant to literary studies, narratology, critical AI studies, NLP research, and efforts to improve the cultural alignment of generative AI.

Epistemic injustice related to AI is a growing concern. In relation to machine learning models, epistemic injustice can have a diverse range of sources, ranging from epistemic opacity, the discriminatory automation of testimonial prejudice, and the distortion of human beliefs via generative AI's hallucinations to the exclusion of the global South in global AI governance, the execution of bureaucratic violence via algorithmic systems, and interactions with conversational artificial agents. Based on a proposed general taxonomy of epistemic injustice, this paper first sketches a taxonomy of the types of epistemic injustice in the context of AI, relying on the work of scholars from the fields of philosophy of technology, political philosophy and social epistemology. Secondly, an additional conceptualization on epistemic injustice in the context of AI is provided: generative hermeneutical erasure. I argue that this injustice the automation of 'epistemicide', the injustice done to epistemic agents in their capacity for collective sense-making through the suppression of difference in epistemology and conceptualization by LLMs. AI systems' 'view from nowhere' epistemically inferiorizes non-Western epistemologies and thereby contributes to the erosion of their epistemic particulars, gradually contributing to hermeneutical erasure. This work's relevance lies in proposal of a taxonomy that allows epistemic injustices to be mapped in the AI domain and the proposal of a novel form of AI-related epistemic injustice.

The rapid development of AI-driven tools, particularly large language models (LLMs), is reshaping professional writing. Still, key aspects of their adoption such as languages support, ethics, and long-term impact on writers voice and creativity remain underexplored. In this work, we conducted a questionnaire (N = 301) and an interactive survey (N = 36) targeting professional writers regularly using AI. We examined LLM-assisted writing practices across 25+ languages, ethical concerns, and user expectations. The findings of the survey demonstrate important insights, reflecting upon the importance of: LLMs adoption for non-English speakers; the degree of misinformation, domain and style adaptation; usability and key features of LLMs. These insights can guide further development, benefiting both writers and a broader user base.

March 2020 was an inauspicious time, I think we can agree. This may be why Devs, an eight-part sci-fi series by Alex Garland that debuted as the world went into lockdown, didn't attract as large an audience as it could have – we certainly had other things to worry about. I was, I confess, one of the many people who missed it. There are lots of reasons why I have recently rectified that: Garland was on my mind after watching 28 Years Later, for which he wrote the screenplay, and the cold, dark world of Devs was also the perfect antidote to the heatwave this column was written under. But the main reason is that five strange years have passed since the show aired, and I was intrigued to see how it looked, at half a decade's remove.

The importance of recommender systems on the web has grown, especially in the movie industry, with a vast selection of options to watch. To assist users in traversing available items and finding relevant results, recommender systems analyze operational data and investigate users' tastes and habits. Providing highly individualized suggestions can boost user engagement and satisfaction, which is one of the fundamental goals of the movie industry, significantly in online platforms. According to recent studies and research, using knowledge-based techniques and considering the semantic ideas of the textual data is a suitable way to get more appropriate results. This study provides a new method for building a knowledge graph based on semantic information. It uses the ChatGPT, as a large language model, to assess the brief descriptions of movies and extract their tone of voice. Results indicated that using the proposed method may significantly enhance accuracy rather than employing the explicit genres supplied by the publishers.

This study uses agent-based modeling to examine the impact of various recommendation algorithms on the propagation of misinformation on online social networks. We simulate a synthetic environment consisting of heterogeneous agents, including regular users, bots, and influencers, interacting through a social network with recommendation systems. We evaluate four recommendation strategies: popularity-based, collaborative filtering, and content-based filtering, along with a random baseline. Our results show that popularity-driven algorithms significantly amplify misinformation, while item-based collaborative filtering and content-based approaches are more effective in limiting exposure to fake content. Item-based collaborative filtering was found to perform better than previously reported in related literature. These findings highlight the role of algorithm design in shaping online information exposure and show that agent-based modeling can be used to gain realistic insight into how misinformation spreads.

In the current digital landscape, misinformation circulates rapidly, shaping public perception and causing societal divisions. It is difficult to identify hyperpartisan news in Bangla since there aren't many sophisticated natural language processing methods available for this low-resource language. Without effective detection methods, biased content can spread unchecked, posing serious risks to informed discourse. To address this gap, our research fine-tunes Bangla BERT. This is a state-of-the-art transformer-based model, designed to enhance classification accuracy for hyperpartisan news. We evaluate its performance against traditional machine learning models and implement semi-supervised learning to enhance predictions further. Not only that, we use LIME to provide transparent explanations of the model's decision-making process, which helps to build trust in its outcomes. With a remarkable accuracy score of 95.65%, Bangla BERT outperforms conventional approaches, according to our trial data. The findings of this study demonstrate the usefulness of transformer models even in environments with limited resources, which opens the door to further improvements in this area.

Social media platforms increasingly employ proactive moderation techniques, such as detecting and curbing toxic and uncivil comments, to prevent the spread of harmful content. Despite these efforts, such approaches are often criticized for creating a climate of censorship and failing to address the underlying causes of uncivil behavior. Our work makes both theoretical and practical contributions by proposing and evaluating two types of emotion monitoring dashboards to users' emotional awareness and mitigate hate speech. In a study involving 211 participants, we evaluate the effects of the two mechanisms on user commenting behavior and emotional experiences. The results reveal that these interventions effectively increase users' awareness of their emotional states and reduce hate speech. However, our findings also indicate potential unintended effects, including increased expression of negative emotions (Angry, Fear, and Sad) when discussing sensitive issues. These insights provide a basis for further research on integrating proactive emotion regulation tools into social media platforms to foster healthier digital interactions.

We present Audio Flamingo 3 (AF3), a fully open state-of-the-art (SOTA) large audio-language model that advances reasoning and understanding across speech, sound, and music. AF3 introduces: (i) AF-Whisper, a unified audio encoder trained using a novel strategy for joint representation learning across all 3 modalities of speech, sound, and music; (ii) flexible, on-demand thinking, allowing the model to do chain-of-thought-type reasoning before answering; (iii) multi-turn, multi-audio chat; (iv) long audio understanding and reasoning (including speech) up to 10 minutes; and (v) voice-to-voice interaction. To enable these capabilities, we propose several large-scale training datasets curated using novel strategies, including AudioSkills-XL, LongAudio-XL, AF-Think, and AF-Chat, and train AF3 with a novel five-stage curriculum-based training strategy. Trained on only open-source audio data, AF3 achieves new SOTA results on over 20+ (long) audio understanding and reasoning benchmarks, surpassing both open-weight and closed-source models trained on much larger datasets.

Existing optical flow datasets focus primarily on real-world simulation or synthetic human motion, but few are tailored to Celluloid(cel) anime character motion: a domain with unique visual and motion characteristics. To bridge this gap and facilitate research in optical flow estimation and downstream tasks such as anime video generation and line drawing colorization, we introduce LinkTo-Anime, the first high-quality dataset specifically designed for cel anime character motion generated with 3D model rendering. LinkTo-Anime provides rich annotations including forward and backward optical flow, occlusion masks, and Mixamo Skeleton. The dataset comprises 395 video sequences, totally 24,230 training frames, 720 validation frames, and 4,320 test frames. Furthermore, a comprehensive benchmark is constructed with various optical flow estimation methods to analyze the shortcomings and limitations across multiple datasets.