The investigation of neural information structures in music is a rather new, exciting research area bringing together different disciplines such as computer science, mathematics, musicology and cognitive science. One of its aims is to find out what determines the personal style of a composer. It has been shown that neural network models - better than other AI approaches - are able to learn and reproduce styledependent features from given examples, e.g., chorale harmonizations in the style of Johann Sebastian Bach (Hild et al., 1992). However when dealing with melodic sequences, e.g., folksong style melodies, all of these models have considerable difficulties to learn even simple structures. The reason is that they are unable to capture high-order structure such as harmonies, motifs and phrases simultaneously occurring at multiple time scales.

Until recently, artificial intelligence researchers have frowned upon the application of probability propagation in Bayesian belief networks that have cycles. The probability propagation algorithm is only exact in networks that are cycle-free. However, it has recently been discovered that the two best error-correcting decoding algorithms are actually performing probability propagation in belief networks with cycles. 1 Communicating over a noisy channel Our increasingly wired world demands efficient methods for communicating bits of information over physical channels that introduce errors. Examples of real-world channels include twisted-pair telephone wires, shielded cable-TV wire, fiberoptic cable, deep-space radio, terrestrial radio, and indoor radio. Engineers attempt to correct the errors introduced by the noise in these channels through the use of channel coding which adds protection to the information source, so that some channel errors can be corrected.

These algorithms would take as input a melody such *rspangle@micro.caltech.edu,

The investigation of neural information structures in music is a rather new, exciting research area bringing together different disciplines such as computer science, mathematics, musicology and cognitive science. One of its aims is to find out what determines the personal style of a composer. It has been shown that neural network models - better than other AI approaches - are able to learn and reproduce styledependent features from given examples, e.g., chorale harmonizations in the style of Johann Sebastian Bach (Hild et al., 1992). However when dealing with melodic sequences, e.g., folksong style melodies, all of these models have considerable difficulties to learn even simple structures. The reason is that they are unable to capture high-order structure such as harmonies, motifs and phrases simultaneously occurring at multiple time scales.

Until recently, artificial intelligence researchers have frowned upon the application of probability propagation in Bayesian belief networks that have cycles. The probability propagation algorithm is only exact in networks that are cycle-free. However, it has recently been discovered that the two best error-correcting decoding algorithms are actually performing probability propagation in belief networks with cycles. 1 Communicating over a noisy channel Our increasingly wired world demands efficient methods for communicating bits of information over physical channels that introduce errors. Examples of real-world channels include twisted-pair telephone wires, shielded cable-TV wire, fiberoptic cable, deep-space radio, terrestrial radio, and indoor radio. Engineers attempt to correct the errors introduced by the noise in these channels through the use of channel coding which adds protection to the information source, so that some channel errors can be corrected.

The learning and inferencing algorithms presented here speak an extended form of the classical figured bass representation common in Bach's time. Paired with a melody, figured bass provides a sufficient amount of information to reconstruct the harmonic content of a piece of music. Figured bass has several characteristics which make it well-disposed to learning rules. It is a symbolic format which uses a relatively small alphabet of symbols. It is also hierarchical - it specifies first the chord function that is to be played at the current note/timestep, then the scale step to be played by the bass voice, then additional information as needed to specify the alto and tenor scale steps. This allows our algorithm to fire sets of rules sequentially, to first determine the chord function which should be associated with a new melody note, and then to use that chord function as an input attribute to subsequent rulebases which determine the bass, alto, and tenor scale steps. In this way we can build up the final chord from simpler pieces, each governed by a specialized rulebase.

Given a melody, the system invents afour-part chorale harmonization and a variation of any chorale voice, after being trained on music pieces of composers like J. S. Bach and J .

Department of Physics, Cavendish Laboratory Cambridge University Abstract Until recently, artificial intelligence researchers have frowned upon the application of probability propagation in Bayesian belief networks thathave cycles. The probability propagation algorithm is only exact in networks that are cycle-free. However, it has recently been discovered that the two best error-correcting decoding algorithms areactually performing probability propagation in belief networks with cycles. 1 Communicating over a noisy channel Our increasingly wired world demands efficient methods for communicating bits of information over physical channels that introduce errors. Examples of real-world channels include twisted-pair telephone wires, shielded cable-TV wire, fiberoptic cable, deep-space radio, terrestrial radio, and indoor radio. Engineers attempt to correct the errors introduced by the noise in these channels through the use of channel coding which adds protection to the information source, so that some channel errors can be corrected.

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"environment" is a key principle of dynamic, crowded environment. The robots were "costumed" through reception area, recognition of humans, The guests Although all our competitors chose voicesynthesis one foot tall. A number of people were impressed were programmed to switch behavioral other (see figure). Robotics has since used these techniques not acknowledging humans. Credits: Directed by Barry Brian Werger. of the real world would result in numerous from walls, robots, and people; rotation for Seth Landsman, Dan Griffin, and Andy becoming involved with the other social response to "humanlike" sonar signatures.