Various tasks in decision making and decision support systems require selecting a preferred subset of a given set of items. Here we focus on problems where the individual items are described using a set of characterizing attributes, and a generic preference specification is required, that is, a specification that can work with an arbitrary set of items. For example, preferences over the content of an online newspaper should have this form: At each viewing, the newspaper contains a subset of the set of articles currently available. Our preference specification over this subset should be provided offline, but we should be able to use it to select a subset of any currently available set of articles, e.g., based on their tags. We present a general approach for lifting formalisms for specifying preferences over objects with multiple attributes into ones that specify preferences over subsets of such objects. We also show how we can compute an optimal subset given such a specification in a relatively efficient manner. We provide an empirical evaluation of the approach as well as some worst-case complexity results.

Automatic music recommendation has become an increasingly relevant problem in recent years, since a lot of music is now sold and consumed digitally. Most recommender systems rely on collaborative filtering. However, this approach suffers from the cold start problem: it fails when no usage data is available, so it is not effective for recommending new and unpopular songs. In this paper, we propose to use a latent factor model for recommendation, and predict the latent factors from music audio when they cannot be obtained from usage data. We compare a traditional approach using a bag-of-words representation of the audio signals with deep convolutional neural networks, and evaluate the predictions quantitatively and qualitatively on the Million Song Dataset. We show that using predicted latent factors produces sensible recommendations, despite the fact that there is a large semantic gap between the characteristics of a song that affect user preference and the corresponding audio signal. We also show that recent advances in deep learning translate very well to the music recommendation setting, with deep convolutional neural networks significantly outperforming the traditional approach.

Unstructured social group activity recognition in web videos is a challenging task due to 1) the semantic gap between class labels and low-level visual features and 2) the lack of labeled training data. To tackle this problem, we propose a "relevance topic model" for jointly learning meaningful mid-level representations upon bag-of-words (BoW) video representations and a classifier with sparse weights. In our approach, sparse Bayesian learning is incorporated into an undirected topic model (i.e., Replicated Softmax) to discover topics which are relevant to video classes and suitable for prediction. Rectified linear units are utilized to increase the expressive power of topics so as to explain better video data containing complex contents and make variational inference tractable for the proposed model. An efficient variational EM algorithm is presented for model parameter estimation and inference. Experimental results on the Unstructured Social Activity Attribute dataset show that our model achieves state of the art performance and outperforms other supervised topic model in terms of classification accuracy, particularly in the case of a very small number of labeled training videos.

We consider the problem of embedding entities and relationships of multi-relational data in low-dimensional vector spaces. Our objective is to propose a canonical model which is easy to train, contains a reduced number of parameters and can scale up to very large databases. Hence, we propose, TransE, a method which models relationships by interpreting them as translations operating on the low-dimensional embeddings of the entities. Despite its simplicity, this assumption proves to be powerful since extensive experiments show that TransE significantly outperforms state-of-the-art methods in link prediction on two knowledge bases. Besides, it can be successfully trained on a large scale data set with 1M entities, 25k relationships and more than 17M training samples.

Maximization of submodular functions has wide applications in machine learning and artificial intelligence. Adaptive submodular maximization has been traditionally studied under the assumption that the model of the world, the expected gain of choosing an item given previously selected items and their states, is known. In this paper, we study the scenario where the expected gain is initially unknown and it is learned by interacting repeatedly with the optimized function. We propose an efficient algorithm for solving our problem and prove that its expected cumulative regret increases logarithmically with time. Our regret bound captures the inherent property of submodular maximization, earlier mistakes are more costly than later ones. We refer to our approach as Optimistic Adaptive Submodular Maximization (OASM) because it trades off exploration and exploitation based on the optimism in the face of uncertainty principle. We evaluate our method on a preference elicitation problem and show that non-trivial K-step policies can be learned from just a few hundred interactions with the problem.

Inspired by a two-level theory that unifies agenda setting and ideological framing, we propose supervised hierarchical latent Dirichlet allocation (SHLDA) which jointly captures documents' multi-level topic structure and their polar response variables. Our model extends the nested Chinese restaurant process to discover a tree-structured topic hierarchy and uses both per-topic hierarchical and per-word lexical regression parameters to model the response variables. Experiments in a political domain and on sentiment analysis tasks show that SHLDA improves predictive accuracy while adding a new dimension of insight into how topics under discussion are framed.

Multi-armed bandit problems are receiving a great deal of attention because they adequately formalize the exploration-exploitation trade-offs arising in several industrially relevant applications, such as online advertisement and, more generally, recommendation systems. In many cases, however, these applications have a strong social component, whose integration in the bandit algorithm could lead to a dramatic performance increase. For instance, we may want to serve content to a group of users by taking advantage of an underlying network of social relationships among them. In this paper, we introduce novel algorithmic approaches to the solution of such networked bandit problems. More specifically, we design and analyze a global strategy which allocates a bandit algorithm to each network node (user) and allows it to “share” signals (contexts and payoffs) with the neghboring nodes. We then derive two more scalable variants of this strategy based on different ways of clustering the graph nodes. We experimentally compare the algorithm and its variants to state-of-the-art methods for contextual bandits that do not use the relational information. Our experiments, carried out on synthetic and real-world datasets, show a marked increase in prediction performance obtained by exploiting the network structure.

One of the most challenging problems in recommender systems based on the collaborative filtering (CF) concept is data sparseness, i.e., limited user preference data is available for making recommendations. Cross-domain collaborative filtering (CDCF) has been studied as an effective mechanism to alleviate data sparseness of one domain using the knowledge about user preferences from other domains. A key question to be answered in the context of CDCF is what common characteristics can be deployed to link different domains for effective knowledge transfer. In this paper, we assess the usefulness of user-contributed (social) tags in this respect. We do so by means of the Generalized Tag-induced Cross-domain Collaborative Filtering (GTagCDCF) approach that we propose in this paper and that we developed based on the general collective matrix factorization framework. Assessment is done by a series of experiments, using publicly available CF datasets that represent three cross-domain cases, i.e., two two-domain cases and one three-domain case. A comparative analysis on two-domain cases involving GTagCDCF and several state-of-the-art CDCF approaches indicates the increased benefit of using social tags as representatives of explicit links between domains for CDCF as compared to the implicit links deployed by the existing CDCF methods. In addition, we show that users from different domains can already benefit from GTagCDCF if they only share a few common tags. Finally, we use the three-domain case to validate the robustness of GTagCDCF with respect to the scale of datasets and the varying number of domains.

Algorithmic composition is the partial or total automation of the process of music composition by using computers. Since the 1950s, different computational techniques related to Artificial Intelligence have been used for algorithmic composition, including grammatical representations, probabilistic methods, neural networks, symbolic rule-based systems, constraint programming and evolutionary algorithms. This survey aims to be a comprehensive account of research on algorithmic composition, presenting a thorough view of the field for researchers in Artificial Intelligence.

Building on recent research in musical creativity and the composition process, this paper presents a specific practical application of our theory and software to sound design. The BigBang rubette module that brings gestural music composition methods to the Rubato Composer software was recently generalized in order to work with any kinds of musical and non-musical objects. Here, we focus on time-independent sound objects to illustrate several levels of metacreativity. On the one hand, we show a sample process of designing the sound objects themselves by defining appropriate datatypes, which can be done at runtime. On the other hand, we demonstrate how the creative process itself, recorded by the software once the composer starts working with these sound objects, can be used for both improvisation with and automation of any defined operations and transformations.