Media
Mindtech Announces Enhanced Scalability Support for Chameleon
Mindtech Global Ltd, a UK based start-up, has announced container support to allow running multiple instances of their Chameleon synthetic data generation tool on clustered platforms. This approach enables full use of available compute resources leading to a significant reduction in training cycle times for neural networks using Synthetic data. Mindtech's Chameleon was built from the outset with the capability to scale for generating large amounts of data to meet the demands of training visual neural networks for AI systems. The simulator incorporates a scripting engine, enabling easy capabilities for repeated simulation runs, changing single variables at a time. The scenario editor is intended to allow the quick and easy creation of multiple different sequences, to create the data required for the intended use case.
Ray Kurzweil (USA) at Ci2019 - The Future of Intelligence, Artificial and Natural
Called "the restless genius" by The Wall Street Journal and "the ultimate thinking machine" by Forbes magazine, he was selected as one of the top entrepreneurs by Inc. magazine, which described him as the "rightful heir to Thomas Edison." PBS selected him as one of the "sixteen revolutionaries who made America." Ray was the principal inventor of the first CCD flat-bed scanner, the first omni-font optical character recognition, the first print-to-speech reading machine for the blind, the first text-to-speech synthesizer, the first music synthesizer capable of recreating the grand piano and other orchestral instruments, and the first commercially marketed large-vocabulary speech recognition. Among Ray's many honors, he received a Grammy Award for outstanding achievements in music technology; he is the recipient of the National Medal of Technology, was inducted into the National Inventors Hall of Fame, holds twenty-one honorary Doctorates, and honors from three U.S. presidents. Ray has written five national best-selling books, including New York Times best sellers The Singularity Is Near (2005) and How To Create A Mind (2012). He is Co-Founder and Chancellor of Singularity University and a Director of Engineering at Google heading up a team developing machine intelligence and natural language understanding.
The Cinema of Inadvertence, or Why I Like Bad Movies
I watch bad movies, a pastime and a passion I have long shared with my father. When I was a child, we would sit on one of a series of couches scavenged from yard sales or curbsides, eating microwave popcorn while watching, say, Teenagers from Outer Space (1959) or Zontar, the Thing from Venus (1962). My father would set the VCR to tape movies like these in the middle of the night from the sorts of TV channels that programmed them, with palpable desperation, between reruns of The Incredible Hulk and camcordered ads for local mattress-store chains. Amusement, like couches, had to be taken where found. Ours was neither a wholly singular nor widely shared hobby. A few years later, the television series Mystery Science Theater 3000 made text of this subtext: Its framing device consisted of a man and two robots cracking wise over the soundtrack as bad movies played onscreen. It was important that the man wasn't simply alone, and that, at the same time, he was somewhat isolated: a Crusoe-like figure alone on a satellite, forced to build himself a minisociety of talking robots. Watching bad movies was a social yet marginal activity; it was a way of watching that orbited the normal enjoyment of film. In the canon of bad films, Ed Wood's Plan 9 from Outer Space (1959) is the anticlassic. On the satellite where bad-movie watchers gather, it is our Citizen Kane, our Seven Samurai, and in the ages before Amazon, you had to really search to find it.
Sex, Love, and Reproduction in the Age of Technology (Dec 6 & Dec 7)
Event Description: In in our "cyber" age how do we do sex, love and reproduction? This seminar is an interdisciplinary dialogue among psychoanalysts, critical and cultural thinkers, writers and those interested in how our age of technology, consumer (re)production, including pornography, and mass social media has affected what psychoanalysts call "the subject," which is how each and every one of us is uniquely human. The seminar takes place over 2 days, commencing on Friday evening with a panel of invited speakers who will give short presentations, followed by audience discussion. The seminar continues on Saturday morning with the invited keynote speaker, Isabel Millar (see talk and bio below). This is followed by a roundtable discussion with the Friday evening panellists and the invited speaker, and the seminar will conclude with an audience Q&A session.