The rapid normalization of artificial intelligence is forcing a reckoning with how much of the future is being shaped by hype rather than utility. The writers Charles Duhigg, Cal Newport, and Anna Wiener join Tyler Foggatt for a conversation about artificial intelligence and the promises, myths, and anxieties surrounding it. The discussion was recorded before a live audience at The New Yorker Festival this fall. They explore the gap between Silicon Valley's sweeping claims and what generative A.I. can actually do today; how people are using the technology for work, creativity, and emotional support; and why the tech's most immediate political consequences may be the hardest to grapple with. " The Biggest Threat to the 2026 Economy Is Still Donald Trump," by John Cassidy What Can We Do Instead?," by Jay Caspian Kang When an Ivy League school turned against a student .

Recent progress in music generation has been remarkably advanced by the state-of-the-art MusicLM, which comprises a hierarchy of three LMs, respectively, for semantic, coarse acoustic, and fine acoustic modelings. Yet, sampling with the MusicLM requires processing through these LMs one by one to obtain the fine-grained acoustic tokens, making it computationally expensive and prohibitive for a real-time generation. Efficient music generation with a quality on par with MusicLM remains a significant challenge.In this paper, we present M

Breakthroughs, discoveries, and DIY tips sent every weekday. It's something out of a dream or TV show: a married couple takes their dog for a walk and finds a buried treasure worth $10 million. But it actually happened, back in 2013. The treasure is the Saddle Ridge Hoard, the largest ever stash of gold coins found in the United States. The couple, who go by John and Mary in the press, have been careful to obscure their identity and the exact place where they live to prevent would-be treasure hunters from showing up on their property.

Just over half (51%) of published novelists in the UK say that artificial intelligence is likely to end up entirely replacing their work as fiction writers, a new report from the University of Cambridge has found. Close to two-thirds (59%) of novelists say they know their work has been used to train AI Large Language Models (LLMs) without permission or payment. Over a third (39%) of novelists say their income has already taken a hit from generative AI, for example due to loss of other work that facilitates novel writing. Most (85%) novelists expect their future income to be driven down by AI. In new research for Cambridge's Minderoo Centre for Technology and Democracy (MCTD), Dr Clementine Collett surveyed 258 published novelists earlier this year, as well as 74 industry insiders - from commissioning editors to literary agents - to gauge how AI is viewed and used in the world of British fiction.*

Counterpoint is an important concept in Western music theory. In the past century, there have been significant interests in incorporating counterpoint into Chinese folk music composition. In this paper, we propose a reinforcement learning-based system, named FolkDuet, towards the online countermelody generation for Chinese folk melodies. With no existing data of Chinese folk duets, FolkDuet employs two reward models based on out-of-domain data, i.e.

Visual correspondence of 2D animation is the core of many applications and deserves careful study. Existing correspondence datasets for 2D cartoon suffer from simple frame composition and monotonic movements, making them insufficient to simulate real animations. In this work, we present a new 2D animation visual correspondence dataset, AnimeRun, by converting open source 3D movies to full scenes in 2D style, including simultaneous moving background and interactions of multiple subjects. Statistics show that our proposed dataset not only resembles real anime more in image composition, but also possesses richer and more complex motion patterns compared to existing datasets. With this dataset, we establish a comprehensive benchmark by evaluating several existing optical flow and segment matching methods, and analyze shortcomings of these methods on animation data.

AI struggles to write a good jingle. You'd be forgiven if you can't hum the 18th-century Cumbrian folk song "Do Ye Ken John Peel." But in 1942, a version of that tune, reworked with lyrics about Pepsi-Cola, was the most recognized melody in America. Three years earlier, two men walked into the office of Pepsi-Cola's president, carrying a phonograph. They played a demo of what would become one of America's earliest advertising jingles.

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Given a combinatorial optimization problem taking an input, can we learn a strategy to solve it from the examples of input-solution pairs without knowing its objective function? In this paper, we consider such a setting and study the misinformation prevention problem. Given the examples of attacker-protector pairs, our goal is to learn a strategy to compute protectors against future attackers, without the need of knowing the underlying diffusion model. To this end, we design a structured prediction framework, where the main idea is to parameterize the scoring function using random features constructed through distance functions on randomly sampled subgraphs, which leads to a kernelized scoring function with weights learnable via the large margin method. Evidenced by experiments, our method can produce near-optimal protectors without using any information of the diffusion model, and it outperforms other possible graph-based and learning-based methods by an evident margin.

Algorithmic recommender systems such as Spotify and Netflix affect not only consumer behavior but also . Producers seek to create content that will be shown by the recommendation algorithm, which can impact both the diversity and quality of their content. In this work, we investigate the resulting supply-side equilibria in personalized content recommender systems. We model the decisions of producers as choosing content vectors and users as having preferences, which contrasts with classical low-dimensional models. Multi-dimensionality and heterogeneity creates the potential for, where different producers create different types of content at equilibrium. Using a duality argument, we derive necessary and sufficient conditions for whether specialization occurs. Then, we characterize the distribution of content at equilibrium in concrete settings with two populations of users. Lastly, we show that specialization can enable producers to achieve, which means that specialization can reduce the competitiveness of the marketplace. At a conceptual level, our analysis of supply-side competition takes a step towards elucidating how personalized recommendations shape the marketplace of digital goods.