According to Bloomberg and The New York Times, Meta is in talks with the likes of Keegan-Michael Key, Awkwafina and Dame Judi Dench, among others, for its AI projects. The company apparently intends to incorporate their voices into a conversational generative AI-slash-digital assistant called MetaAI, which is rumored to be like Siri and Google Assistant, which could live within Facebook, Meta hardware, and all the other parts of the multimillion-dollar social network company. The actors' representatives are still negotiating for stricter limits, though SAG-AFTRA has reportedly agreed on terms with Meta. SAG-AFTRA, if you recall, fought for provisions to protect actors from the threat of job loss due to AI. Didn't Meta already do something like this? Yes. During its Connect event last year, the company also introduced a chatbot platform with 28 "characters" voiced by celebrities, including Snoop Dogg, Paris Hilton, Dwyane Wade and Kendall Jenner.

This paper introduces a novel two-stage framework for accurate Egyptian Vehicle License Plate Recognition (EVLPR). The first stage employs image processing techniques to reliably localize license plates, while the second stage utilizes a custom-designed deep learning model for robust Arabic character recognition. The proposed system achieves a remarkable 99.3% accuracy on a diverse dataset, surpassing existing approaches. Its potential applications extend to intelligent traffic management, including traffic violation detection and parking optimization. Future research will focus on enhancing the system's capabilities through architectural refinements, expanded datasets, and addressing system dependencies.

This paper explores the automated process of determining stem compatibility by identifying audio recordings of single instruments that blend well with a given musical context. To tackle this challenge, we present Stem-JEPA, a novel Joint-Embedding Predictive Architecture (JEPA) trained on a multi-track dataset using a self-supervised learning approach. Our model comprises two networks: an encoder and a predictor, which are jointly trained to predict the embeddings of compatible stems from the embeddings of a given context, typically a mix of several instruments. Training a model in this manner allows its use in estimating stem compatibility - retrieving, aligning, or generating a stem to match a given mix - or for downstream tasks such as genre or key estimation, as the training paradigm requires the model to learn information related to timbre, harmony, and rhythm. We evaluate our model's performance on a retrieval task on the MUSDB18 dataset, testing its ability to find the missing stem from a mix and through a subjective user study. We also show that the learned embeddings capture temporal alignment information and, finally, evaluate the representations learned by our model on several downstream tasks, highlighting that they effectively capture meaningful musical features.

Various linguistic and non-linguistic clues, such as excessive emphasis on a word, a shift in the tone of voice, or an awkward expression, frequently convey sarcasm. The computer vision problem of sarcasm recognition in conversation aims to identify hidden sarcastic, criticizing, and metaphorical information embedded in everyday dialogue. Prior, sarcasm recognition has focused mainly on text. Still, it is critical to consider all textual information, audio stream, facial expression, and body position for reliable sarcasm identification. Hence, we propose a novel approach that combines a lightweight depth attention module with a self-regulated ConvNet to concentrate on the most crucial features of visual data and an attentional tokenizer based strategy to extract the most critical context-specific information from the textual data. The following is a list of the key contributions that our experimentation has made in response to performing the task of Multi-modal Sarcasm Recognition: an attentional tokenizer branch to get beneficial features from the glossary content provided by the subtitles; a visual branch for acquiring the most prominent features from the video frames; an utterance-level feature extraction from acoustic content and a multi-headed attention based feature fusion branch to blend features obtained from multiple modalities. Extensive testing on one of the benchmark video datasets, MUSTaRD, yielded an accuracy of 79.86% for speaker dependent and 76.94% for speaker independent configuration demonstrating that our approach is superior to the existing methods. We have also conducted a cross-dataset analysis to test the adaptability of VyAnG-Net with unseen samples of another dataset MUStARD++.

Interpersonal communication plays a key role in managing people's emotions, especially on digital platforms. Studies have shown that people use social media and consume online content to regulate their emotions and find support for rest and recovery. However, these platforms are not designed for emotion regulation, which limits their effectiveness in this regard. To address this issue, we propose an approach to enhance Interpersonal Emotion Regulation (IER) on online platforms through content recommendation. The objective is to empower users to regulate their emotions while actively or passively engaging in online platforms by crafting media content that aligns with IER strategies, particularly empathic responding. The proposed recommendation system is expected to blend system-initiated and user-initiated emotion regulation, paving the way for real-time IER practices on digital media platforms. To assess the efficacy of this approach, a mixed-method research design is used, including the analysis of text-based social media data and a user survey. Digital applications has served as facilitators in this process, given the widespread recognition of digital media applications for Digital Emotion Regulation (DER). The study collects 37.5K instances of user posts and interactions on Reddit over a year to design a Contextual Multi-Armed Bandits (CMAB) based recommendation system using features from user activity and preferences. The experimentation shows that the empathic recommendations generated by the proposed recommendation system are preferred by users over widely accepted ER strategies such as distraction and avoidance.

Enabling Large Language Models (LLMs) to generate citations in Question-Answering (QA) tasks is an emerging paradigm aimed at enhancing the verifiability of their responses when LLMs are utilizing external references to generate an answer. However, there is currently no unified framework to standardize and fairly compare different citation generation methods, leading to difficulties in reproducing different methods and a comprehensive assessment. To cope with the problems above, we introduce \name, an open-source and modular toolkit designed to facilitate the implementation and evaluation of existing citation generation methods, while also fostering the development of new approaches to improve citation quality in LLM outputs. This tool is highly extensible, allowing users to utilize 4 main modules and 14 components to construct a pipeline, evaluating an existing method or innovative designs. Our experiments with two state-of-the-art LLMs and 11 citation generation baselines demonstrate varying strengths of different modules in answer accuracy and citation quality improvement, as well as the challenge of enhancing granularity. Based on our analysis of the effectiveness of components, we propose a new method, self-RAG \snippet, obtaining a balanced answer accuracy and citation quality. Citekit is released at https://github.com/SjJ1017/Citekit.

Technological advances facilitate the ability to acquire multimodal data, posing a challenge for recognition systems while also providing an opportunity to use the heterogeneous nature of the information to increase the generalization capability of models. An often overlooked issue is the cost of the labeling process, which is typically high due to the need for a significant investment in time and money associated with human experts. Existing semi-supervised learning methods often focus on operating in the feature space created by the fusion of available modalities, neglecting the potential for cross-utilizing complementary information available in each modality. To address this problem, we propose Cross-Modality Clustering-based Self-Labeling (CMCSL). Based on a small set of pre-labeled data, CMCSL groups instances belonging to each modality in the deep feature space and then propagates known labels within the resulting clusters. Next, information about the instances' class membership in each modality is exchanged based on the Euclidean distance to ensure more accurate labeling. Experimental evaluation conducted on 20 datasets derived from the MM-IMDb dataset indicates that cross-propagation of labels between modalities -- especially when the number of pre-labeled instances is small -- can allow for more reliable labeling and thus increase the classification performance in each modality.

Speech resynthesis is a generic task for which we want to synthesize audio with another audio as input, which finds applications for media monitors and journalists.Among different tasks addressed by speech resynthesis, voice conversion preserves the linguistic information while modifying the identity of the speaker, and speech edition preserves the identity of the speaker but some words are modified.In both cases, we need to disentangle speaker and phonetic contents in intermediate representations.Phonetic PosteriorGrams (PPG) are a frame-level probabilistic representation of phonemes, and are usually considered speaker-independent.This paper presents a PPG-based speech resynthesis system.A perceptive evaluation assesses that it produces correct audio quality.Then, we demonstrate that an automatic speaker verification model is not able to recover the source speaker after re-synthesis with PPG, even when the model is trained on synthetic data.

While large language models learn sound statistical representations of the language and information therein, ontologies are symbolic knowledge representations that can complement the former ideally. Research at this critical intersection relies on datasets that intertwine ontologies and text corpora to enable training and comprehensive benchmarking of neurosymbolic models. We present the MaterioMiner dataset and the linked materials mechanics ontology where ontological concepts from the mechanics of materials domain are associated with textual entities within the literature corpus. Another distinctive feature of the dataset is its eminently fine-granular annotation. Specifically, 179 distinct classes are manually annotated by three raters within four publications, amounting to a total of 2191 entities that were annotated and curated. Conceptual work is presented for the symbolic representation of causal composition-process-microstructure-property relationships. We explore the annotation consistency between the three raters and perform fine-tuning of pre-trained models to showcase the feasibility of named-entity recognition model training. Reusing the dataset can foster training and benchmarking of materials language models, automated ontology construction, and knowledge graph generation from textual data.

This study introduces a text-conditioned approach to generating drumbeats with Latent Diffusion Models (LDMs). It uses informative conditioning text extracted from training data filenames. By pretraining a text and drumbeat encoder through contrastive learning within a multimodal network, aligned following CLIP, we align the modalities of text and music closely. Additionally, we examine an alternative text encoder based on multihot text encodings. Inspired by musics multi-resolution nature, we propose a novel LSTM variant, MultiResolutionLSTM, designed to operate at various resolutions independently. In common with recent LDMs in the image space, it speeds up the generation process by running diffusion in a latent space provided by a pretrained unconditional autoencoder. We demonstrate the originality and variety of the generated drumbeats by measuring distance (both over binary pianorolls and in the latent space) versus the training dataset and among the generated drumbeats. We also assess the generated drumbeats through a listening test focused on questions of quality, aptness for the prompt text, and novelty. We show that the generated drumbeats are novel and apt to the prompt text, and comparable in quality to those created by human musicians.