Computer system creativity is a key step on the pathway to artificial general intelligence (AGI). It is elusive, however, due to the fact that human creativity is not fully understood and, thus, it is difficult to develop this capability in software. Large language models (LLMs) provide a facsimile of creativity and the appearance of sentience, while not actually being either creative or sentient. While LLMs have created bona fide new content, in some cases - such as with harmful hallucinations - inadvertently, their deliberate creativity is seen by some to not match that of humans. In response to this challenge, this paper proposes a technique for enhancing LLM output creativity via an iterative process of concept injection and refinement. Initial work on the development of the Creative Artificial Intelligence through Recurring Developments and Determinations (CAIRDD) system is presented and the efficacy of key system components is evaluated.

In this work, we explore the use and reliability of Large Language Models (LLMs) in musicology. From a discussion with experts and students, we assess the current acceptance and concerns regarding this, nowadays ubiquitous, technology. We aim to go one step further, proposing a semi-automatic method to create an initial benchmark using retrieval-augmented generation models and multiple-choice question generation, validated by human experts. Our evaluation on 400 human-validated questions shows that current vanilla LLMs are less reliable than retrieval augmented generation from music dictionaries. This paper suggests that the potential of LLMs in musicology requires musicology driven research that can specialized LLMs by including accurate and reliable domain knowledge.

This paper presents rerankers, a Python library which provides an easy-to-use interface to the most commonly used re-ranking approaches. Re-ranking is an integral component of many retrieval pipelines; however, there exist numerous approaches to it, relying on different implementation methods. rerankers unifies these methods into a single user-friendly interface, allowing practitioners and researchers alike to explore different methods while only changing a single line of Python code. Moreover ,rerankers ensures that its implementations are done with the fewest dependencies possible, and re-uses the original implementation whenever possible, guaranteeing that our simplified interface results in no performance degradation compared to more complex ones. The full source code and list of supported models are updated regularly and available at https://github.com/answerdotai/rerankers.

In recent years, foundation models (FMs) such as large language models (LLMs) and latent diffusion models (LDMs) have profoundly impacted diverse sectors, including music. This comprehensive review examines state-of-the-art (SOTA) pre-trained models and foundation models in music, spanning from representation learning, generative learning and multimodal learning. We first contextualise the significance of music in various industries and trace the evolution of AI in music. By delineating the modalities targeted by foundation models, we discover many of the music representations are underexplored in FM development. Then, emphasis is placed on the lack of versatility of previous methods on diverse music applications, along with the potential of FMs in music understanding, generation and medical application. By comprehensively exploring the details of the model pre-training paradigm, architectural choices, tokenisation, finetuning methodologies and controllability, we emphasise the important topics that should have been well explored, like instruction tuning and in-context learning, scaling law and emergent ability, as well as long-sequence modelling etc. A dedicated section presents insights into music agents, accompanied by a thorough analysis of datasets and evaluations essential for pre-training and downstream tasks. Finally, by underscoring the vital importance of ethical considerations, we advocate that following research on FM for music should focus more on such issues as interpretability, transparency, human responsibility, and copyright issues. The paper offers insights into future challenges and trends on FMs for music, aiming to shape the trajectory of human-AI collaboration in the music realm.

Indonesian and Western gamelan ensembles are investigated with respect to performance differences. Thereby, the often exotistic history of this music in the West might be reflected in contemporary tonal system, articulation, or large-scale form differences. Analyzing recordings of four Western and five Indonesian orchestras with respect to tonal systems and timbre features and using self-organizing Kohonen map (SOM) as a machine learning algorithm, a clear clustering between Indonesian and Western ensembles appears using certain psychoacoustic features. These point to a reduced articulation and large-scale form variability of Western ensembles compared to Indonesian ones. The SOM also clusters the ensembles with respect to their tonal systems, but no clusters between Indonesian and Western ensembles can be found in this respect. Therefore, a clear analogy between lower articulatory variability and large-scale form variation and a more exostistic, mediative and calm performance expectation and reception of gamelan in the West therefore appears.

Recently, former president and convicted felon Donald Trump posted a series of photos that appeared to show fans of pop star Taylor Swift supporting his bid for the US presidency. The pictures looked AI-generated, and WIRED was able to confirm they probably were by running them through the nonprofit True Media's detection tool to confirm that they showed "substantial evidence of manipulation." The use of generative AI, including for political purposes, has become increasingly common, and WIRED has been tracking its use in elections around the world. But in much of the world outside the US and parts of Europe, detecting AI-generated content is difficult because of biases in the training of systems, leaving journalists and researchers with few resources to address the deluge of disinformation headed their way. Detecting media generated or manipulated using AI is still a burgeoning field, a response to the sudden explosion of generative AI companies.

The Pixel 9 Pro is a rare beast: a smaller phone that keeps the same bold design, specs and camera as Google's biggest and most expensive model. It makes it an instant contender for the best small phone going. The Guardian's journalism is independent. We will earn a commission if you buy something through an affiliate link. At 999 ( 1,099/ 999/A 1,699), it is cheaper than its larger Pixel 9 Pro XL sibling but still firmly in the high-end bracket.

Human video generation task has gained significant attention with the advancement of deep generative models. Generating realistic videos with human movements is challenging in nature, due to the intricacies of human body topology and sensitivity to visual artifacts. The extensively studied 2D media generation methods take advantage of massive human media datasets, but struggle with 3D-aware control; whereas 3D avatar-based approaches, while offering more freedom in control, lack photorealism and cannot be harmonized seamlessly with background scene. We propose AMG, a method that combines the 2D photorealism and 3D controllability by conditioning video diffusion models on controlled rendering of 3D avatars. We additionally introduce a novel data processing pipeline that reconstructs and renders human avatar movements from dynamic camera videos. AMG is the first method that enables multi-person diffusion video generation with precise control over camera positions, human motions, and background style. We also demonstrate through extensive evaluation that it outperforms existing human video generation methods conditioned on pose sequences or driving videos in terms of realism and adaptability.

Retrieved documents containing noise will hinder RAG from detecting answer clues and make the inference process slow and expensive. Therefore, context compression is necessary to enhance its accuracy and efficiency. Existing context compression methods use extractive or generative models to retain the most query-relevant sentences or apply the information bottleneck theory to preserve sufficient information. However, these methods may face issues such as over-compression or high computational costs. We observe that the retriever often ranks relevant documents at the top, but the exact number of documents needed to answer the query is uncertain due to the impact of query complexity and retrieval quality: complex queries like multi-hop questions may require retaining more documents than simpler queries, and a low-quality retrieval may need to rely on more documents to generate accurate outputs. Therefore, determining the minimum number of required documents (compression rate) is still a challenge for RAG. In this paper, we introduce AdaComp, a low-cost extractive context compression method that adaptively determines the compression rate based on both query complexity and retrieval quality. Specifically, we first annotate the minimum top-k documents necessary for the RAG system to answer the current query as the compression rate and then construct triplets of the query, retrieved documents, and its compression rate. Then, we use this triplet dataset to train a compression-rate predictor. Experiments on three QA datasets and one conversational Muiti-doc QA dataset show that AdaComp significantly reduces inference costs while maintaining performance nearly identical to uncompressed models, achieving a balance between efficiency and performance.

The advances in the digital era have led to rapid dissemination of information. This has also aggravated the spread of misinformation and disinformation. This has potentially serious consequences, such as civil unrest. While fact-checking aims to combat this, manual fact-checking is cumbersome and not scalable. While automated fact-checking approaches exist, they do not operate in real-time and do not always account for spread of misinformation through different modalities. This is particularly important as proactive fact-checking on live streams in real-time can help people be informed of false narratives and prevent catastrophic consequences that may cause civil unrest. This is particularly relevant with the rapid dissemination of information through video on social media platforms or other streams like political rallies and debates. Hence, in this work we develop a platform named LiveFC, that can aid in fact-checking live audio streams in real-time. LiveFC has a user-friendly interface that displays the claims detected along with their veracity and evidence for live streams with associated speakers for claims from respective segments. The app can be accessed at http://livefc.factiverse.ai and a screen recording of the demo can be found at https://bit.ly/3WVAoIw.