Media Storms, dramatic outbursts of attention to a story, are central components of media dynamics and the attention landscape. Despite their significance, there has been little systematic and empirical research on this concept due to issues of measurement and operationalization. We introduce an iterative human-in-the-loop method to identify media storms in a large-scale corpus of news articles. The text is first transformed into signals of dispersion based on several textual characteristics. In each iteration, we apply unsupervised anomaly detection to these signals; each anomaly is then validated by an expert to confirm the presence of a storm, and those results are then used to tune the anomaly detection in the next iteration. We demonstrate the applicability of this method in two scenarios: first, supplementing an initial list of media storms within a specific time frame; and second, detecting media storms in new time periods. We make available a media storm dataset compiled using both scenarios.

Knowledge Graph (KG) is a graph based data structure to represent facts of the world where nodes represent real world entities or abstract concept and edges represent relation between the entities. Graph as representation for knowledge has several drawbacks like data sparsity, computational complexity and manual feature engineering. Knowledge Graph embedding tackles the drawback by representing entities and relation in low dimensional vector space by capturing the semantic relation between them. There are different KG embedding models. Here, we discuss translation based and neural network based embedding models which differ based on semantic property, scoring function and architecture they use. Further, we discuss application of KG in some domains that use deep learning models and leverage social media data.

Self-supervised learning has emerged as a powerful way to pre-train generalizable machine learning models on large amounts of unlabeled data. It is particularly compelling in the music domain, where obtaining labeled data is time-consuming, error-prone, and ambiguous. During the self-supervised process, models are trained on pretext tasks, with the primary objective of acquiring robust and informative features that can later be fine-tuned for specific downstream tasks. The choice of the pretext task is critical as it guides the model to shape the feature space with meaningful constraints for information encoding. In the context of music, most works have relied on contrastive learning or masking techniques. In this study, we expand the scope of pretext tasks applied to music by investigating and comparing the performance of new self-supervised methods for music tagging. We open-source a simple ResNet model trained on a diverse catalog of millions of tracks. Our results demonstrate that, although most of these pre-training methods result in similar downstream results, contrastive learning consistently results in better downstream performance compared to other self-supervised pre-training methods. This holds true in a limited-data downstream context.

"Wait a minute, wait a minute. You ain't heard nothing yet." So went the first line of audible dialogue in a feature film, 1927's The Jazz Singer. It was one of the first times that mass media had conveyed the sight and sound of a scene together, and the audience was enthralled. There have been improvements since: black and white has become colour, frame rates and resolutions have increased and sound quality has improved, but the media we consume still caters overwhelmingly, if not exclusively, to our eyes and ears.

Over the past two decades, the surge in video streaming applications has been fueled by the increasing accessibility of the internet and the growing demand for network video. As users with varying internet speeds and devices seek high-quality video, transcoding becomes essential for service providers. In this paper, we introduce a parametric rate-distortion (R-D) transcoding model. Our model excels at predicting transcoding distortion at various rates without the need for encoding the video. This model serves as a versatile tool that can be used to achieve visual quality improvement (in terms of PSNR) via trans-sizing. Moreover, we use our model to identify visually lossless and near-zero-slope bitrate ranges for an ingest video. Having this information allows us to adjust the transcoding target bitrate while introducing visually negligible quality degradations. By utilizing our model in this manner, quality improvements up to 2 dB and bitrate savings of up to 46% of the original target bitrate are possible. Experimental results demonstrate the efficacy of our model in video transcoding rate distortion prediction.

Recent studies suggest that self-reflective prompting can significantly enhance the reasoning capabilities of Large Language Models (LLMs). However, the use of external feedback as a stop criterion raises doubts about the true extent of LLMs' ability to emulate human-like self-reflection. In this paper, we set out to clarify these capabilities under a more stringent evaluation setting in which we disallow any kind of external feedback. Our findings under this setting show a split: while self-reflection enhances performance in TruthfulQA, it adversely affects results in HotpotQA. We conduct follow-up analyses to clarify the contributing factors in these patterns, and find that the influence of self-reflection is impacted both by reliability of accuracy in models' initial responses, and by overall question difficulty: specifically, self-reflection shows the most benefit when models are less likely to be correct initially, and when overall question difficulty is higher. We also find that self-reflection reduces tendency toward majority voting. Based on our findings, we propose guidelines for decisions on when to implement self-reflection. We release the codebase for reproducing our experiments at https://github.com/yanhong-lbh/LLM-SelfReflection-Eval.

This article presents a benchmark study of symbolic piano music classification using the masked language modelling approach of the Bidirectional Encoder Representations from Transformers (BERT). Specifically, we consider two types of MIDI data: MIDI scores, which are musical scores rendered directly into MIDI with no dynamics and precisely aligned with the metrical grid notated by its composer and MIDI performances, which are MIDI encodings of human performances of musical scoresheets. With five public-domain datasets of single-track piano MIDI files, we pre-train two 12-layer Transformer models using the BERT approach, one for MIDI scores and the other for MIDI performances, and fine-tune them for four downstream classification tasks. These include two note-level classification tasks (melody extraction and velocity prediction) and two sequence-level classification tasks (style classification and emotion classification). Our evaluation shows that the BERT approach leads to higher classification accuracy than recurrent neural network (RNN)-based baselines.

Despite the superb performance in many tasks, large language models (LLMs) bear the risk of generating hallucination or even wrong answers when confronted with tasks that demand the accuracy of knowledge. The issue becomes even more noticeable when addressing logic queries that require multiple logic reasoning steps. On the other hand, knowledge graph (KG) based question answering methods are capable of accurately identifying the correct answers with the help of knowledge graph, yet its accuracy could quickly deteriorate when the knowledge graph itself is sparse and incomplete. It remains a critical challenge on how to integrate knowledge graph reasoning with LLMs in a mutually beneficial way so as to mitigate both the hallucination problem of LLMs as well as the incompleteness issue of knowledge graphs. In this paper, we propose 'Logic-Query-of-Thoughts' (LGOT) which is the first of its kind to combine LLMs with knowledge graph based logic query reasoning. LGOT seamlessly combines knowledge graph reasoning and LLMs, effectively breaking down complex logic queries into easy to answer subquestions. Through the utilization of both knowledge graph reasoning and LLMs, it successfully derives answers for each subquestion. By aggregating these results and selecting the highest quality candidate answers for each step, LGOT achieves accurate results to complex questions. Our experimental findings demonstrate substantial performance enhancements, with up to 20% improvement over ChatGPT.

Fox News Flash top headlines are here. Check out what's clicking on Foxnews.com. MADRID (AP) -- Capitalizing on an impressive moment in Spanish-language music, Uruguayan singer-songwriter Jorge Drexler is embarking on his first tour of Europe. "Even Don Quixote didn't get as far as urban Spanish-speaking music is getting today in the world. You can go everywhere and you will find music that was written in Spanish," he told The Associated Press in an interview.

Many major tech companies, particularly those that operate in the TV hardware business, have dipped their toes into original content. Although it's had its own free, ad-supported TV (FAST) channels for a while, TCL is late to that party. Not for much longer though, as the company is set to release its first special, a short romance movie, on TCLtv this summer. There's just one slight hitch: TCL is using generative AI to make original content for its platform, and early signs do not bode well. The company has released the first trailer for Next Stop Paris, which it's calling "the first AI-powered love story."