Gopher Protocol Completes Phase I in AI Based Robotics Research


Certain statements contained in this press release may constitute "forward-looking statements". Forward-looking statements provide current expectations of future events based on certain assumptions and include any statement that does not directly relate to any historical or current fact. Actual results may differ materially from those indicated by such forward-looking statements as a result of various important factors as disclosed in our filings with the Securities and Exchange Commission located at their website ( In addition to these factors, actual future performance, outcomes, and results may differ materially because of more general factors including (without limitation) general industry and market conditions and growth rates, economic conditions, governmental and public policy changes, the Company's ability to raise capital on acceptable terms, if at all, the Company's successful development of its products and the integration into its existing products and the commercial acceptance of the Company's products. The forward-looking statements included in this press release represent the Company's views as of the date of this press release and these views could change.

General vs Narrow AI – Hacker Noon


Narrow AI is where we have been. General AI is where we are going. Narrow AI refers to AI which is able to handle just one particular task. A spam filtering tool, or a recommended playlist from Spotify, or even a self-driving car -- all of which are sophisticated uses of technology -- can only be defined via the term'narrow AI'. Even Watson, IBM's media-friendly supercomputer which can beat human experts at Jeopardy!

A robot that can touch, eat and sleep? The science of cyborgs like Alita: Battle Angel


Alita: Battle Angel is an interesting and wild ride, jam-packed full of concepts around cybernetics, dystopian futures and cyberpunk themes. The film – in cinemas now – revolves around Alita (Rosa Salazar), a female cyborg (with original human brain) that is recovered by cybernetic doctor Dyson Ido (Christoph Waltz) and brought into the world of the future (the film is set in 2563). Hundreds of years after a catastrophic war, called "The Fall", the population of Earth now resides in a wealthy sky city called Zalem and a sprawling junkyard called Iron City where the detritus from Zalem is dumped. We follow Alita's story as she makes friends and enemies, and discovers more about her past. Her character is great – she has many of the mannerisms of a teenage girl combined with a determination and overarching sense of what is right – "I do not stand by in the presence of evil."

Alita: Battle Angel May Actually Get You Excited for the Avatar Sequels


If the eyes are the windows to the soul, the pair belonging to the cyborg heroine of Alita: Battle Angel are a set of double doors flung wide open, as limpid and blossoming as a Keane painting's. Alita (Rosa Salazar) enters the movie atop a heap of scrap outside the settlement of Iron City, which is where most of what human life remains on Earth has clustered in the mid–26th century. Or rather, her head does, along with a remnant of metallic spine dangling below. Storefront cybernetic surgeon Dyson Ido (Christoph Waltz) finds Alita's central nervous system and rebuilds her from the neck down, but the movie, which was directed by Robert Rodriguez and co-written by James Cameron and Laeta Kalogridis, works in the other direction, from the gut--or is it the crotch--to the heart, only occasionally making it all the way to the brain. Although it's set in the year 2563, the driving force behind Alita is nostalgia.

The Eye-Popping Alita: Battle Angel Never Ends--Literally


I'm going to go ahead and spoil Alita: Battle Angel for you. Not because I'm a dick, but because revealing the ending tells you nothing about the plot and will ruin absolutely nothing about the film. It ends--drum roll, please--with Alita (Rosa Salazar), sword in hand, staring down her foe, her Big Bad. Then it cuts to black and the credits play. The whole movie is a setup for a punch line that never comes.

Robots Are Writing the News and Nobody's Talking About It


As journalists face increased layoffs despite the growing appetite for up-to-the-minute, timely news, a new trend has quietly been disrupting the news industry. News organizations are increasingly turning toward artificial intelligence (AI) for production, using a variety of new automated systems to pump out content with minimal need for direct human input. According to a report by The New York Times, Bloomberg News relies on a system called Cyborg to produce about a third of its articles. Most of Cyborg's output takes the form of company earnings reports that are rife with percentages, charts, and other financial data that can be crunched down into a news story quickly and accurately. Increasingly, major news agency like Reuters and Associated Press, along with a number of newspapers such as Washington Post and Los Angeles Times, are using algorithms to crunch out news on everything from local minor league sports games to earthquakes.

The robot helping a seven-year-old boy go to school

BBC News

Sam's mum Jude told BBC Radio 5 Live: "Perhaps most importantly for Sam, it's knowing what's going on during school without getting any germs. And just not feeling left out. Feeling like he is still part of the class and that people haven't forgotten him."

Skeptical of Artificial Intelligence? You Can Blame the Media This Time


Can we talk about this first? Artificial intelligence is going to change the world profoundly, although exactly how is still unclear. The CEO of one AI company recently declared that "working for a living will become obsolete" as smart robots begin providing everything we need from self-driving cars to health care. That's a little hard to believe. But business leaders think AI could soon reduce the human workforce by as much as 99 percent in certain sectors.

"Alita: Battle Angel," Reviewed: A Robert Rodriguez and James Cameron Robot Film with Too Much "Titanic" in Its DNA

The New Yorker

The new effects-driven science-fiction thriller "Alita: Battle Angel" stages a behind-the-scenes tussle for the ages: it is a collaboration between Robert Rodriguez, a filmmaker known for such neo-pulp action films as "From Dusk till Dawn" and "Sin City," and James Cameron, a filmmaker whose technological sophistication is matched by a simplistic emotionalism. Here they are thrown together in a virtual video ring and try to collaborate. And, however sincere and earnest their alliance may be, the movie itself tells a different tale: Cameron's sensibility wins, hands down. Not only does Rodriguez give up most of the fun, but Cameron also runs away with the substance. And that's all the more unfortunate, as the two are evenly matched early on in the film and the outcome of their efforts appears, at first, promising.